# 02 - January / February 2016
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IF IT CLASSIFIES AS METAL,
YOU WILL FIND IT HERE! MANIC MOSH METAL |
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CHECK OUT MANIC MOSH METAL @ https://twitter.com/Manicmoshmetal for the latest updates, news, links etc.
CHASTAIN – CD 2015 “We Bleed Metal”
label: Pure Steel records www.puresteel-records.com
songs: We Bleed Metal / All Hail The King / Against All The Gods / Search Time For You / Don't Trust Tomorrow / I Am A Warrior / Evolution Of Terror / The Last Ones Alive /Secrets //
web: www.myspace.com/chastainofficial
Chastain are the true survivors of U.S. PowerMetal that released a whole string of albums in the 80's, and followed through in the 90's and into the new millennium with the “In An Outrage” album 2004. “We Bleed Metal” is their latest showcase, and with the female powerhouse vocals of Singer Leather Leone and the gripping riffage and guitarwork of Mr. Chastain himself teaming up once more, there is no guessing about the sound of the new set. “We Bleed Metal” takes you right back to the glorious sound of classic Chastain albums such as “Mystery Of Illusion” and “Ruler Of The Wasteland”. This, particularly applies to the up-tempo semi Headbanger “All Hail The King” (in a way reminiscent of “Fighting To Stay Alive”), the chunky, mid-tempo driven “Don't Trust Tomorrow”, and the similar styled, moderately paced 80's Metaler “I Am A Warrior” with the 'trademark' Chastain guitar re-appearing. Although the main chunk is rooted in the 80's, the concept is largely roughened up, and more straight-forward than ever before. The melodic element has been clouded by a bare-knuckle sound that occasionally tends towards Trash in the riff-department as witnessed on “All Hail The King”, the double bass driven “Evolution Of Terror” and the 90's styled “Against All The Gods” with this synchronized guitar / drum programming that sort of blends the Thrash sound of Annihilator with Fear Factory. Apart from “All Hail The King”, there's no fast cuts on the album, and the main tempo is moderately to mid-paced, dipping into a slow and grinding modus with the ominous, atmospheric laden “Search Time For You” that sounds like a PowerMetal version of Doom Metal. The signature Chastain sound is still intact in the refrains and vocal lines; the main draw of any Chastain album, and this one is no different as there's plenty of gripping themes and shout along modes throughout (such as the anthemic titletrack). The “We Bleed Metal” album is still Chastain by all means, however without the melodic element of the early days, less of the guitar flash thing but more punch and crunch in a roughened up appearance. A fine effort once again.
Paul van der Burght
label: Pure Steel records www.puresteel-records.com
songs: We Bleed Metal / All Hail The King / Against All The Gods / Search Time For You / Don't Trust Tomorrow / I Am A Warrior / Evolution Of Terror / The Last Ones Alive /Secrets //
web: www.myspace.com/chastainofficial
Chastain are the true survivors of U.S. PowerMetal that released a whole string of albums in the 80's, and followed through in the 90's and into the new millennium with the “In An Outrage” album 2004. “We Bleed Metal” is their latest showcase, and with the female powerhouse vocals of Singer Leather Leone and the gripping riffage and guitarwork of Mr. Chastain himself teaming up once more, there is no guessing about the sound of the new set. “We Bleed Metal” takes you right back to the glorious sound of classic Chastain albums such as “Mystery Of Illusion” and “Ruler Of The Wasteland”. This, particularly applies to the up-tempo semi Headbanger “All Hail The King” (in a way reminiscent of “Fighting To Stay Alive”), the chunky, mid-tempo driven “Don't Trust Tomorrow”, and the similar styled, moderately paced 80's Metaler “I Am A Warrior” with the 'trademark' Chastain guitar re-appearing. Although the main chunk is rooted in the 80's, the concept is largely roughened up, and more straight-forward than ever before. The melodic element has been clouded by a bare-knuckle sound that occasionally tends towards Trash in the riff-department as witnessed on “All Hail The King”, the double bass driven “Evolution Of Terror” and the 90's styled “Against All The Gods” with this synchronized guitar / drum programming that sort of blends the Thrash sound of Annihilator with Fear Factory. Apart from “All Hail The King”, there's no fast cuts on the album, and the main tempo is moderately to mid-paced, dipping into a slow and grinding modus with the ominous, atmospheric laden “Search Time For You” that sounds like a PowerMetal version of Doom Metal. The signature Chastain sound is still intact in the refrains and vocal lines; the main draw of any Chastain album, and this one is no different as there's plenty of gripping themes and shout along modes throughout (such as the anthemic titletrack). The “We Bleed Metal” album is still Chastain by all means, however without the melodic element of the early days, less of the guitar flash thing but more punch and crunch in a roughened up appearance. A fine effort once again.
Paul van der Burght
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SPEEDBREAKER – CD 2014 “Built For Speed”
label: Dying Victims productions
songs: Shoot, Shoot / Night Patrol / Fire In The Sky / Take You To Hell / Built For Speed / Black Leather Queen / Unholy Night / Metal Love / Speedbreaker //
web: http://www.facebook.com/speedbreakerheavy
After a string of releases, including 2 demo-tapes, an a split 7” (with Iron Curtain), German Metalers Speedbreaker hooked up with Dying Victims productions to launch their full-length album, “Built For Speed”. The cover already indicates what is to come and Speedbreaker truly live up to their moniker and portrayed concept, engaging in fast paced Euro Metal, exactly the way it was played in the early mid 80's. No bands in particular from that era Speedbreaker could be compared to, apart maybe for when the band takes a slightly different approach on the heavier, more raw edged Warfare / Motorhead dusted “Fire In The Sky” tending towards PunkMetal. Songs are speed driven and double-bass drummed (minus “Fire In The Sky”) generating classic style Euro-Headbangers. Throughout the material, the guitars add a melodic edge via the melody hooks and mobility lead riffs that move the band down NWOBHM registers on “Shoot, Shoot” and “Night Patrol”. It is the gruff talk type vocalage however that best replicates the German sound of old, highlighted on the staccato-riffed semi-Thrasher “Unholy Night” after starting up in a straight-out Metal / HardRock fashion. This is one great, energetic album in its territories that hits the mark in full throttle mode without any frills. Entertaining!
Paul van der Burght
“Built For Speed” is available @ www.dying-victims.de
LP version via Destruktion records and Urtod Void in a limited edition of
300 copies on black vinyl / 100 copies on splatter vinyl / 100 copies on coloured vinyl
Pro-done tape release via Urtod Void
www.destruktionrecords.de www.urtodrecords.de
label: Dying Victims productions
songs: Shoot, Shoot / Night Patrol / Fire In The Sky / Take You To Hell / Built For Speed / Black Leather Queen / Unholy Night / Metal Love / Speedbreaker //
web: http://www.facebook.com/speedbreakerheavy
After a string of releases, including 2 demo-tapes, an a split 7” (with Iron Curtain), German Metalers Speedbreaker hooked up with Dying Victims productions to launch their full-length album, “Built For Speed”. The cover already indicates what is to come and Speedbreaker truly live up to their moniker and portrayed concept, engaging in fast paced Euro Metal, exactly the way it was played in the early mid 80's. No bands in particular from that era Speedbreaker could be compared to, apart maybe for when the band takes a slightly different approach on the heavier, more raw edged Warfare / Motorhead dusted “Fire In The Sky” tending towards PunkMetal. Songs are speed driven and double-bass drummed (minus “Fire In The Sky”) generating classic style Euro-Headbangers. Throughout the material, the guitars add a melodic edge via the melody hooks and mobility lead riffs that move the band down NWOBHM registers on “Shoot, Shoot” and “Night Patrol”. It is the gruff talk type vocalage however that best replicates the German sound of old, highlighted on the staccato-riffed semi-Thrasher “Unholy Night” after starting up in a straight-out Metal / HardRock fashion. This is one great, energetic album in its territories that hits the mark in full throttle mode without any frills. Entertaining!
Paul van der Burght
“Built For Speed” is available @ www.dying-victims.de
LP version via Destruktion records and Urtod Void in a limited edition of
300 copies on black vinyl / 100 copies on splatter vinyl / 100 copies on coloured vinyl
Pro-done tape release via Urtod Void
www.destruktionrecords.de www.urtodrecords.de
ITALIAN ALTERNATIVE MODEL REFEN DOE
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Italian Alternative Model REFEN DOE wearing Manic Mosh tee. Photo by La Minu / Minu In Wonderland.
More of the awesome photographic work by La Minu @ https://www.facebook.com/MinuInWonderland
More on Model Refen Doe @ https://www.facebook.com/pages/Refen-doe/328609193948098
More of the awesome photographic work by La Minu @ https://www.facebook.com/MinuInWonderland
More on Model Refen Doe @ https://www.facebook.com/pages/Refen-doe/328609193948098
PRESENCE – CD re-issue 2015 “Rock Your Life” (1986 LP + demo)
label: No Remorse records
songs: Danger Zone / Metal Rage / Rock Your Life / No Way / Com'on Baby / Rock'n'Roll / Stop (Breakin' My Heart) / When A Wall Is Made / Paris' Burning / Prisonnier / Prince Des Guerres / Amour Interdit / Maitre De l'Univers / London Road / Mutant //
Re-issue of obscure 80's French HardRockers Presence doing the melodic HardRock thing with a hint of A.O.R / Mainstream HardRock. A tough choice at the time as there simply was no room for Underground bands of this sort in a fairly Thrash and Metal dominated scene. A shame, really, as Presence were well above the average standard, combining the likes of Sammy Hagar, The Scorpions, and Y&T in a neat and orderly fashion with a niche for melody and balance. The referencing points mainly find their expression in the vocal department, sporting a mid-range voice that lies somewhere in between Sammy Hagar and Klaus Meine (Scorpions). Most of the set (which is a recollection of the '86 “Danger Zone” album) is HardRock by nature and given the 'Mainstream Rock' make-over through the vocal choirs, topping on the mid-paced “Danger Zone”, the balladry of “No Way” and the mid-paced groovster “Com'on Baby”. On the heavier side of the spectrum are the melodic semi-Headbanger “Metal Rage” (in the Y&T styles) and the mid-paced, double-bass drummed “Paris' Burning” although still dressed with the vocal choirs, but heavier riffage to compensate. Tracks #10 to #16 are a collection of unreleased, pre-”Danger Zone” material, released as a demo in 1985. These songs show a different, heavier approach; still melodic-laden but faster, including 2 semi-Headbangers; “Prince De Guerres” (a la Y&T) and “Amour Interdit”. “Prisonnier” has The Scorpions (“Blackout” LP era) written all over even though it is all sung in native French tongue, as are the other bonus tracks, landing a one-off comparison to Sortilege, mixed with a major dose of The Scorpions down the Metaler “Maitre De l'Univers”. This is one very enjoyable re-capture of the band's repertoire and just goes to show that quality songwriting just does not cut it when the trends point in a different direction. A loss at the time moving under the radars of recognition but a true gem to be re-discovered. This is one neat and nice sounding HardRock affair well worth checking out, some nice guitar work in there aswell!
Paul van der Burght
label: No Remorse records
songs: Danger Zone / Metal Rage / Rock Your Life / No Way / Com'on Baby / Rock'n'Roll / Stop (Breakin' My Heart) / When A Wall Is Made / Paris' Burning / Prisonnier / Prince Des Guerres / Amour Interdit / Maitre De l'Univers / London Road / Mutant //
Re-issue of obscure 80's French HardRockers Presence doing the melodic HardRock thing with a hint of A.O.R / Mainstream HardRock. A tough choice at the time as there simply was no room for Underground bands of this sort in a fairly Thrash and Metal dominated scene. A shame, really, as Presence were well above the average standard, combining the likes of Sammy Hagar, The Scorpions, and Y&T in a neat and orderly fashion with a niche for melody and balance. The referencing points mainly find their expression in the vocal department, sporting a mid-range voice that lies somewhere in between Sammy Hagar and Klaus Meine (Scorpions). Most of the set (which is a recollection of the '86 “Danger Zone” album) is HardRock by nature and given the 'Mainstream Rock' make-over through the vocal choirs, topping on the mid-paced “Danger Zone”, the balladry of “No Way” and the mid-paced groovster “Com'on Baby”. On the heavier side of the spectrum are the melodic semi-Headbanger “Metal Rage” (in the Y&T styles) and the mid-paced, double-bass drummed “Paris' Burning” although still dressed with the vocal choirs, but heavier riffage to compensate. Tracks #10 to #16 are a collection of unreleased, pre-”Danger Zone” material, released as a demo in 1985. These songs show a different, heavier approach; still melodic-laden but faster, including 2 semi-Headbangers; “Prince De Guerres” (a la Y&T) and “Amour Interdit”. “Prisonnier” has The Scorpions (“Blackout” LP era) written all over even though it is all sung in native French tongue, as are the other bonus tracks, landing a one-off comparison to Sortilege, mixed with a major dose of The Scorpions down the Metaler “Maitre De l'Univers”. This is one very enjoyable re-capture of the band's repertoire and just goes to show that quality songwriting just does not cut it when the trends point in a different direction. A loss at the time moving under the radars of recognition but a true gem to be re-discovered. This is one neat and nice sounding HardRock affair well worth checking out, some nice guitar work in there aswell!
Paul van der Burght
ON TOP – CD EP 2015 “Topless”
label: Toil records
songs: Lie To Me / Go Crazy / 282 / Got Me Runnin //
web: www.facebook.com/ontoprocks
Newest release by this Philadelphia based 3-piece that Rock hard down its 4 songs. The sound of On Top would fit well under the umbrella of HardRock, yet it is not..... These guys came up with something more stylish and distinctive with the grooves and guts of raw guitarRock and the riffage of HardRock / Metal the way it was done in the 90's. The drives are catchy, the guitar hooks are gripping and the vocals are snappy and raised in the upper mid-range; think a milder sounding Rage Against The Machine- meets – AFI vocally. The E.P opens with “Lie To Me”; a gripping up-tempo Rocker with a catchy, almost Bluesy vibe and a rough edge in a 'smoothened' appearance. Some tasty guitar action by Brian Davis alongside the snappy vocalage of Jaron Gulino. The moderately paced “Go Crazy” is another riff-monster that, in a way reminds of the early Extreme sound guitar-wise. As the solo sets in, the pace is accelerated, rolling on double-bass drums to fuel the groove-laden guitar flash. “282” has more bite to it, patterned on a moderately fast pace and a cutting edge guitar / vocal wise; think Danko Jones with a sense for subtlety. Things take another turn to a pimped up BluesRock thing towards the end of the tune. The disc concludes with the classic HardRock riffed “Got Me Runnin'”; a catchy up-tempo Rocker with some dazzling guitar flash. On Top sound like a well-oiled machine and their set has all the attributes to make you Rock out! This thing grabs attention from start to finish with that pure, stripped to basic 3-piece Rock band sound! Razorsharp production courtesy of Chris "The Wizard" Collier (KXM, Lynch Mob). Watch this band!
Paul van der Burght
label: Toil records
songs: Lie To Me / Go Crazy / 282 / Got Me Runnin //
web: www.facebook.com/ontoprocks
Newest release by this Philadelphia based 3-piece that Rock hard down its 4 songs. The sound of On Top would fit well under the umbrella of HardRock, yet it is not..... These guys came up with something more stylish and distinctive with the grooves and guts of raw guitarRock and the riffage of HardRock / Metal the way it was done in the 90's. The drives are catchy, the guitar hooks are gripping and the vocals are snappy and raised in the upper mid-range; think a milder sounding Rage Against The Machine- meets – AFI vocally. The E.P opens with “Lie To Me”; a gripping up-tempo Rocker with a catchy, almost Bluesy vibe and a rough edge in a 'smoothened' appearance. Some tasty guitar action by Brian Davis alongside the snappy vocalage of Jaron Gulino. The moderately paced “Go Crazy” is another riff-monster that, in a way reminds of the early Extreme sound guitar-wise. As the solo sets in, the pace is accelerated, rolling on double-bass drums to fuel the groove-laden guitar flash. “282” has more bite to it, patterned on a moderately fast pace and a cutting edge guitar / vocal wise; think Danko Jones with a sense for subtlety. Things take another turn to a pimped up BluesRock thing towards the end of the tune. The disc concludes with the classic HardRock riffed “Got Me Runnin'”; a catchy up-tempo Rocker with some dazzling guitar flash. On Top sound like a well-oiled machine and their set has all the attributes to make you Rock out! This thing grabs attention from start to finish with that pure, stripped to basic 3-piece Rock band sound! Razorsharp production courtesy of Chris "The Wizard" Collier (KXM, Lynch Mob). Watch this band!
Paul van der Burght
THE MANIC MOSH T-SHIRT IS HERE....!
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BLACK BOX FIT TEE
Old-school style, thick and rubbery yellow screen print on black shirt. Woven, Manic Mosh skull logo on sleeve. 100 % cotton. available in sizes: XS, S, M, L HAND-PRINTED IN LONDON! £15.00 including FREE Airmail shipping worldwide! Get yours at the Manic Mosh Shop @ http://www.manicmoshmagazine.com/shop.html 
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Above left: Model Nea Dune with Manic Mosh tee
I AM THE TRIREME – CD 2015 “Gnosis: Never Follow The Light”
label: Horror Pain Gore Death Productions
songs: Mettre Fin A Cette / Trusty Noose / Basking In The Essence Of My Sorrow / Grey Fields Of Ash / Sombering Light / Ascending Into Oblivion / A Sullen Reflection Of Purity / Tamerlane (chapter 1) / Tamerlane (chapter 2) //
web: http://www.iamthetrireme.com
Philiadelphia based act engaging some Atmospheric BlackMetal with an Avant Garde twist and elements of Doom and the Progressive thing. Alongside the blast-beats and slam-drummage to fuel the faster, all-out BlackMetal moments, there's this sense for melody that finds its expression in the melodic guitar hooks and melodies that even tend to hint at Iron Maiden down the slow, Progressive-laden “Basking In The Essence Of My Sorrow”. The vocals are variable in appearance, but overall moody and gurgling in a scream modus BlackMetal style. The vibe gets really dark and Doomy on “Sombering Light”; a down-sphered tune with violins intro and slam-drummed acceleration in the centre of the song. Some more Doom hooks on follow-up tune “Ascending Into Oblivion” that has the violin parts at the ending of the song. In all, “Gnosis..” is a fine piece of BlackMetal with a few sidesteps style wise. Convincing.
Paul van der Burght
label: Horror Pain Gore Death Productions
songs: Mettre Fin A Cette / Trusty Noose / Basking In The Essence Of My Sorrow / Grey Fields Of Ash / Sombering Light / Ascending Into Oblivion / A Sullen Reflection Of Purity / Tamerlane (chapter 1) / Tamerlane (chapter 2) //
web: http://www.iamthetrireme.com
Philiadelphia based act engaging some Atmospheric BlackMetal with an Avant Garde twist and elements of Doom and the Progressive thing. Alongside the blast-beats and slam-drummage to fuel the faster, all-out BlackMetal moments, there's this sense for melody that finds its expression in the melodic guitar hooks and melodies that even tend to hint at Iron Maiden down the slow, Progressive-laden “Basking In The Essence Of My Sorrow”. The vocals are variable in appearance, but overall moody and gurgling in a scream modus BlackMetal style. The vibe gets really dark and Doomy on “Sombering Light”; a down-sphered tune with violins intro and slam-drummed acceleration in the centre of the song. Some more Doom hooks on follow-up tune “Ascending Into Oblivion” that has the violin parts at the ending of the song. In all, “Gnosis..” is a fine piece of BlackMetal with a few sidesteps style wise. Convincing.
Paul van der Burght
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Above left: photo by Ira Rotenberg / Positive Body Image photography. Centre: photo by Phil H/ Ph pictures.
Right: photo by Terryis Hamilton / Photomancy photography
Right: photo by Terryis Hamilton / Photomancy photography
MZ SHANK – Gothic Fetish Model and Designer
web: http://www.facebook.com/ShockValueShank42
Vancouver, B.C based Mz Shank is a Gothic Fetish model and designer that reinvigorated her modelling career in 2013 with rewarding results, including a series of shoots with photographer Ira Rotenberg (Positive Body Image Photography), and a cover feature for a photographic book by Baron S. Cameron of Culture Thug Photography. “I have been told I'm a chameleon, I love to change it up”; “why look like everyone else?” I say. “I'm always rocking my dark make-up, platforms, and in your face outfits & props. Picking shoots that are out of the norm, even a bit risky which has given an edginess to my work. Still patiently, I'm awaiting my epic shock value shoot that tops the rest”.... Mz Shank also has a very creative side and apart from making some of her wardrobe and props, this also finds its expression in the line of clothing and accessories for her own brand DEMONHOODZ known for its Satanic themed, horned hoods. Some of the bands Mz Shank likes to listen to include Three Inches Of Blood, Lamb Of God, The Haunted, Skeletonwitch, Obituary, Opeth and Goatwhore. Stay tuned for a Mz Shank calender to start 2016 in a true Alternative fashion!
Photography:
Terryis Hamilton / Photomancy photography https://m.facebook.com/pages/Photomancy/812273305450090 http://photomancy.club
Ira Rotenberg / Positive Body Image photography http:Vancouverpositivebodyimagephotography.com
Patrick Rooney https://facebook.com/Pinupz.and.Burlesque
Phil H / Ph pictures www.ph-pictures.com
Dave Despayre / DespayreFX www.facebook.com/DespayreFX
web: http://www.facebook.com/ShockValueShank42
Vancouver, B.C based Mz Shank is a Gothic Fetish model and designer that reinvigorated her modelling career in 2013 with rewarding results, including a series of shoots with photographer Ira Rotenberg (Positive Body Image Photography), and a cover feature for a photographic book by Baron S. Cameron of Culture Thug Photography. “I have been told I'm a chameleon, I love to change it up”; “why look like everyone else?” I say. “I'm always rocking my dark make-up, platforms, and in your face outfits & props. Picking shoots that are out of the norm, even a bit risky which has given an edginess to my work. Still patiently, I'm awaiting my epic shock value shoot that tops the rest”.... Mz Shank also has a very creative side and apart from making some of her wardrobe and props, this also finds its expression in the line of clothing and accessories for her own brand DEMONHOODZ known for its Satanic themed, horned hoods. Some of the bands Mz Shank likes to listen to include Three Inches Of Blood, Lamb Of God, The Haunted, Skeletonwitch, Obituary, Opeth and Goatwhore. Stay tuned for a Mz Shank calender to start 2016 in a true Alternative fashion!
Photography:
Terryis Hamilton / Photomancy photography https://m.facebook.com/pages/Photomancy/812273305450090 http://photomancy.club
Ira Rotenberg / Positive Body Image photography http:Vancouverpositivebodyimagephotography.com
Patrick Rooney https://facebook.com/Pinupz.and.Burlesque
Phil H / Ph pictures www.ph-pictures.com
Dave Despayre / DespayreFX www.facebook.com/DespayreFX
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Above left: photo by Ira Rotenberg / Positive Body Image photography. Centre: photo by Dave Despayre / Despayre FX.
Right: photo by Patrick Rooney
Right: photo by Patrick Rooney
RUTHLESS – CD / LP 2015 “They Rise”
label: Pure Steel records www.puresteel-records.com
songs: Defender / Laceration / They Rise / Circle Of Trust / Hang Man / Time Waits / Out Of The Ashes / Frustration / Systematic Terror / Gates Of Hell / Metal Without Mercy / Bury The Axe / The Fever / Mass Killer //
web: www.ruthlessmetal.com/ www.facebook.com/pages/RuthlessMetal-Offical/673724512679267
80's Metalers Ruthless have arisen from the ashes with a comeback album that is played in the same tradition as their earlier work, the ”Metal' Without Mercy” E.P ('84) and the '86 “Discipline Of Steel” full-lengther. Where Ruthless simply got lost in the abundance of U.S. Metal bands popping up in the mid 80's, they now made their mark with a new repertoire that ticks all the boxes in U.S. Metal / PowerMetal territories. This is one most entertaining set of songs drenched in the 80's Metal thing; think a mix of Blacklist, Overkill, Judas Priest, Tyrant and Lizzy Borden, beefed up with the distinctive 'talk-type' powerhouse vocalage of original singer Sammy DeJohn that swings the band towards PowerMetal on more than one occasion. As was the case on the earlier works, material is riff-oriented and straight forward, adding up to the energy and impact of it all, as clearly spotlighted on the classic Speed / Thrash Metal tinged “Frustration” that sounds like a cocktail of Exciter and Destructor. Follow-up tune “Systematic Terror” shows a more chunky and HardRock rooted Metal approach, that has the classic European sound a la Accept merging with elements in the vein of Overkill's “Taking Over” L.P. There's quite a few moments Ruthless connects with Overkill's 2nd album, particularly vocally, be it that Sammy's voice is more PowerMetal minded with 'atmospheric' modes and those high pitches yells. Throughout the album, there is a good differentiation in pace and themes with a strong sense for catchiness that is pushed forward down the driven up-tempo Metaler “Defender” sporting a Euro-Metal influenced riff that simply sticks! The slow, grinding “They Rise” is a display of superb U.S. PowerMetal with an ominous atmosphere and 'narrative' vocalage in a variety of appearances. Fastest piece of the set is the thundering Powerlord-esque Power / SpeedMetaler “Hangman” rolling on a gripping riff, driven drummage and snappy, talk-type vocals that go into vibrato modus down the refrain. It may not be that evident, but the drummage of Jason VanSlyke truly rules throughout the set, delivering a steady (straight-forward) drive whilst slipping in a whole lot of creative rolls and rhythmics. In all, “They Rise” is a very complete album and the sort of thing you just play over and over again as it is easy on the ear. Also features the original “Metal Without Mercy” E.P in its entirety. One of the better U.S. Metal / PowerMetal picks from 2015 and the best the band has ever done! Well worth checking out.
Paul van der Burght
label: Pure Steel records www.puresteel-records.com
songs: Defender / Laceration / They Rise / Circle Of Trust / Hang Man / Time Waits / Out Of The Ashes / Frustration / Systematic Terror / Gates Of Hell / Metal Without Mercy / Bury The Axe / The Fever / Mass Killer //
web: www.ruthlessmetal.com/ www.facebook.com/pages/RuthlessMetal-Offical/673724512679267
80's Metalers Ruthless have arisen from the ashes with a comeback album that is played in the same tradition as their earlier work, the ”Metal' Without Mercy” E.P ('84) and the '86 “Discipline Of Steel” full-lengther. Where Ruthless simply got lost in the abundance of U.S. Metal bands popping up in the mid 80's, they now made their mark with a new repertoire that ticks all the boxes in U.S. Metal / PowerMetal territories. This is one most entertaining set of songs drenched in the 80's Metal thing; think a mix of Blacklist, Overkill, Judas Priest, Tyrant and Lizzy Borden, beefed up with the distinctive 'talk-type' powerhouse vocalage of original singer Sammy DeJohn that swings the band towards PowerMetal on more than one occasion. As was the case on the earlier works, material is riff-oriented and straight forward, adding up to the energy and impact of it all, as clearly spotlighted on the classic Speed / Thrash Metal tinged “Frustration” that sounds like a cocktail of Exciter and Destructor. Follow-up tune “Systematic Terror” shows a more chunky and HardRock rooted Metal approach, that has the classic European sound a la Accept merging with elements in the vein of Overkill's “Taking Over” L.P. There's quite a few moments Ruthless connects with Overkill's 2nd album, particularly vocally, be it that Sammy's voice is more PowerMetal minded with 'atmospheric' modes and those high pitches yells. Throughout the album, there is a good differentiation in pace and themes with a strong sense for catchiness that is pushed forward down the driven up-tempo Metaler “Defender” sporting a Euro-Metal influenced riff that simply sticks! The slow, grinding “They Rise” is a display of superb U.S. PowerMetal with an ominous atmosphere and 'narrative' vocalage in a variety of appearances. Fastest piece of the set is the thundering Powerlord-esque Power / SpeedMetaler “Hangman” rolling on a gripping riff, driven drummage and snappy, talk-type vocals that go into vibrato modus down the refrain. It may not be that evident, but the drummage of Jason VanSlyke truly rules throughout the set, delivering a steady (straight-forward) drive whilst slipping in a whole lot of creative rolls and rhythmics. In all, “They Rise” is a very complete album and the sort of thing you just play over and over again as it is easy on the ear. Also features the original “Metal Without Mercy” E.P in its entirety. One of the better U.S. Metal / PowerMetal picks from 2015 and the best the band has ever done! Well worth checking out.
Paul van der Burght
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Above left: Glenn S. Howes, centre: Dave Irwin, right: Harry 'Hiroshima' Hill and Dave Irwin. Photos by Manic Mosh
FIST @ The Unicorn, London 23/01/2016
U.K outfit Fist were a familiar name at the height of the NWOBHM genre in the early 80's, and one of the few to differentiate, inking a record deal and landing international recognition. And yes,they were connected to the legendary Neat label with a couple of singles and their landmark album “Back With A Vengeance”. As the NWOBHM genre faded towards the mid-80's, so did most of the bands it had generated. With the resurrection of old school Metal and the NWOBHM machine, many a band of the 80's are back in the spotlights, and so are Fist 'Turning The Hell On' with a great show @ London's Unicorn, featuring original members Dave Irwin (guitars, vocals), drummer Harry 'Hiroshima' Hill and bassist Norman Appleby. The band has a perfect match with lead singer and guitarist Glenn S. Howes hitting all the notes with a muscular voice, packed with a solid vibrato and a strong sense for melody, highlighted on the more emotive laden, Rock balladry of “Collision Course” and “Lost And Found”. The band grabbed a selection of their “Turn The Hell On” LP and the “Back With A Vengeance” follow-up album, alongside some classic single-tracks. Fist packed the place out and really got the crowd going with their heavier workouts “Devil Rise” and “Brain Damage”. The band closed their set with the classic “Name, Rank And Serial Number” with the crowd backing the chorus, and did another encore with a homage to Lemmy in the shape of the Motorhead classic “Ace Of Spades” . Fist truly are 'Back With A Vengeance” firing up a most entertaining set of old-school Metal that Rocks and grooves.
Support acts of the night were New Wave Of Old School Heavy Metal acts SEVEN SISTERS and ASCALON.
Links:
FIST https://www.facebook.com/fistnwobhm/?fref=ts
SEVEN SISTERS https://www.facebook.com/sevensistersuk/?fref=ts
ASCALON https://www.facebook.com/Ascalonmetal/?fref=ts
U.K outfit Fist were a familiar name at the height of the NWOBHM genre in the early 80's, and one of the few to differentiate, inking a record deal and landing international recognition. And yes,they were connected to the legendary Neat label with a couple of singles and their landmark album “Back With A Vengeance”. As the NWOBHM genre faded towards the mid-80's, so did most of the bands it had generated. With the resurrection of old school Metal and the NWOBHM machine, many a band of the 80's are back in the spotlights, and so are Fist 'Turning The Hell On' with a great show @ London's Unicorn, featuring original members Dave Irwin (guitars, vocals), drummer Harry 'Hiroshima' Hill and bassist Norman Appleby. The band has a perfect match with lead singer and guitarist Glenn S. Howes hitting all the notes with a muscular voice, packed with a solid vibrato and a strong sense for melody, highlighted on the more emotive laden, Rock balladry of “Collision Course” and “Lost And Found”. The band grabbed a selection of their “Turn The Hell On” LP and the “Back With A Vengeance” follow-up album, alongside some classic single-tracks. Fist packed the place out and really got the crowd going with their heavier workouts “Devil Rise” and “Brain Damage”. The band closed their set with the classic “Name, Rank And Serial Number” with the crowd backing the chorus, and did another encore with a homage to Lemmy in the shape of the Motorhead classic “Ace Of Spades” . Fist truly are 'Back With A Vengeance” firing up a most entertaining set of old-school Metal that Rocks and grooves.
Support acts of the night were New Wave Of Old School Heavy Metal acts SEVEN SISTERS and ASCALON.
Links:
FIST https://www.facebook.com/fistnwobhm/?fref=ts
SEVEN SISTERS https://www.facebook.com/sevensistersuk/?fref=ts
ASCALON https://www.facebook.com/Ascalonmetal/?fref=ts
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Above left and right: Fist @ The Unicorn, London. Photos by Manic Mosh
METAL RECORD FAIR – DYNAMO, Eindhoven, Holland
web: https://www.facebook.com/events/201515313523284/
On Sunday March 13th, the famous Dynamo venue in Eindhoven, Holland will be hosting the Metal Record Fair, packing the place with stalls full of Metal records, CD's and related items.
Opening times: 11:00 – 17:00 hrs
location: Dynamo, Catharinaplein 21, 5611 DE – Eindhoven, Holland
FREE entry!
Event presented by Kinsum records
web: https://www.facebook.com/events/201515313523284/
On Sunday March 13th, the famous Dynamo venue in Eindhoven, Holland will be hosting the Metal Record Fair, packing the place with stalls full of Metal records, CD's and related items.
Opening times: 11:00 – 17:00 hrs
location: Dynamo, Catharinaplein 21, 5611 DE – Eindhoven, Holland
FREE entry!
Event presented by Kinsum records
MINDLESS SINNER – CD 2015 “The New Messiah”
label: Pure Steel records www.puresteel-records.com
songs: Men Of Steel / Where Worlds Collide / The New Messiah / Follow Your Path / Terror / We’re The Ones / Dance Of The Devil / Time Of Fear / Step Into The Fire / Metalized //
web: www.facebook.com/mindlesssinnerofficial www.myspace.com/mindlesssinner
Sweden based act Mindless Sinner first surfaced on the Metal scene back in the early 80's with their “Master Of Evil” E.P. This release moved under the radars of recognition, and follow-up album “Turn On The Power” did not change the obscure status of the band. In more recent years, the '83 “Master Of Evil” E.P became a sought after item and triggered a new interest in the band, with Pure Steel records snapping the band up for a come-back release. “The New Messiah” is an all new set of songs but sounds as if it was penned back in the early – mid 80's. Mindless Sinner replicate the traditional Swedish HardRock / Metal concept, blending the likes of Europe and Malmsteen with traces of early Scorpions and Dio. The album kicks off with “Men Of Steel”; an all out, European mould semi-Headbanger with a driven beat and a melodic undertone with the Europe and Malmsteen thing high up there. The mid-paced “Where Worlds Collide” has a dash of Judas Priest alongside its Dio styled lead guitar. More of the Dio thing is found on the slow and catchy titletrack, and the mid-paced “Terror”. Another slow tune comes in the shape of “Metalized” with the pace slightly accelerating to a moderate tempo on the atmospheric edged “Time Of Fear” and the semi-ballad that is “Dance Of The Devil”. Upwards it goes with the galloping, all-out Swedish styled “Follow Your Path” and the driven up-tempo “We're The Ones”, plus another European-mould semi Headbanger (“Step Into The Fire”) thrown in towards the end. Overall, music is more HardRock than Metal minded with a subtle, melodic feel and those signature Scandinavian guitar harmonies / melodies. The vocalage of Christer Göransson compliments the melodic aspect, delivering a clear and crisp, upper mid-range voice with a good vibrato and higher pitched modes. Set as a whole is riff-based and catchy with a fairly straight forward but textbook performance. Entertaining!
Paul van der Burght
label: Pure Steel records www.puresteel-records.com
songs: Men Of Steel / Where Worlds Collide / The New Messiah / Follow Your Path / Terror / We’re The Ones / Dance Of The Devil / Time Of Fear / Step Into The Fire / Metalized //
web: www.facebook.com/mindlesssinnerofficial www.myspace.com/mindlesssinner
Sweden based act Mindless Sinner first surfaced on the Metal scene back in the early 80's with their “Master Of Evil” E.P. This release moved under the radars of recognition, and follow-up album “Turn On The Power” did not change the obscure status of the band. In more recent years, the '83 “Master Of Evil” E.P became a sought after item and triggered a new interest in the band, with Pure Steel records snapping the band up for a come-back release. “The New Messiah” is an all new set of songs but sounds as if it was penned back in the early – mid 80's. Mindless Sinner replicate the traditional Swedish HardRock / Metal concept, blending the likes of Europe and Malmsteen with traces of early Scorpions and Dio. The album kicks off with “Men Of Steel”; an all out, European mould semi-Headbanger with a driven beat and a melodic undertone with the Europe and Malmsteen thing high up there. The mid-paced “Where Worlds Collide” has a dash of Judas Priest alongside its Dio styled lead guitar. More of the Dio thing is found on the slow and catchy titletrack, and the mid-paced “Terror”. Another slow tune comes in the shape of “Metalized” with the pace slightly accelerating to a moderate tempo on the atmospheric edged “Time Of Fear” and the semi-ballad that is “Dance Of The Devil”. Upwards it goes with the galloping, all-out Swedish styled “Follow Your Path” and the driven up-tempo “We're The Ones”, plus another European-mould semi Headbanger (“Step Into The Fire”) thrown in towards the end. Overall, music is more HardRock than Metal minded with a subtle, melodic feel and those signature Scandinavian guitar harmonies / melodies. The vocalage of Christer Göransson compliments the melodic aspect, delivering a clear and crisp, upper mid-range voice with a good vibrato and higher pitched modes. Set as a whole is riff-based and catchy with a fairly straight forward but textbook performance. Entertaining!
Paul van der Burght
ASCALON – Manchester's Old School Metalers
web: https://www.facebook.com/Ascalonmetal/?fref=ts
https://ascalon.bandcamp.com/
Manchester Metalers Ascalon first entered the scene with a contribution (“Steel Nights”) to the Flash Of The Blade 'Vol.1' compilation, along with Wytch Hazel, Eliminator and Asomvel. The band followed up in 2015 in the shape of a 3-track demo sporting the tracks Steel Nights”, Ascalon” and “Vigilante”. Opening track “Steel Nights” is a gripping, riff-based Metaler with a slight melodic undertone that is nicely balanced out by the roughened up mid-range vocals that, in a way remind of Pretty Maids, and the same applies to the music, referring to “Vigilante”; a bassdrum-driven old-school Headbanger NWOBHM style, straight-forward and riff-based with a catchy, shout along theme. “Ascalon” is a moderately paced anthemic Metaler built around an Epic sphered chorus and dressed with a guitar laden mid-paced acceleration. The vocals of singer / guitarist Matt Gerrard are pretty much the focal point of the songs and suit the music very well, delivering a deep, mid-range voice with the higher pitched yells to it. Another key element throughout is the accessibility of the songs; really easy on the ear with sticky riffs and a catchy vibe that is splashed with a light, melodic touch. The package works well and is played in true 80's style the NWOBHM way. As a sneak peek to their forthcoming E.P, Ascalon launched a taster track, “Reflections” which continues the Ascalon old-school tradition. This is a crisp and 'clean', up-tempo Metaler with a chord-based drive and galloping, rhythm riffed modus underneath the choruses. There's some tasty guitarwork thrown in to end the song in a Satan – meets – Maiden sort of guitar-style. Ascalon nails it concept and performance wise with a proper sense for balance and melody, partnering with this honest sound and feel that works well in their advantage.
Paul van der Burght
web: https://www.facebook.com/Ascalonmetal/?fref=ts
https://ascalon.bandcamp.com/
Manchester Metalers Ascalon first entered the scene with a contribution (“Steel Nights”) to the Flash Of The Blade 'Vol.1' compilation, along with Wytch Hazel, Eliminator and Asomvel. The band followed up in 2015 in the shape of a 3-track demo sporting the tracks Steel Nights”, Ascalon” and “Vigilante”. Opening track “Steel Nights” is a gripping, riff-based Metaler with a slight melodic undertone that is nicely balanced out by the roughened up mid-range vocals that, in a way remind of Pretty Maids, and the same applies to the music, referring to “Vigilante”; a bassdrum-driven old-school Headbanger NWOBHM style, straight-forward and riff-based with a catchy, shout along theme. “Ascalon” is a moderately paced anthemic Metaler built around an Epic sphered chorus and dressed with a guitar laden mid-paced acceleration. The vocals of singer / guitarist Matt Gerrard are pretty much the focal point of the songs and suit the music very well, delivering a deep, mid-range voice with the higher pitched yells to it. Another key element throughout is the accessibility of the songs; really easy on the ear with sticky riffs and a catchy vibe that is splashed with a light, melodic touch. The package works well and is played in true 80's style the NWOBHM way. As a sneak peek to their forthcoming E.P, Ascalon launched a taster track, “Reflections” which continues the Ascalon old-school tradition. This is a crisp and 'clean', up-tempo Metaler with a chord-based drive and galloping, rhythm riffed modus underneath the choruses. There's some tasty guitarwork thrown in to end the song in a Satan – meets – Maiden sort of guitar-style. Ascalon nails it concept and performance wise with a proper sense for balance and melody, partnering with this honest sound and feel that works well in their advantage.
Paul van der Burght
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Above left, centre and right; RAVEN. photos by Manic Mosh
RAVEN
+ One Machine + Dendera
@ The Underworld / London 25 October 2015
As part of the 'ExtermiNation” European tour 2015, one of the pioneers of the NWOBHM genre, U.K Metalers Raven rocked London's 'Underworld' in true 80's tradition. Before the three-piece - comprised of the Gallagher brothers John (bass, vocals) and Mark (guitar), and long time Raven drummer Joe Hasselvander – hit the stage, the crowd was warmed up by two support-acts. First on were Portsmouth based Metalers DENDERA promoting their new, 2nd album “Pillars Of Creation”. Inspired by traditional Metal, the band delivered a classic sounding set with hints of Iron Maiden and touches upon the late 80's / early 90's PowerMetal thing. A really tight act musical wise with a catchy repertoire, gripping riffage and strong, Progressive Metal styled muscle vocals by Ashley Edison. Next up were London Power / Thrash Metalers ONE MACHINE presenting work of their newest slab, “The Final Cull” alongside material of their debut album “The Distortion Of Lies... Those who have ever seen this band live know the score; frantic riffage, intense power-vocals and showers of guitar-chops over a clockwork rhythm section. Without the sports gear but still as athletic as ever were headliners RAVEN, storming the stage with “Destroy All Monsters”; the opening tune from their new album “ExtermiNation”; a double-bass driven and riff-based up-tempo Metal pounder in true Raven tradition. No time to rest as the band followed up with the electric “Live At The Inferno”, followed by classics “One For All” and “Rock Until You Drop” alongside new work in the old-styles such as the double-bass groovster “Fight”. The set also included their take on the classic “Born To Be Wild” with a special vocal appearance of Grimreaper's Steve Grimmett. The Gallagher brothers & co sure know how to put an entertaining show together, both musically and visually with John's flying V literally flying everywhere; upside down, straight up and even in a close combat guitar battle with brother Mark! There is just no way getting around the energy of a RAVEN show, sounding just the way they did back in the early 80's when I first captured the band live. This is Metal stripped down to its pure basics in a three-piece format with a locomotive style timing, showered with gripping riffs and those trademark shriek vocals of John Gallagher. MAKE SURE you capture this band live if you can as their performance is monumental!
Paul van der Burght
@ The Underworld / London 25 October 2015
As part of the 'ExtermiNation” European tour 2015, one of the pioneers of the NWOBHM genre, U.K Metalers Raven rocked London's 'Underworld' in true 80's tradition. Before the three-piece - comprised of the Gallagher brothers John (bass, vocals) and Mark (guitar), and long time Raven drummer Joe Hasselvander – hit the stage, the crowd was warmed up by two support-acts. First on were Portsmouth based Metalers DENDERA promoting their new, 2nd album “Pillars Of Creation”. Inspired by traditional Metal, the band delivered a classic sounding set with hints of Iron Maiden and touches upon the late 80's / early 90's PowerMetal thing. A really tight act musical wise with a catchy repertoire, gripping riffage and strong, Progressive Metal styled muscle vocals by Ashley Edison. Next up were London Power / Thrash Metalers ONE MACHINE presenting work of their newest slab, “The Final Cull” alongside material of their debut album “The Distortion Of Lies... Those who have ever seen this band live know the score; frantic riffage, intense power-vocals and showers of guitar-chops over a clockwork rhythm section. Without the sports gear but still as athletic as ever were headliners RAVEN, storming the stage with “Destroy All Monsters”; the opening tune from their new album “ExtermiNation”; a double-bass driven and riff-based up-tempo Metal pounder in true Raven tradition. No time to rest as the band followed up with the electric “Live At The Inferno”, followed by classics “One For All” and “Rock Until You Drop” alongside new work in the old-styles such as the double-bass groovster “Fight”. The set also included their take on the classic “Born To Be Wild” with a special vocal appearance of Grimreaper's Steve Grimmett. The Gallagher brothers & co sure know how to put an entertaining show together, both musically and visually with John's flying V literally flying everywhere; upside down, straight up and even in a close combat guitar battle with brother Mark! There is just no way getting around the energy of a RAVEN show, sounding just the way they did back in the early 80's when I first captured the band live. This is Metal stripped down to its pure basics in a three-piece format with a locomotive style timing, showered with gripping riffs and those trademark shriek vocals of John Gallagher. MAKE SURE you capture this band live if you can as their performance is monumental!
Paul van der Burght
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Above left and centre: DENDERA, above right: ONE MACHINE. Photos by Manic Mosh
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Above left, centre and right: Veronica 'The V' Freeman. Photos by Roger Theise
THE V – CD 2015 “NOW OR NEVER”
label: Frontiers records
songs: Again / Now Or Never / Roller Coaster / L.O.V.E / Line In The Sand / Love Should Be To Blame / Kiss My Lips / Spellbound / Starshine / Below Zero / Ready To Run / King For A Day //
web: http://www.veronicafreeman.com/
First solo-release by Benedictum frontady Veronica “The V” Freeman with a whole list of guest appearances including members of Stryper, The Rods, Dokken, Chastain, Black Sabbath and others. The result is a versatile album that is dipped in various, 80's oriented styles merging A.O.R / Mainstream Rock and HardRock with a melodic undertone. This stuff really Rocks and there isn't one single dull moment on the disc. Moderately paced Rockers, Blues injected pounders (“Now Or Never”, “Love Should Be To Blame”), semi-balladry (“Starshine”), catchy up-tempo HardRock (“L.O.V.E.”), Mainstream Rock (“Spellbound”, “Again”), A.O.R. (“Line In The Sand”) and fast-paced Headbanger modus (“Ready To Run”); it is all in there and played to perfection. Musically, there's a lot going on, sporting a high activity in the instrumental department whilst keeping the songs 'clean and open', complimenting the set in a 'less is more' sort of fashion. The vocals of Veronica are muscular with a lot of oomph, delivering a melodic edged approach with a bite that suits any of the musical styles showcased on “Now Or Never”. This is one very enjoyable, HardRockin' album with a great, 'meaty' production making this 12 songer a top-pick in its territories. Quality!
Paul van der Burght
label: Frontiers records
songs: Again / Now Or Never / Roller Coaster / L.O.V.E / Line In The Sand / Love Should Be To Blame / Kiss My Lips / Spellbound / Starshine / Below Zero / Ready To Run / King For A Day //
web: http://www.veronicafreeman.com/
First solo-release by Benedictum frontady Veronica “The V” Freeman with a whole list of guest appearances including members of Stryper, The Rods, Dokken, Chastain, Black Sabbath and others. The result is a versatile album that is dipped in various, 80's oriented styles merging A.O.R / Mainstream Rock and HardRock with a melodic undertone. This stuff really Rocks and there isn't one single dull moment on the disc. Moderately paced Rockers, Blues injected pounders (“Now Or Never”, “Love Should Be To Blame”), semi-balladry (“Starshine”), catchy up-tempo HardRock (“L.O.V.E.”), Mainstream Rock (“Spellbound”, “Again”), A.O.R. (“Line In The Sand”) and fast-paced Headbanger modus (“Ready To Run”); it is all in there and played to perfection. Musically, there's a lot going on, sporting a high activity in the instrumental department whilst keeping the songs 'clean and open', complimenting the set in a 'less is more' sort of fashion. The vocals of Veronica are muscular with a lot of oomph, delivering a melodic edged approach with a bite that suits any of the musical styles showcased on “Now Or Never”. This is one very enjoyable, HardRockin' album with a great, 'meaty' production making this 12 songer a top-pick in its territories. Quality!
Paul van der Burght
MIMI THE METAL CAT
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Check out Mimi, the redhead Metal cat. Mimi was born in Harlingen / Holland, and is soon to celebrate her 10th birthday on October 01. She likes to laze about on the record collection of her owner Johan Feitsma, whilst listening to Metal. The favourite band of Mimi is Tygers Of Pan Tang, and one day she hopes to grace the cover of a Metal record herself.
Photos by Johan Feitsma
Photos by Johan Feitsma
SEVEN SISTERS – 7” UK 2015 “Lost In Time”
label: private
songs: Lost In Time / Wicked Steel //
web: https://www.facebook.com/sevensistersuk/
Seven Sisters are a London based band that proudly represent the glorious NWOBHM sound produced by acts such as Angelwitch and Virtue. The band first captured their material on the 2014 “The Warden” cassette featuring the tracks “The Warden”, “Onwards They Ride”, “No Guts, No Glory” and “Avenger”. Completely in accordance with the old-school thing, Seven Sisters released their newest set of songs on 7” vinyl format, featuring “Lost In Time” and “Wicked Steel”. “Lost In Time” is a driven, up-tempo Metaler with a melodic undertone and light synths usage in the back. The melodic element that is key throughout the repertoire is further accented by the guitar harmonies / twin leads. Halfway down, the pace drops, and a Bluesy edged guitar solo sets in leading onto the break, to pick up tempo again with some more solo action. Overall appearance of the song goes right back to the '83 – '85 era NWOBHM with hints of Avenger and Satan, mainly due to the mid-range vocalage of singer / guitarist Kyle McNeill that draws certain similarities to Brian Ross. Flipside tune “Wicked Steel” is a catchy, upbeat driven track with fuelled by a gripping riff in the NWOBHM styles. Entertaining.
Paul van der Burght
label: private
songs: Lost In Time / Wicked Steel //
web: https://www.facebook.com/sevensistersuk/
Seven Sisters are a London based band that proudly represent the glorious NWOBHM sound produced by acts such as Angelwitch and Virtue. The band first captured their material on the 2014 “The Warden” cassette featuring the tracks “The Warden”, “Onwards They Ride”, “No Guts, No Glory” and “Avenger”. Completely in accordance with the old-school thing, Seven Sisters released their newest set of songs on 7” vinyl format, featuring “Lost In Time” and “Wicked Steel”. “Lost In Time” is a driven, up-tempo Metaler with a melodic undertone and light synths usage in the back. The melodic element that is key throughout the repertoire is further accented by the guitar harmonies / twin leads. Halfway down, the pace drops, and a Bluesy edged guitar solo sets in leading onto the break, to pick up tempo again with some more solo action. Overall appearance of the song goes right back to the '83 – '85 era NWOBHM with hints of Avenger and Satan, mainly due to the mid-range vocalage of singer / guitarist Kyle McNeill that draws certain similarities to Brian Ross. Flipside tune “Wicked Steel” is a catchy, upbeat driven track with fuelled by a gripping riff in the NWOBHM styles. Entertaining.
Paul van der Burght
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DEAF DEALER – CD 2014 “Journey Into Fear”
label: Cult Metal Classics http://sonicagerecords.com/_shop/
songs: Back To God's Country / Mind Games / Blood And Sand / Tribute To A Mad Man / East End Terror / To Hell And Back / Escape From The Witch Mountain / Journey Into Fear //
Canadian Speedsters Deaf Dealer (in the early demo stages called Death Dealer) were a regular name in the then Uderground fanzine scene and 80's tape-traders lists. The band circulated an album's length demo that received favourable reviews and also landed the band on the famous Metal Massacre IV compilation (“Cross My Way” / 1983). Things were all looking promising for this Quebec based 5-piece, the more so as their musical concept fitted right in with the trends. The moment things got vinylized in the shape of a 9 song album, “Keeper Of The Flame”, released in '86 through Mercury records, the band failed to push their recognition further upwards. Nonetheless, Deaf Dealer further upgraded their brand of melodic-laden Power / SpeedMetal with the follow-up album “Journey Into Fear” that was recorded in 1987 but never got released. A true loss as things just don't get any better than this, delivering a set of songs that captures the best of Savage Grace, Fates Warning, Flotsam & Jetsam and Iron Maiden combined! This is the real deal in mid-80's American style Power / SpeedMetal with a melodic undertone and the Maiden thing high up there. This is evident on most of the songs, and mainly channelled through a similar styled drive, melodies and rhythmics “Powerslave” era. Furthermore, there's an identical use of mobility bass hooks, spotlighted on the semi-SpeedMetaler “Back To God's Country”. The band works a lot with tempo-changes, either in the shape of accelerations or multi-paced patterns building songs such as “East End Terror” and the 'climaxing' “Journey Into Fear”. The vocals of Michel Lalonde add an extra spark to the music with a strong, melodic laden, upper-range voice with plenty of high peaks. Songs have instant access and cover the whole spectrum of appearances including 'galloping' modes, double-bass drummed SpeedMetal sections, mod / mid-paced rhythmics, upbeat Metalers (“To Hell And Back”) and a Maiden styled instrumental (“Escape From The Witch Mountain”). A great, clockwork performance, gripping song themes and a set that delivers 8 times in a row make this one of the finest U.S styled Power / SpeedMetal works originated in the 80's! Superb!
Paul van der Burght
label: Cult Metal Classics http://sonicagerecords.com/_shop/
songs: Back To God's Country / Mind Games / Blood And Sand / Tribute To A Mad Man / East End Terror / To Hell And Back / Escape From The Witch Mountain / Journey Into Fear //
Canadian Speedsters Deaf Dealer (in the early demo stages called Death Dealer) were a regular name in the then Uderground fanzine scene and 80's tape-traders lists. The band circulated an album's length demo that received favourable reviews and also landed the band on the famous Metal Massacre IV compilation (“Cross My Way” / 1983). Things were all looking promising for this Quebec based 5-piece, the more so as their musical concept fitted right in with the trends. The moment things got vinylized in the shape of a 9 song album, “Keeper Of The Flame”, released in '86 through Mercury records, the band failed to push their recognition further upwards. Nonetheless, Deaf Dealer further upgraded their brand of melodic-laden Power / SpeedMetal with the follow-up album “Journey Into Fear” that was recorded in 1987 but never got released. A true loss as things just don't get any better than this, delivering a set of songs that captures the best of Savage Grace, Fates Warning, Flotsam & Jetsam and Iron Maiden combined! This is the real deal in mid-80's American style Power / SpeedMetal with a melodic undertone and the Maiden thing high up there. This is evident on most of the songs, and mainly channelled through a similar styled drive, melodies and rhythmics “Powerslave” era. Furthermore, there's an identical use of mobility bass hooks, spotlighted on the semi-SpeedMetaler “Back To God's Country”. The band works a lot with tempo-changes, either in the shape of accelerations or multi-paced patterns building songs such as “East End Terror” and the 'climaxing' “Journey Into Fear”. The vocals of Michel Lalonde add an extra spark to the music with a strong, melodic laden, upper-range voice with plenty of high peaks. Songs have instant access and cover the whole spectrum of appearances including 'galloping' modes, double-bass drummed SpeedMetal sections, mod / mid-paced rhythmics, upbeat Metalers (“To Hell And Back”) and a Maiden styled instrumental (“Escape From The Witch Mountain”). A great, clockwork performance, gripping song themes and a set that delivers 8 times in a row make this one of the finest U.S styled Power / SpeedMetal works originated in the 80's! Superb!
Paul van der Burght
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Above left, centre and right: Model VIRUS INFEKT. Photos by Peter Diablow
Alternative Model VIRUS INFEKT
web: https://www.facebook.com/VirusInfekted
Virus Infekt is an Alternative Model or, as she tags herself, 'a vaguely indescribable being' that 'crashed in Amsterdamned City' in 1996. She entered the Alternative Modelling scene by coincidence; through a few 'lurid and macabre' selfies, Virus Infekt got snapped up by the renowned Dutch photographer Peter Diablow, landing her first professional photoshoot. From that moment onwards, the Modelling career of Virus Infekt quickly developed in all directions including more serious assignments for various designers and catwalk shows for Fetish events.
Bands Virus Infekt enjoys listening to are: Marilyn Manson, Nirvana, The Pretty Reckless, Integrity, Jack Off Jill, The Agonist, Rammstein and many more!
Photography by Peter Diablow http://www.darkmindedangels.com/
web: https://www.facebook.com/VirusInfekted
Virus Infekt is an Alternative Model or, as she tags herself, 'a vaguely indescribable being' that 'crashed in Amsterdamned City' in 1996. She entered the Alternative Modelling scene by coincidence; through a few 'lurid and macabre' selfies, Virus Infekt got snapped up by the renowned Dutch photographer Peter Diablow, landing her first professional photoshoot. From that moment onwards, the Modelling career of Virus Infekt quickly developed in all directions including more serious assignments for various designers and catwalk shows for Fetish events.
Bands Virus Infekt enjoys listening to are: Marilyn Manson, Nirvana, The Pretty Reckless, Integrity, Jack Off Jill, The Agonist, Rammstein and many more!
Photography by Peter Diablow http://www.darkmindedangels.com/
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Above left: EXECRATION, centre: Live Evil poster, right: DUNGEON
Below left: FLIGHT, centre: DARK FOREST, right: TYTAN
Below left: FLIGHT, centre: DARK FOREST, right: TYTAN
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LIVE EVIL – 16-18 October, The Dome, London Tufnell Park
London's three day Mayhemic Metal Feast
On October 16-18, the fourth edition of the LIVE EVIL festival had over 20 bands blasting through the speakers @ The Dome in London. From all across Europe, Metalheads gathered here to indulge in a mayhemic Metal feast delivered by a host of Underground bands, alongside bigger names and iconic 80's acts. The festival did not limit itself to one genre, representing BlackMetal, Thrash, NWOBHM, Power, Speed, DeathMetal and anything related. Friday evening, Live Evil got into gear with KROSSBURST ripping the stage with their traditional 80's Speed / DeathThrash Metal, followed by GOUGE to follow it up. Next were Germany's WITCHING HOUR delivering an entertaining brand of Melodic laden BlackMetal rooted in 80's Metal and splashed with a lot of harmony guitar leads. Rounding off the Friday set were Sweden's VAMPIRE with their crunching, old-school BlackMetal. Saturday's opening act were London Metalers SEVEN SISTERS that brought back the glorious NWOBHM sound with a melodic edge and plenty of harmonized guitars. Highlights of the set were the shout along Metaler “No Guts, No Glory” and the anthemic “Avenger”; real catchy stuff in all. At the upstairs stage, Oslo's EXECRATION growled through the speakers with their Progressive laden & guitar oriented Death / Black Metal; a solid band with a convincing set and very Nordic sounding. Onwards with the Folk-ish, Epic sphered Metal of DARK FOREST, rolling on driving themes, harmonized guitars and a lot of allround catchiness; a real crowd teaser. SPEEDTRAP created a front-row frenzy with their bare-knuckle SpeedMetal, and NWOBHM legends BATTLEAXE got some serious crowd-surfing going with their thumping HardRock / Metal including the classic “Burn This Town”. A great performance with some impressive vocalage by frontman Dave King. HELVETETS PORT delivered their Metal in true Scandinavian Metal style. CHAOS UK did exactly what they were doing back in the early 80's, and time did not have an effect on their blend of fist clenching HardCore / Punk. More old-school Metal by Swedish act MINDLESS SINNER; a true joy to watch with a great atmosphere on and in front of the stage. Closing act BULLDOZER proved the critics from back in the 80's wrong! They delivered on all accounts and at least now their brand of Occult Metal got appreciated at large; great show! On Sunday, the mayhem continued with opening act DUNGEON tearing the place to bits with their relentless, early 80's styled DeathThrash fuelled by heavily distorted crunch guitars and gruff vocals. Norwegian act FLIGHT pleased the crowd with their riff-based HardRock, blending NWOBHM with the early – mid 80's Scandinavian sound. U.K HardRockers TYTAN simply delivered all round quality; a clockwork performance with strong vocals and a melodic sense throughout, tending slightly towards the Prog thing. Irish outfit ZOM addressed to a most brutal, straight forward Death / BlackMetal mix somewhere in between Bathory and Hellhammer; pure evil in every possible way! Old school HardRockers STRAY played, and played, and played... there was no stopping these guys as they grooved up the downstairs stage. ATLANTEAN KODEX got the crowd going at a large scale with their galloping, European style melodic PowerMetal. The last of the more extreme format bands to hit the stage were Italian cult Blackmetalers MORTUARY DRAPE, and headlining the event were the mighty NWOBHM Rockers TYGERS OF PAN TANG, rounding off an amazing three day Metal treat. Special credit goes out organisers Marek Steven and Oscar Tuttiet for their brilliant selection of bands and creating an event of these proportions.
Live Evil page: https://www.facebook.com/liveevilfestival/
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Above left: BATTLEAXE, right: MINDLESS SINNER
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Above left: ATLANTEAN KODEX, centre: STRAY, right: SEVEN SISTERS
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Above left: BULLDOZER, centre: Vinyl, cassette & memorabilia hunting @ one of the stalls, right: SPEEDTRAP
ULTRA VIOLENCE- 2015 “Deflect The Flow”
label: Candlelight records
songs: Burning Through The Scars / Why So Serious? / Gravel's Bang / Lost In Decay / In In The Name Of Your God / A Second Birth / The Checkered Sun / Don't Burn The Witch (Venom cover) / The Way I'll Stay / Fractal Dimension //
Right from its opening tunes of “Burning Through The Scars” the musical violence is on; Aggressive, energetic Bay Area Thrash that rolls on all the trademark features; agility riffage, angry sounding vocals, and galloping drums, showered with double bass chops, backing shouts and blistering guitar solos. Italian 4-piece Ultra Violence play their Thrash the way it was done in the early 90's with the occasional nod to the mid 80's thing; think a pepper-sprayed Pantera with hints of Testament, Forbidden and – as their moniker suggests – Death Angel. Follow up tune “Why So Serious” shows a twist in concept, slipping in a grooved up HardRock / Metal riff over a toe tapping beat, and dressed with slightly HardCore dipped Mosh choirs. Some Megadeth like programming down the slower-paced “Gravel's Bang”, furthering in a '86 styled Death Angel approach with “Lost In Decay” and tending a bit towards the more modern interpretation of the genre down “In The Name Of Your God” and “The Checkered Sun”. Cool version of the Venom classic “Don't Burn The Witch”, Thrashed up and groove-laden. More grooves down the catchy, yet intensity injected “The Way I'll Stay” and closing tune “Fractal Dimension” which features some Metal-esque melodies alongside its aggression, razor-edged riffage and backing shouts to further compliment the diversity that runs through the album. In all, a very solid effort, and a super-tight performance with some great, (orange) clockwork drummage! A true Thrash treat in every respect.
Paul van der Burght
label: Candlelight records
songs: Burning Through The Scars / Why So Serious? / Gravel's Bang / Lost In Decay / In In The Name Of Your God / A Second Birth / The Checkered Sun / Don't Burn The Witch (Venom cover) / The Way I'll Stay / Fractal Dimension //
Right from its opening tunes of “Burning Through The Scars” the musical violence is on; Aggressive, energetic Bay Area Thrash that rolls on all the trademark features; agility riffage, angry sounding vocals, and galloping drums, showered with double bass chops, backing shouts and blistering guitar solos. Italian 4-piece Ultra Violence play their Thrash the way it was done in the early 90's with the occasional nod to the mid 80's thing; think a pepper-sprayed Pantera with hints of Testament, Forbidden and – as their moniker suggests – Death Angel. Follow up tune “Why So Serious” shows a twist in concept, slipping in a grooved up HardRock / Metal riff over a toe tapping beat, and dressed with slightly HardCore dipped Mosh choirs. Some Megadeth like programming down the slower-paced “Gravel's Bang”, furthering in a '86 styled Death Angel approach with “Lost In Decay” and tending a bit towards the more modern interpretation of the genre down “In The Name Of Your God” and “The Checkered Sun”. Cool version of the Venom classic “Don't Burn The Witch”, Thrashed up and groove-laden. More grooves down the catchy, yet intensity injected “The Way I'll Stay” and closing tune “Fractal Dimension” which features some Metal-esque melodies alongside its aggression, razor-edged riffage and backing shouts to further compliment the diversity that runs through the album. In all, a very solid effort, and a super-tight performance with some great, (orange) clockwork drummage! A true Thrash treat in every respect.
Paul van der Burght
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CITY OF THIEVES
web: www.cityofthieves.london
City Of Thieves is a London based act that was raised on the remnants of Four Wheel Drive. “Incinerator”, the band's debut video and taster for the soon to be released E.P, is a chunky slow burner in the 90's, powered-up HardRock styles. This one is bobbing on a Bluesy edged groove with meaty riffs and a touch upon the Sleaze thing modern style. The chorus draws certain similarities to Skid Row, both in style and vocalage, complimented with the Sebastian Bach tinged muscle vocals. ”Incinerator” shows serious potential and puts the R back in Rock music!
Paul van der Burght
web: www.cityofthieves.london
City Of Thieves is a London based act that was raised on the remnants of Four Wheel Drive. “Incinerator”, the band's debut video and taster for the soon to be released E.P, is a chunky slow burner in the 90's, powered-up HardRock styles. This one is bobbing on a Bluesy edged groove with meaty riffs and a touch upon the Sleaze thing modern style. The chorus draws certain similarities to Skid Row, both in style and vocalage, complimented with the Sebastian Bach tinged muscle vocals. ”Incinerator” shows serious potential and puts the R back in Rock music!
Paul van der Burght
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Nea Dune photo left by Manic Mosh, outfit by Spank London. Centre: photo by Violeta Sunic, outfit by Dragonfly. Right: photo by Manic Mosh
NEA DUNE – Professional Model, Trained Dancer and Aerialist
web: www.neadune.com www.facebook.com/neadune
Croatia born Nea Dune is a woman of many talents, each of which she has managed to take to the upper levels, whether this be as a Model, Actress or Trained Dancer & Aerialist. Nea started modelling in 2009 by coincidence when she was asked to parade the catwalk. This spontaneous action turned professional in 2012, rocketing her career as an established, full-time model and face of many brands with a multitude of cover shots and features in magazines worldwide. The biggest passion of Nea is acting, bowing on an impressive portfolio that includes various appearances in both music videos and commercials, alongside some 12 movie-projects she is currently involved in. On the more physical side of the spectrum, Nea is active both as a professional dancer in sportdance, trained Aerilist in pole-dance fitness & aerial hoop / lyra, aswell as a teacher in these disciplines including the unique, Hardcore Pole / Aerial fitness training with an emphasis on strictly Alt music such as Metal, Rock and Industrial! That also brings us to some of Nea's favourite bands which include Tool, Deftones, Slipknot, Mastodon, Marilyn Manson, Pendulum and others.
web: www.neadune.com www.facebook.com/neadune
Croatia born Nea Dune is a woman of many talents, each of which she has managed to take to the upper levels, whether this be as a Model, Actress or Trained Dancer & Aerialist. Nea started modelling in 2009 by coincidence when she was asked to parade the catwalk. This spontaneous action turned professional in 2012, rocketing her career as an established, full-time model and face of many brands with a multitude of cover shots and features in magazines worldwide. The biggest passion of Nea is acting, bowing on an impressive portfolio that includes various appearances in both music videos and commercials, alongside some 12 movie-projects she is currently involved in. On the more physical side of the spectrum, Nea is active both as a professional dancer in sportdance, trained Aerilist in pole-dance fitness & aerial hoop / lyra, aswell as a teacher in these disciplines including the unique, Hardcore Pole / Aerial fitness training with an emphasis on strictly Alt music such as Metal, Rock and Industrial! That also brings us to some of Nea's favourite bands which include Tool, Deftones, Slipknot, Mastodon, Marilyn Manson, Pendulum and others.
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IMPELLITTERI – CD 2015 “Venom”
label: Frontiers records
songs: Venom / Empire Of Lies / We Own The Night / Nightmare / Face The Enemy / Dominoe Theory / Jehova / Rise / Time Machine / Holding On / Rock Through The Night* / Reach for the Sky* // (*Bonus tracks)
web: https://www.facebook.com/ChrisImpellitteri?fref=ts
Thing with any (new) Impellitteri album is that you know exactly what you're going to get; no hidden surprises here, plodding on with the signature melodic HardRock / Heavy Metal that marked all previous works but never disappoints! The “Venom” album is a combination of mid-paced and speed-driven tracks with the double-bass-drums setting the tempos most of the time. Couple this to fairly straight forward song-structures, gripping riffs and the turbo-charged guitar flash of Mr. Impellitteri, and the result is a non-stop energy trip that grabs you from start to finish. Music has a melodic undertone but never sounds mellow or Mainstream Rock styled. Most of the energy is funnelled through the faster workouts, covering about half of the album. This includes the up-tempo driven but faster drummed titletrack “Venom”, the 2-speed alternating “Nightmare” and “Time Machine” (partnering fast hooks and mid-tempos), pus the Headbangers “Dominoe Theory” and “Jehova”. Some traditional geared HardRock comes surfacing on the mid-paced “We Own The Night” drawing a certain likeness to Whitesnake in the riff-department. On the other side of the musical time-line are “Jehova” and “Nightmare” sporting some modern style features. The beefy powerhouse vocals of Rob Rock compliment the music in a traditional HardRock fashion, delivering a high-up mid-range voice with some good vibrato and catchy choruses. Chris Impellitteri & co. once again delivered a class album in every respect.
Paul van der Burght
DRESDEN – CD 2015 “The Anthology”
(1986 re-issue + unreleased 2nd LP)
label: Dying Victims productions http://www.dying-victims.de/
songs: DISC I: Too Many Skeletons / In Fear Of God / Life On The Edge / Black Riders / Sounds Of Silence / Firestorm / Starvation / It's Your Funeral / Open Your Eyes / Dirge //
DISC II: One Step Out Of The Grave / Who's Next / Till Death / Strange Boy / War No More / No One's Star / I Heard It All / Fight To Unite / Ripped In Half / Libya / One Step Out Of The Grave / Who's Next / Till Death / Raw Power / Sonic Reducer (live) //
This is a double-CD release partnering a re-issue of the '86 debut LP “Too Many Skeletons” (originally on Incas records), plus a second CD featuring tracks from recording sessions of their second, unreleased LP “Reign Of Terror The Dark Lords”, along with some original recordings of that second album. The “Too Many Skeletons” LP has been a constant factor in collectors / specialist 80's Mailorder's lists and catalogues, but at the time of the actual release of their debut, Dresden's existence was pretty much clouded in obscurity. Dresden opted for a sound that crossed over the Metal genre with the HardCore and Punk thing, and the “Too Many Skeletons” album is all that. The titletrack, an up-tempo U.S. Metaler with a strong Euro-Metal root is one of the more Metal minded tracks on the disc that is showered with guitar hooks. This one comes with a a typical, thin budget production and similar sounding guitars underneath the hoarse and grainy vocalage in the styles of Lemmy (Motorhead). As the disc furthers with “In Fear Of God” and “Life On The Edge”, the Motorpunk sound is pushed further upwards, bobbing on a fast pace with a pure, raw edged sound. The crunching riffs on “Life On The Edge” make the song almost tend towards early BlackMetal, whilst the fast Metaler “Black Riders” has this HardCore style backbone and “Sounds Of Silence” concerns a Punked-up cover version of the Simon & Garfunkel classic. Looking at dics 2; Dresden geared more towards the Crossover HardCore / Thrash sound with less PunkMetal features, regular toned vocals and a better production whilst still retaining this gruff and raw approach musically. There's still moments the Punk(Metal) sound prevails, as is the case on “War No More” which, as its title suggests, sounds like a protest-song. Things are going into Grindcore sort of modus a la S.O.D down the short, blast beat driven tracks “Ripped In Half” and “Libya”. The “Anthology” set is a representation of a genre that was not acknowledged at a large scale (apart from the few bands that managed to land a record deal) limiting bands such as Dresden to get through to a wider audience.
Paul van der Burght
(1986 re-issue + unreleased 2nd LP)
label: Dying Victims productions http://www.dying-victims.de/
songs: DISC I: Too Many Skeletons / In Fear Of God / Life On The Edge / Black Riders / Sounds Of Silence / Firestorm / Starvation / It's Your Funeral / Open Your Eyes / Dirge //
DISC II: One Step Out Of The Grave / Who's Next / Till Death / Strange Boy / War No More / No One's Star / I Heard It All / Fight To Unite / Ripped In Half / Libya / One Step Out Of The Grave / Who's Next / Till Death / Raw Power / Sonic Reducer (live) //
This is a double-CD release partnering a re-issue of the '86 debut LP “Too Many Skeletons” (originally on Incas records), plus a second CD featuring tracks from recording sessions of their second, unreleased LP “Reign Of Terror The Dark Lords”, along with some original recordings of that second album. The “Too Many Skeletons” LP has been a constant factor in collectors / specialist 80's Mailorder's lists and catalogues, but at the time of the actual release of their debut, Dresden's existence was pretty much clouded in obscurity. Dresden opted for a sound that crossed over the Metal genre with the HardCore and Punk thing, and the “Too Many Skeletons” album is all that. The titletrack, an up-tempo U.S. Metaler with a strong Euro-Metal root is one of the more Metal minded tracks on the disc that is showered with guitar hooks. This one comes with a a typical, thin budget production and similar sounding guitars underneath the hoarse and grainy vocalage in the styles of Lemmy (Motorhead). As the disc furthers with “In Fear Of God” and “Life On The Edge”, the Motorpunk sound is pushed further upwards, bobbing on a fast pace with a pure, raw edged sound. The crunching riffs on “Life On The Edge” make the song almost tend towards early BlackMetal, whilst the fast Metaler “Black Riders” has this HardCore style backbone and “Sounds Of Silence” concerns a Punked-up cover version of the Simon & Garfunkel classic. Looking at dics 2; Dresden geared more towards the Crossover HardCore / Thrash sound with less PunkMetal features, regular toned vocals and a better production whilst still retaining this gruff and raw approach musically. There's still moments the Punk(Metal) sound prevails, as is the case on “War No More” which, as its title suggests, sounds like a protest-song. Things are going into Grindcore sort of modus a la S.O.D down the short, blast beat driven tracks “Ripped In Half” and “Libya”. The “Anthology” set is a representation of a genre that was not acknowledged at a large scale (apart from the few bands that managed to land a record deal) limiting bands such as Dresden to get through to a wider audience.
Paul van der Burght
WITHERING SOUL – CD 2015 “Adverse Portrait”
label: Mortal Music
songs: Vestige / No Longer Within / The Dreadful Echo / Awakening / Hour Of Obstinacy / Hex Illusion / Shadow Path / In Absence //
web: https://www.facebook.com/witheringsoulband?fref=ts
Fourth work by this Chicago based band delivering some Gothic sphered DeathMetal with a blend of Melodic BlackMetal and a sporadic brush upon the ThrashMetal thing in the riff department. The mid-paced and faster drummed “Awakening” even lands the band in PowerMetal territories if it wasn't for the deep and gaspy gruntage. Additional Thrash hooks come surfacing on the melodic BlackMetal oriented “No Longer Within”; an ominous, 6+ minute piece with an almost orchestral like appearance and Gregorian styled chants. It is that Gothic like mood that also surrounds follow-up track “The Dreadful Echo” and the hyper double-bass drummed “Hour Of Obstinacy”, whereas “Shadow Path” goes full on melodic BlackMetal. “Adverse Portrait” is a product well taken care of, caked with a technical edged instrumentation and a bombastic production / appearance. Proper!
Paul van der Burght
label: Mortal Music
songs: Vestige / No Longer Within / The Dreadful Echo / Awakening / Hour Of Obstinacy / Hex Illusion / Shadow Path / In Absence //
web: https://www.facebook.com/witheringsoulband?fref=ts
Fourth work by this Chicago based band delivering some Gothic sphered DeathMetal with a blend of Melodic BlackMetal and a sporadic brush upon the ThrashMetal thing in the riff department. The mid-paced and faster drummed “Awakening” even lands the band in PowerMetal territories if it wasn't for the deep and gaspy gruntage. Additional Thrash hooks come surfacing on the melodic BlackMetal oriented “No Longer Within”; an ominous, 6+ minute piece with an almost orchestral like appearance and Gregorian styled chants. It is that Gothic like mood that also surrounds follow-up track “The Dreadful Echo” and the hyper double-bass drummed “Hour Of Obstinacy”, whereas “Shadow Path” goes full on melodic BlackMetal. “Adverse Portrait” is a product well taken care of, caked with a technical edged instrumentation and a bombastic production / appearance. Proper!
Paul van der Burght
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Above left: organizer Jason Atomic. Centre: tarot reading at the event. Right: Taxidermity by 'Curiosities From The 5th Corner'
THE SATANIC FLEA MARKET London – Your host for all things Occult!
web: https://www.facebook.com/events/933748793332960/
In August, The Satanic Flea Market made its first appearance to celebrate the final day of the 'Come To The Sabbat' festival of Dark Arts. Organizer and 'Satanic' Cartoonist / Artist Jason Atomic, gathered a host of vendors, tarot readers and Artists in an indoor market that catered for fans of all things Occult, Satanic or related. On display and for sale was a mix of memorabilia and art including posters & prints, comics & zines, but also taxidermy, jewellery, t-shirts,vintage fashion, clothing & accessories, music, bric-a-brac etc. alongside tarot readings and palmistry. For the next market and location check the link above. For more info on on Satanic Mojo Comix @ http://satanicmojo.blogspot.co.uk/
web: https://www.facebook.com/events/933748793332960/
In August, The Satanic Flea Market made its first appearance to celebrate the final day of the 'Come To The Sabbat' festival of Dark Arts. Organizer and 'Satanic' Cartoonist / Artist Jason Atomic, gathered a host of vendors, tarot readers and Artists in an indoor market that catered for fans of all things Occult, Satanic or related. On display and for sale was a mix of memorabilia and art including posters & prints, comics & zines, but also taxidermy, jewellery, t-shirts,vintage fashion, clothing & accessories, music, bric-a-brac etc. alongside tarot readings and palmistry. For the next market and location check the link above. For more info on on Satanic Mojo Comix @ http://satanicmojo.blogspot.co.uk/
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Above left and centre: an impression of the Satanic Flea Market. Right: Cartoonist Matt Valentine for Satanic Mojo Comix
SWORDS AND CHAINS – label and mailorder
web: www.swordsandchains.storenvy.com https://www.facebook.com/swordsandchainsrecords/?fref=ts
Swords And Chains is a U.S based label and mailorder / distro dedicated to True Heavy Metal and related genres. Some of the bands on the Swords And Chains roster include Visiogth, Storm Warning, Eternal Champion, Evil Killer, Noros Nyx, Starborn, Skelator and Satan's Hallow. Mailorder / distro service holds material from the Swords And Chains label plus other labels such as High Roller records, Pure Steel records, Cult Metal Classics, No Remorse records, Iron Shield Records, Metal On Metal records. Catalogue features cassettes, shirts, vinyl and CD's.
web: www.swordsandchains.storenvy.com https://www.facebook.com/swordsandchainsrecords/?fref=ts
Swords And Chains is a U.S based label and mailorder / distro dedicated to True Heavy Metal and related genres. Some of the bands on the Swords And Chains roster include Visiogth, Storm Warning, Eternal Champion, Evil Killer, Noros Nyx, Starborn, Skelator and Satan's Hallow. Mailorder / distro service holds material from the Swords And Chains label plus other labels such as High Roller records, Pure Steel records, Cult Metal Classics, No Remorse records, Iron Shield Records, Metal On Metal records. Catalogue features cassettes, shirts, vinyl and CD's.
APOLLA RA – CD / LP 2015 “Ra Pariah”
label: No Remorse records www.noremorse.gr
songs: Crimson Streets / Out Of The Night / Heaven's Just Another Way / Obsession (The Liars Dream) / The Challenge / Creating Zero / Ra Pariah / Bane Of The Black Sword / Coming Of Age – Rukkus / March Of Fire / To Be A Hero / Winds Of Time (bonus track) / Alone In Darkness (bonus track) //
web: https://www.facebook.com/pages/Apollo-Ra/41947474022
Baltimore, Maryland based Metal act Apollo Ra is one of those undiscovered gems that produced superb U.S styled PowerMetal out there with the best. Sadly, the band never got the recognition they deserved and seemed to be forgotten in time but it is No Remorse records that have put Apollo Ra on the map, releasing both the band's original '89 “Ra Pariah” (then only released in cassette format), along with their 2-track demo on both vinyl and CD format, remastered and transferred by original master tapes. Right from the opening tunes of the melodic edged and mid-paced driven “Crimson Streets” there's no guessing about the musical influences of Apollo Ra, delivering a brand of prime PowerMetal / Metal in the styles of Crimson Glory and Queensryche, sporting a similar vocal excellence by frontman Daniel Miller. The powerhouse vocals of Daniel are the focal point of the music, delivering a strong, upper mid-range voice somewhere in between Helstar / Crimson Glory and Judas Priest. That also pretty much applies to the musical concept with additional traces of Dio (“Out Of The Night”) and Iron Cross (USA). Songs are mostly moderately to mid-paced driven with a lot of guitar flash throughout, peaking on the all-out PowerMetaler “Heaven's Just Another Way”. The band takes a turn towards melodic SpeedMetal with the energetic, double-bass drummed Headbangers “Creating Zero” and “Coming Of Age – Rukkus”. The riff-based “Bane Of The Black Sword” and “To Be A Hero” both go back to the early U.S. Metal days with a brush of NWOBHM in the riff-department whilst bonus tracks “Winds Of Time” and “Alone In Darkness” show a heavier approach in riffage, leaning towards Thrash. Apollo Ra score A-levels all the way through; from the textbook musical performance and tip-top song-writing to the diversity flow; it all fits with the tasty guitar-flash and high-pitched vocal screams as the main assets. Excellent!
Paul van der Burght
label: No Remorse records www.noremorse.gr
songs: Crimson Streets / Out Of The Night / Heaven's Just Another Way / Obsession (The Liars Dream) / The Challenge / Creating Zero / Ra Pariah / Bane Of The Black Sword / Coming Of Age – Rukkus / March Of Fire / To Be A Hero / Winds Of Time (bonus track) / Alone In Darkness (bonus track) //
web: https://www.facebook.com/pages/Apollo-Ra/41947474022
Baltimore, Maryland based Metal act Apollo Ra is one of those undiscovered gems that produced superb U.S styled PowerMetal out there with the best. Sadly, the band never got the recognition they deserved and seemed to be forgotten in time but it is No Remorse records that have put Apollo Ra on the map, releasing both the band's original '89 “Ra Pariah” (then only released in cassette format), along with their 2-track demo on both vinyl and CD format, remastered and transferred by original master tapes. Right from the opening tunes of the melodic edged and mid-paced driven “Crimson Streets” there's no guessing about the musical influences of Apollo Ra, delivering a brand of prime PowerMetal / Metal in the styles of Crimson Glory and Queensryche, sporting a similar vocal excellence by frontman Daniel Miller. The powerhouse vocals of Daniel are the focal point of the music, delivering a strong, upper mid-range voice somewhere in between Helstar / Crimson Glory and Judas Priest. That also pretty much applies to the musical concept with additional traces of Dio (“Out Of The Night”) and Iron Cross (USA). Songs are mostly moderately to mid-paced driven with a lot of guitar flash throughout, peaking on the all-out PowerMetaler “Heaven's Just Another Way”. The band takes a turn towards melodic SpeedMetal with the energetic, double-bass drummed Headbangers “Creating Zero” and “Coming Of Age – Rukkus”. The riff-based “Bane Of The Black Sword” and “To Be A Hero” both go back to the early U.S. Metal days with a brush of NWOBHM in the riff-department whilst bonus tracks “Winds Of Time” and “Alone In Darkness” show a heavier approach in riffage, leaning towards Thrash. Apollo Ra score A-levels all the way through; from the textbook musical performance and tip-top song-writing to the diversity flow; it all fits with the tasty guitar-flash and high-pitched vocal screams as the main assets. Excellent!
Paul van der Burght
THRASHBACK – 2015 “Night Of The Sacrifice”
label: Emanes Metal records
songs: Let There Be Thrash / Endless War / Night Of The Sacrifice / Under The Hammer / The Burning Of Atlanta (Whiplash cover) / Abused / Rest In Piece / D.I.E. / 1888 – Jack The Ripper/ Maniac / (We are) The Thrash Crew //
Crunching Thrash in the styles of Onslaught (“The Force” era) signifies the opening tunes of the guitaristic “Let There Be Thrash” interlude and follow up tune “Endless War”, patterned upon a catchy riff, a driving rhythm and talk type vocals with high-pitched shrieks to alternate. “Night Of The Sacrifice” is the second work by French 3-piece Thrashback and one thing is for certain; they like their Thrash old-school and groovy with a tempered aggression. The whole thing sounds rather European though clearly Bay Area Thrash influenced at the same time, as evidenced on its titletrack, merging Thrash a la Exodus with hints of Onslaught's “Flame Of The Antichrist”. All out European mould is the moderately paced Metaler “Under The Hammer” that sounds bit like a beefed up Accept tune, and the mid-paced “Jack The Ripper”. The vocals of singer / drummer Fabien move somewhere in between those of Chris Boltenthal (Gravedigger) and Sy Keeler (Onslaught), alternating a roughened, mid-range voice with those high pitched shrieks. Strongest point of Thrashback is their honest, straight-forward approach and moderation of the guitar sound whilst still sounding heavy, but in places tending towards Metal and / or SpeedMetal as on “Abused”. Enjoyable and accessible Thrash Metal album that will also appeal to Metalers and fans of bands such as Onslaught, Flotsam & Jetsam, Gravegedigger and Overkill as Thrashback sound pretty much like a mixtape of the aforementioned acts.
Paul van der Burght
label: Emanes Metal records
songs: Let There Be Thrash / Endless War / Night Of The Sacrifice / Under The Hammer / The Burning Of Atlanta (Whiplash cover) / Abused / Rest In Piece / D.I.E. / 1888 – Jack The Ripper/ Maniac / (We are) The Thrash Crew //
Crunching Thrash in the styles of Onslaught (“The Force” era) signifies the opening tunes of the guitaristic “Let There Be Thrash” interlude and follow up tune “Endless War”, patterned upon a catchy riff, a driving rhythm and talk type vocals with high-pitched shrieks to alternate. “Night Of The Sacrifice” is the second work by French 3-piece Thrashback and one thing is for certain; they like their Thrash old-school and groovy with a tempered aggression. The whole thing sounds rather European though clearly Bay Area Thrash influenced at the same time, as evidenced on its titletrack, merging Thrash a la Exodus with hints of Onslaught's “Flame Of The Antichrist”. All out European mould is the moderately paced Metaler “Under The Hammer” that sounds bit like a beefed up Accept tune, and the mid-paced “Jack The Ripper”. The vocals of singer / drummer Fabien move somewhere in between those of Chris Boltenthal (Gravedigger) and Sy Keeler (Onslaught), alternating a roughened, mid-range voice with those high pitched shrieks. Strongest point of Thrashback is their honest, straight-forward approach and moderation of the guitar sound whilst still sounding heavy, but in places tending towards Metal and / or SpeedMetal as on “Abused”. Enjoyable and accessible Thrash Metal album that will also appeal to Metalers and fans of bands such as Onslaught, Flotsam & Jetsam, Gravegedigger and Overkill as Thrashback sound pretty much like a mixtape of the aforementioned acts.
Paul van der Burght
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Above left: Donkerkarnuffel, right: One Machine
TITANFEST 2015 – The Dome, Tufnell Park / London, Saturday May 30th
web: www.titanfest.uk
The Dome in London's Tufnell Park was host to TITANFEST 2015, a Heavy Metal all-dayer organized by NIGHTLORD guitarist Ferenc Collins. Hats off to Ferenc for creating an event of titanic proportions with a cover price of just £20, serving up a true Thrash and Metal treat with a whopping 17 bands up 2 indoor stages. The first band, London based DETOXEN were the first act on stage @ 13:00 hrs, delivering a 30 minute mix of traditional Thrash and SpeedMetal as a taster for their debut album “Victims”; a band to watch for to those that are keen on the very early Metallica and Anthrax stuff.... Up next were another London based act; 90's styled Thrashers PAST THE FALL, followed by BABYLON FIRE and Manchester Metalers SYNAPTIK. Things got theatrical with DONKERKARNUFFEL that tag their music as 'ClownCore'; by all means entertaining, complete with matching facepaint, outfits and a sound that merges Thrash with an Occult factor, Circus themes the occasional shade of DeathMetal in the vocal department. THE FURY blew the stage with their 'Real Men Metal', and THE MORE I SEE delivered some textbook Metal / Thrash with Nu twists; a great band with a super-tight performance and some great virtuoso guitar hooks thrown in. Melodic edged NWOBHM act TYTAN brought back the sound of the 80's in style, including their signature song “Blind Men And Fools”. Things got loud and intense with the Thrash delivered by EXTREMA, VIRUS and DEFCON ONE, the latter one throwing in a good lot of bouncing powergrooves 90's style. Another band with serious potential were ONE MACHINE, delivering a set of pro-sounding Speed / ThrashMetal with dazzling solo chops and impressive, high-range muscle vocals in the Priest style. As their name suggests, THE HERETIC ORDER tapped into some old-school styled Occult Metal / Thrash with matching outfits and props... true 80's Metal galore! These guys have a debut album in the works worth checking out.... Rounding off the event were NIGHTLORD and TORANAGA with M:PIRE OF EVIL as the final act. Throughout the day, the programme was spot on, seamlessly putting the whole of 17 bands together without any delays whatsoever, owing to the clockwork stage management by Paul Collyer of Bloated Monkey. In all, a great event loaded with quality acts and a genuine Metal feel throughout! On to TITANFEST 2016!
Paul van der Burght
web: www.titanfest.uk
The Dome in London's Tufnell Park was host to TITANFEST 2015, a Heavy Metal all-dayer organized by NIGHTLORD guitarist Ferenc Collins. Hats off to Ferenc for creating an event of titanic proportions with a cover price of just £20, serving up a true Thrash and Metal treat with a whopping 17 bands up 2 indoor stages. The first band, London based DETOXEN were the first act on stage @ 13:00 hrs, delivering a 30 minute mix of traditional Thrash and SpeedMetal as a taster for their debut album “Victims”; a band to watch for to those that are keen on the very early Metallica and Anthrax stuff.... Up next were another London based act; 90's styled Thrashers PAST THE FALL, followed by BABYLON FIRE and Manchester Metalers SYNAPTIK. Things got theatrical with DONKERKARNUFFEL that tag their music as 'ClownCore'; by all means entertaining, complete with matching facepaint, outfits and a sound that merges Thrash with an Occult factor, Circus themes the occasional shade of DeathMetal in the vocal department. THE FURY blew the stage with their 'Real Men Metal', and THE MORE I SEE delivered some textbook Metal / Thrash with Nu twists; a great band with a super-tight performance and some great virtuoso guitar hooks thrown in. Melodic edged NWOBHM act TYTAN brought back the sound of the 80's in style, including their signature song “Blind Men And Fools”. Things got loud and intense with the Thrash delivered by EXTREMA, VIRUS and DEFCON ONE, the latter one throwing in a good lot of bouncing powergrooves 90's style. Another band with serious potential were ONE MACHINE, delivering a set of pro-sounding Speed / ThrashMetal with dazzling solo chops and impressive, high-range muscle vocals in the Priest style. As their name suggests, THE HERETIC ORDER tapped into some old-school styled Occult Metal / Thrash with matching outfits and props... true 80's Metal galore! These guys have a debut album in the works worth checking out.... Rounding off the event were NIGHTLORD and TORANAGA with M:PIRE OF EVIL as the final act. Throughout the day, the programme was spot on, seamlessly putting the whole of 17 bands together without any delays whatsoever, owing to the clockwork stage management by Paul Collyer of Bloated Monkey. In all, a great event loaded with quality acts and a genuine Metal feel throughout! On to TITANFEST 2016!
Paul van der Burght
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Above left: The More I See, right: Tytan
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Above left: Virus, Above right: D.AM, below left: Donkerkarnuffel, below centre: Virus, below right: Fury
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IRON SHIELD records
web: http://www.ironshieldrecords.de/
Iron Shield is a Berlin / Germany based record label and mailorder towards Old School Metal, Speed and Thrash, no modern or trendy stuff! Iron Shield keeps the True Metal tradition as material is released on 7”,10” and LP vinyl , aswell as the CD format. Some of the Bands connected to / released through Iron Shield include: Taunted, Nihilist, Evil Whiplash, Tormentor, Dawn Of Valor, Great Awakening, Fatal Embrace and others. Iron Shield records; 'Real Metal stuff for Metal Maniacs!'
web: http://www.ironshieldrecords.de/
Iron Shield is a Berlin / Germany based record label and mailorder towards Old School Metal, Speed and Thrash, no modern or trendy stuff! Iron Shield keeps the True Metal tradition as material is released on 7”,10” and LP vinyl , aswell as the CD format. Some of the Bands connected to / released through Iron Shield include: Taunted, Nihilist, Evil Whiplash, Tormentor, Dawn Of Valor, Great Awakening, Fatal Embrace and others. Iron Shield records; 'Real Metal stuff for Metal Maniacs!'
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THE PICTUREBOOKS – CD 2014 “Imaginary Horse”
label: Riding Easy records
songs: Imaginary Horse / Your Kisses Burn Like Fire / PCH Diamond / 1000 Years Of Doing Nothing / E.L.I.Z.A.B.E.T.H / The Rabbit And The Wolf / Learn It The Hard Way / These Bridges I Must Burn / Fever / All Of My Life / Hail These Words / Woman (Tears Of Gold) / Make It Last //
web: http://www.thepicturebooks.com/
https://www.facebook.com/ThePicturebooks?fref=ts
The Picturebooks is a two-men project that released their latest offering, “Imaginary Horse” on the Riding Easy label at the tail end of 2014. The 'band' – comprised of singer / guitarist Fynn Claus Grabke and drummer Philipp Mirtschink - previously released two independent works that paved the way for a full-throttle career that is backed with some intensive, worldwide gigging, support slots and festival showcases. Spinning this 12-songer (+ intro) one would never guess that The Picturebooks are a German act, as the material sounds like grinding up a Psychedelic Hippie trip with Blues and a shovel of desert sand. The album starts with a toe-tap and vocal interlude, “Imaginary Horse” and rolls into “Your Kisses Burn Like Fire”, sporting the same toe-tap, added 'drums' and a snarling guitar to drive this psychedelic trip with. More of the same as the album furthers, plodding on straight-forward beats, down and dirty riffage, Native-American style chants and tambourine like bells, all meshed into a sing-along modus with a dark and dreary atmosphere that is trippy like frick. The music goes down the dark hole with the more moody, Psychedelic trips that are “E.L.I.Z.A.B.E.T.H”, “Learn It The Hard Way”, and the slow-paced Doom fused Bluester “Hail These Words”. On the other end of the spectrum are the faster, catchy vibed and slightly 'Alternative Brit Rock' fashioned “A Thousand Years Of Doing Nothing” and the similar styled, though slightly Punked up and groove infected up-tempo “The Rabbit And The Wolf”. The standard Biker sound (both members are actually fanatic bike builders) does not really rub off music wise although its 70's style imagery of its cover may suggest otherwise. The fact that their approach is stripped bare and produced by nothing but grainy vocals and custom built 'scrap' instruments including toms and a thrift shop guitar dressed with bells, compliments the feel of the music that indeed sounds as if it was recorded under primitive conditions. The whole feature comes across rather trippy and melancholic, dressed with droning vocal tones and sticky chants, cooking up a concoction that is anything but cliché; just picture the typical one-man slide-guitar thing without the slide guitar and peppered with Psychedelics and rough-edged Blues derivatives.... interesting!
Paul van der Burght
LEVEL 10 – CD 2015 “Chapter One”
label: Frontiers records
songs: Cry No More / Soul Of A Warrior / When The Night time Comes / One Way Street / Blasphemy / Last Man On Earth / In For The Kill / Voice Of The Wilderness / All Hope Is Gone / Demonized / The Soul Is Eternal / Forevermore //
This 12 songer by Level 10 truly ranks in the upper levels of traditional HardRock and Metal music, the way it used to sound in the 80's. Picture a mix of (old) Rainbow and Dio with a brush of Whitesnake / Blue Murder thrown in. Initiators, singer Russell Allen, and bassist Mat Sinner deliver a Rock-ready piece of music, along with a host of guest musicians, including guitarist Roland Grapaw, providing some great fretwork with a lot of feel. The focal points of the album are the riffage, and the roary powerhouse vocals of Allen, fitting somewhere in between Coverdale, Bonnet and Sykes. There's a good, allround differentiation, both in tempo and approach; from slow and atmospheric in the Dio / Rainbow styles (“Soul Of A Warrior”, Voice Of The Wilderness”, “The Soul Is Eternal”), moderately paced (“One Way Street”, “Last Man On Earth”) and balladry (“All Hope Is Gone”) to up-tempo HardRock (“Cry No More”, “Forevermore”), upbeat HardRock / Metal (“When The Night time Comes”, “Forevermore”) onto the anthemic and moderately fast paced 'shout along' HardRocker “In For The Kill” and the ripping 80's Headbanger “Demonized”, pointing at a Savatage / Judas Priest style. Overall, songs are riff-based, catchy and driven with a thick, 'meaty' production to further up the quality release that is “Chapter One”
Paul van der Burght
label: Frontiers records
songs: Cry No More / Soul Of A Warrior / When The Night time Comes / One Way Street / Blasphemy / Last Man On Earth / In For The Kill / Voice Of The Wilderness / All Hope Is Gone / Demonized / The Soul Is Eternal / Forevermore //
This 12 songer by Level 10 truly ranks in the upper levels of traditional HardRock and Metal music, the way it used to sound in the 80's. Picture a mix of (old) Rainbow and Dio with a brush of Whitesnake / Blue Murder thrown in. Initiators, singer Russell Allen, and bassist Mat Sinner deliver a Rock-ready piece of music, along with a host of guest musicians, including guitarist Roland Grapaw, providing some great fretwork with a lot of feel. The focal points of the album are the riffage, and the roary powerhouse vocals of Allen, fitting somewhere in between Coverdale, Bonnet and Sykes. There's a good, allround differentiation, both in tempo and approach; from slow and atmospheric in the Dio / Rainbow styles (“Soul Of A Warrior”, Voice Of The Wilderness”, “The Soul Is Eternal”), moderately paced (“One Way Street”, “Last Man On Earth”) and balladry (“All Hope Is Gone”) to up-tempo HardRock (“Cry No More”, “Forevermore”), upbeat HardRock / Metal (“When The Night time Comes”, “Forevermore”) onto the anthemic and moderately fast paced 'shout along' HardRocker “In For The Kill” and the ripping 80's Headbanger “Demonized”, pointing at a Savatage / Judas Priest style. Overall, songs are riff-based, catchy and driven with a thick, 'meaty' production to further up the quality release that is “Chapter One”
Paul van der Burght
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Above left and right: Sophie Rebecca. Photos by Don Curry. Bikini: “SHE by Sophie”
SOPHIE REBECCA – Pole Performer and Artiste
U.K based Artiste Sophie Rebecca started her career in ballet that furthered with trampolining at a national level. A back-injury at age 14 changed the ways of her 12 year career changed and lead to her coaching others. When Sophie hit 18, she decided that she would keep dancing and found herself in the ceiling cages at 'Cyberdog' for a brief stint, followed by shows at all the Alternative venues; from 'AntiChrist' and 'Synthetic Egg' to 'Devil's Night' in Stoke; “I danced wherever I could, and I added angle grinding and firebreathing to my repertoire but found most of my gigs were in cages and on podiums”. After an unplanned and one-off pole performance, Sophie was determined to master pole-dancing and entered a pole-school opposite where she was living. To this day, years later, Sophie still teaches and trains at 'Bewitched Pole Fitness' in Kent”. Sophie has completed and performed with the owner of the company as a doubles-pair many times over the last 3 years. “I'm hoping to branch out into performing more as an individual both with pole and hoop. Let's see what this year continues to bring me!” Sophie is also a Metal fan, and some of her current favourite Artists include Stam1na, SikTh, As I Lay Daing and Steel Panther.. “I personally also feel strongly about representing the women in Metal; I spent a lot of my teenage years listening to Otep, and I've found Halestorm to be a favourite of mine in recent years”.
photography by Don Curry: https://www.facebook.com/doncurryphotography?fref=ts
U.K based Artiste Sophie Rebecca started her career in ballet that furthered with trampolining at a national level. A back-injury at age 14 changed the ways of her 12 year career changed and lead to her coaching others. When Sophie hit 18, she decided that she would keep dancing and found herself in the ceiling cages at 'Cyberdog' for a brief stint, followed by shows at all the Alternative venues; from 'AntiChrist' and 'Synthetic Egg' to 'Devil's Night' in Stoke; “I danced wherever I could, and I added angle grinding and firebreathing to my repertoire but found most of my gigs were in cages and on podiums”. After an unplanned and one-off pole performance, Sophie was determined to master pole-dancing and entered a pole-school opposite where she was living. To this day, years later, Sophie still teaches and trains at 'Bewitched Pole Fitness' in Kent”. Sophie has completed and performed with the owner of the company as a doubles-pair many times over the last 3 years. “I'm hoping to branch out into performing more as an individual both with pole and hoop. Let's see what this year continues to bring me!” Sophie is also a Metal fan, and some of her current favourite Artists include Stam1na, SikTh, As I Lay Daing and Steel Panther.. “I personally also feel strongly about representing the women in Metal; I spent a lot of my teenage years listening to Otep, and I've found Halestorm to be a favourite of mine in recent years”.
photography by Don Curry: https://www.facebook.com/doncurryphotography?fref=ts
STARBLIND – CD 2015 “A Dying Son”
label: Pure Steel records
songs: A Dying Son / Blood Red Skies / Firestone / The Man Of The Crowd / The Lighthouse / Sacrifice / Room 101 / The Land Of Seven Rivers Beyond The Sea //
web: www.starblind.se www.facebook.com/StarBlindtheBand
Following the release of the band's “Darkest Horrors” debut in 2014, and a string of live-gigs, Sweden's Starblind inked a deal with Pure Steel records to launch their second effort, “A Dying Son”. The whole set was recorded live in the studio which testifies to the band's musical abilities, and tip-top teamwork that is further spotlighted in the rhythm-section. The concept of “A Dying Son” is entirely sparked by 80's Metal and pretty much sounds like a cross-breed of Maiden (“Powerslave” era) and Helloween. The Maiden thing is all over the instrumentation sporting similar styled, galloping rhythmics, melodies and guitar phrasing, whilst the vocals replicate Helloween, sporting a mid / up-range falsetto voice with a good lot of matching, sing along themes. The vocals of main man Mike Stark fit the music but are a bit too prominent in both mix and appearance, and occasionally pushed too far in pitch. This makes the vocals the main draw whilst there's a lot happening underneath in the instrumental department, given space to star down the instrumental sections of songs such as “The Man Of The Crowd” and the in-depth structured, 11+ minute “The Land Of The Seven Rivers Beyond The Sea”. The album holds a good diversity in tempo and structure, although the galloping rhythms are favourite by far. There's fast paced tunes (titletrack and “Room 101”), up-tempo; “The Man Of The Crowd”, and the galloping “The Lighthouse” (with a opening theme reminiscent of Maiden's “Fear Of The Dark”), and slower, moderately to mid-paced pieces (“Sacrifice”). If Maiden and Helloween are among your favourites, Starblind is the one band that bridges the gap.
Paul van der Burght
label: Pure Steel records
songs: A Dying Son / Blood Red Skies / Firestone / The Man Of The Crowd / The Lighthouse / Sacrifice / Room 101 / The Land Of Seven Rivers Beyond The Sea //
web: www.starblind.se www.facebook.com/StarBlindtheBand
Following the release of the band's “Darkest Horrors” debut in 2014, and a string of live-gigs, Sweden's Starblind inked a deal with Pure Steel records to launch their second effort, “A Dying Son”. The whole set was recorded live in the studio which testifies to the band's musical abilities, and tip-top teamwork that is further spotlighted in the rhythm-section. The concept of “A Dying Son” is entirely sparked by 80's Metal and pretty much sounds like a cross-breed of Maiden (“Powerslave” era) and Helloween. The Maiden thing is all over the instrumentation sporting similar styled, galloping rhythmics, melodies and guitar phrasing, whilst the vocals replicate Helloween, sporting a mid / up-range falsetto voice with a good lot of matching, sing along themes. The vocals of main man Mike Stark fit the music but are a bit too prominent in both mix and appearance, and occasionally pushed too far in pitch. This makes the vocals the main draw whilst there's a lot happening underneath in the instrumental department, given space to star down the instrumental sections of songs such as “The Man Of The Crowd” and the in-depth structured, 11+ minute “The Land Of The Seven Rivers Beyond The Sea”. The album holds a good diversity in tempo and structure, although the galloping rhythms are favourite by far. There's fast paced tunes (titletrack and “Room 101”), up-tempo; “The Man Of The Crowd”, and the galloping “The Lighthouse” (with a opening theme reminiscent of Maiden's “Fear Of The Dark”), and slower, moderately to mid-paced pieces (“Sacrifice”). If Maiden and Helloween are among your favourites, Starblind is the one band that bridges the gap.
Paul van der Burght
FROSTHELM – CD US 2015 “The Endless Winter”
label: Black Work records(Alkemy Brothers)
songs: Glacial Eon / A Storm Of teeth / Forlorn Tides / Tomb Of Sordid Ruin / Beneath Dead Horizons / Endless Winter / Hell Between Us / The Dragon / Silent And Dark, The Everlasting Sky //
web: https://www.facebook.com/frosthelm?fref=ts
After two self-produced and released recordings, U.S unit Frosthelm teamed up with Black Work records to release their debut-full length “The Endless Winter”. Frosthelm deliver a most interesting mix of melodic BlackMetal, Thrash and SpeedMetal with an occasional dash of PowerMetal. The music has a strong, technical root without sounding too complex; a keen move considering the compact nature of the songs. Material is riff-dominant and features a whole spectrum of guitar-modes; from fast-paced rhythm riffage and the signature 'high-low & reversed' BlackMetal riff-leads to galloping Thrash hooks, balanced with some tasty, groove-laden solos as witnessed on “Forlorn Tides” and “Tomb Of Sordid Ruin”. The vocals match up in versatility, covering most styles; snappy, gurgling, screamy and shrieky. Blast-beats are a significant element throughout and applied at the start of most songs. There is a certain, dramatic atmosphere running through “The Endless Winter”, pushed forward down the classical intro to “Glacian Eon” plus the BlackMetalers “Silent And Dark, The Everlasting Sky” and “Tomb Of Sordid Ruin”, the latter incorporating shades of Folk, BlackMetal style. In all, a product well taken care of and a compliment to the intelligent musicianship. Strong!
Paul van der Burght
label: Black Work records(Alkemy Brothers)
songs: Glacial Eon / A Storm Of teeth / Forlorn Tides / Tomb Of Sordid Ruin / Beneath Dead Horizons / Endless Winter / Hell Between Us / The Dragon / Silent And Dark, The Everlasting Sky //
web: https://www.facebook.com/frosthelm?fref=ts
After two self-produced and released recordings, U.S unit Frosthelm teamed up with Black Work records to release their debut-full length “The Endless Winter”. Frosthelm deliver a most interesting mix of melodic BlackMetal, Thrash and SpeedMetal with an occasional dash of PowerMetal. The music has a strong, technical root without sounding too complex; a keen move considering the compact nature of the songs. Material is riff-dominant and features a whole spectrum of guitar-modes; from fast-paced rhythm riffage and the signature 'high-low & reversed' BlackMetal riff-leads to galloping Thrash hooks, balanced with some tasty, groove-laden solos as witnessed on “Forlorn Tides” and “Tomb Of Sordid Ruin”. The vocals match up in versatility, covering most styles; snappy, gurgling, screamy and shrieky. Blast-beats are a significant element throughout and applied at the start of most songs. There is a certain, dramatic atmosphere running through “The Endless Winter”, pushed forward down the classical intro to “Glacian Eon” plus the BlackMetalers “Silent And Dark, The Everlasting Sky” and “Tomb Of Sordid Ruin”, the latter incorporating shades of Folk, BlackMetal style. In all, a product well taken care of and a compliment to the intelligent musicianship. Strong!
Paul van der Burght
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ENCYRCLE – CD DK 2015 “ENCYRCLE”
label: Unspeakable Axe records / Dark Descent records
songs: Chronoboros / To The End / Evoke The Night / Bloodbasker / En Trance / Dizzy Me Deadly / Serpent's Dream / Deathlust / Facelasher / Black Dusk / Obliteration Eyes //
web: https://www.facebook.com/encyrcle
Selftitled debut album by this Denmark based 5-piece that tag their music as 'Nocturnal Speed Metal'. A fitting description that applies to the greater part of the material on display here. However, it is more than just SpeedMetal, often merging with Thrash and the occasional flirt with PowerMetal. Whichever the combination, it all pretty much dates back to the 80's Thrash / SpeedMetal thing European style. If there's any old-school Speed / ThrashMetal bands that Encyrcle has a thing or two in common with, then this would be UK Thrashers Onslaught, best evidenced on “To The End” and “Deathlust”. It is also here that the band engaged some BlackMetal-ish guitar riffage alongside the staccato riff-hooks. And that is not where the similarities end, as the voice of singer N.Hydra reminds of that of Onslaught's Sy Keeler, delivering a mid-range, talk-type vocal style that is caked with some cool, high-pitched shrieks. The PowerMetal element is equally highlighted by the nature of the vocals, the melodic-laden guitar phrashing and allround structural sense that finds its expression through the various timing and melody changes that run underneath the material. There's a lot of guitar throughout the disc that is showered with gripping, high-speed riffage and galloping Thrash hooks. There's only one moments the band steps outside the traditional thing, addressing to the more oriented Nu Power / SpeedMetal sound of the melodic laden “Facelasher”. Songs usually clock in at 4 / 5 minutes of running time, doubled down the atmospheric-edged 8+ minute “Black Dust”. In all, Encyrcle deliver a unique and refreshing mix of genres that will appeal to a wide spectrum of Metalers. The flawless musical performance, sense for balance and melody coupled to a high entertainment factor makes this one very enjoyable album in more than one respect. Great!
Paul van der Burght
HAMMER AND TONGS – Heavy Metal Tour, Promotion, Management and driver
web: https://www.facebook.com/tour.and.promotions?fref=ts
Kroatia based Hammer And Tongs is the Metal gateway to Eastern Europe and further afield, providing tour bookings, promotion, management, backline rental, drivers. In addition, Hammer And Tongs can take care of anything tour related, including merchandise sales, flyers / posters, booking accommodation and organizing support bands. Hammer And Tongs aim to give bands the complete management treatment. Some of the festivals Hammer And Tongs have been involved with include Total Warfest, United Metal Festival, Heavy Day Fest, Hell Over Esslingen, Da Fest. Some of the bands Hammer And Tongs have worked with include Battalion, My Funeral, Rosarian, Whispering Woods, Throne Of Malok etc. For more information either visit the website or contact tour.agency.info@gmail.com
web: https://www.facebook.com/tour.and.promotions?fref=ts
Kroatia based Hammer And Tongs is the Metal gateway to Eastern Europe and further afield, providing tour bookings, promotion, management, backline rental, drivers. In addition, Hammer And Tongs can take care of anything tour related, including merchandise sales, flyers / posters, booking accommodation and organizing support bands. Hammer And Tongs aim to give bands the complete management treatment. Some of the festivals Hammer And Tongs have been involved with include Total Warfest, United Metal Festival, Heavy Day Fest, Hell Over Esslingen, Da Fest. Some of the bands Hammer And Tongs have worked with include Battalion, My Funeral, Rosarian, Whispering Woods, Throne Of Malok etc. For more information either visit the website or contact tour.agency.info@gmail.com
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KARMA VIOLENS – CD 2015 “Skin Of Existence”
label: Growl records
songs: Incuarius / Bloodbath / Soulless Child/ Floating In Sadness / Le Tempe Du Suicide / Skin Of Existence / St. Vis Vilam Para Mortem / Incubation Day / About My Creator //
web: https://www.facebook.com/karmaviolens
https://www.youtube.com/user/karmaviolens http://www.karmaviolens.com
Karma Violens are a Greek 4-piece that first entered the scene with the acclaimed E.P. “Katara” in 2007, followed by the “Dormancy” album in 2011. “Skin Of Existence” is their newest work, featuring 11 songs that are stickered by the band as 'Extreme Metal', collecting the goods of Black Metal, Melodic Death and Thrash Metal combined with HardCore. That pretty much sums it all up, as Karma Violens replicate just that. After an ominous intro that merges the Industrial thing with Horror-like moods and a dash of 90's style DeathMetal, the albums reveals its amalgamated style straight away showering the 3+ minute running time of “Bloodbath” with slam drummage, double-bass chops, Thrash riffed hooks, 90's branded high-low & reversed DeathMetal riffage, gurgling vocals and Nu MetalCore features. The Nu MetalCore thing is pushed further up down the next track, merged with riff and drum elements a la Fear Factory, The Modern (MetalCore) sound finds most of its expression through the vocalage / grunted shrieks, alternated by deeper growls, giving it this characteristic 2-toned appearance. Again, there's quite a lot going down the song, bordering against the Technical thing with start-stop sort of structure. Refreshing is the presence of a groove-laden HardRock styled guitar solo (a la Alter Bridge), an element that comes re-surfacing down the energetic “Incubation Day”. “Skin Of Existence” and “St Vis Vilam Para Mortem” are some of the more intense, faster picks of the set with BlackMetal-ish endings, and truly do the tag 'Extreme Metal' justice. The “Skin Of Existence” album holds a lot of different features with occasional shades of Fear Factory down the vocal department, and the riff-drum synchronisation in particular. The material grabs attention straight away, even though it is packed with timing, melody and genre changes! Quite clever how Karma Violens have put it all together without sounding overly technical. Add a meaty, razor-edged production, mixed by Daniel Castleman (As I Lay Dying) and mastered by Alan Duches (Motorhead, Dillinger Escape Plan) and the result is a prominent piece of 'Extreme Metal' that rolls in various ways.
Paul van der Burght
label: Growl records
songs: Incuarius / Bloodbath / Soulless Child/ Floating In Sadness / Le Tempe Du Suicide / Skin Of Existence / St. Vis Vilam Para Mortem / Incubation Day / About My Creator //
web: https://www.facebook.com/karmaviolens
https://www.youtube.com/user/karmaviolens http://www.karmaviolens.com
Karma Violens are a Greek 4-piece that first entered the scene with the acclaimed E.P. “Katara” in 2007, followed by the “Dormancy” album in 2011. “Skin Of Existence” is their newest work, featuring 11 songs that are stickered by the band as 'Extreme Metal', collecting the goods of Black Metal, Melodic Death and Thrash Metal combined with HardCore. That pretty much sums it all up, as Karma Violens replicate just that. After an ominous intro that merges the Industrial thing with Horror-like moods and a dash of 90's style DeathMetal, the albums reveals its amalgamated style straight away showering the 3+ minute running time of “Bloodbath” with slam drummage, double-bass chops, Thrash riffed hooks, 90's branded high-low & reversed DeathMetal riffage, gurgling vocals and Nu MetalCore features. The Nu MetalCore thing is pushed further up down the next track, merged with riff and drum elements a la Fear Factory, The Modern (MetalCore) sound finds most of its expression through the vocalage / grunted shrieks, alternated by deeper growls, giving it this characteristic 2-toned appearance. Again, there's quite a lot going down the song, bordering against the Technical thing with start-stop sort of structure. Refreshing is the presence of a groove-laden HardRock styled guitar solo (a la Alter Bridge), an element that comes re-surfacing down the energetic “Incubation Day”. “Skin Of Existence” and “St Vis Vilam Para Mortem” are some of the more intense, faster picks of the set with BlackMetal-ish endings, and truly do the tag 'Extreme Metal' justice. The “Skin Of Existence” album holds a lot of different features with occasional shades of Fear Factory down the vocal department, and the riff-drum synchronisation in particular. The material grabs attention straight away, even though it is packed with timing, melody and genre changes! Quite clever how Karma Violens have put it all together without sounding overly technical. Add a meaty, razor-edged production, mixed by Daniel Castleman (As I Lay Dying) and mastered by Alan Duches (Motorhead, Dillinger Escape Plan) and the result is a prominent piece of 'Extreme Metal' that rolls in various ways.
Paul van der Burght
ITALIAN ALTERNATIVE MODEL VALENTINA ROCKETQUEEN
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Italian Alternative Model VALENTINA ROCKETQUEEN wearing Manic Mosh tee. Photo by La Minu / Minu In Wonderland.
More of the great photographic work by La Minu @ https://www.facebook.com/MinuInWonderland
More on Valentina Rocketqueen @ https://www.facebook.com/v.rocketqueen?fref=ts
More of the great photographic work by La Minu @ https://www.facebook.com/MinuInWonderland
More on Valentina Rocketqueen @ https://www.facebook.com/v.rocketqueen?fref=ts
METAL ON METAL records
web: http://metal-on-metal.com/
Metal On Metal is an Italy based record-label and mailorder founded in 2008 and entirely focused on OLD SCHOOL styles of Metal: classic Heavy Metal, U.S Power, Traditional and Epic Doom, Speed, Thrash, Black/Thrash and some Death Metal. Absolutely no modern styles.This label is for those who keep the Old Metal spirit alive. Metal On Metal records value quality over quantity, so there are usually only 7 CD releases every year and a compilation "Compendium Of Metal" (released as regular CD with informative booklet). Label also has a mailorder / shop integrated in the website. Some of the bands released through Metal On Metal records include Heathendom, Nomad Son, Fallen Angels, Skelator, Battlerage, Arkham Witch, Doomshine, Meliah Rage and others.
web: http://metal-on-metal.com/
Metal On Metal is an Italy based record-label and mailorder founded in 2008 and entirely focused on OLD SCHOOL styles of Metal: classic Heavy Metal, U.S Power, Traditional and Epic Doom, Speed, Thrash, Black/Thrash and some Death Metal. Absolutely no modern styles.This label is for those who keep the Old Metal spirit alive. Metal On Metal records value quality over quantity, so there are usually only 7 CD releases every year and a compilation "Compendium Of Metal" (released as regular CD with informative booklet). Label also has a mailorder / shop integrated in the website. Some of the bands released through Metal On Metal records include Heathendom, Nomad Son, Fallen Angels, Skelator, Battlerage, Arkham Witch, Doomshine, Meliah Rage and others.
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HAGL – CD 2015 “Lenket Til Livet”
label: Folter records www.folter666.de
songs: Askefast / Den Sorte Porten / Ulvehyrde / Fra Kulden Til Flammene / Helvete Ligger Så I Lende / Ondskapt / Liksøk / Sjelefiende / Vardøgn / Endelikt //
web: https://www.facebook.com/haglbyge
“Lenket Til Livet”, the debut album by Norwegian outfit Hagl is a prime collection of Doom sphered Black Metal that occasionally gets really sombre and dramatic, as witnessed on the more emotive-laden “Ulvehyrde” and “Vardøgn”. Throughout the album, the programming is pretty much minor-key, creating this ominous, vibe that is taken a few levels further in coldness by incorporating some Industrial elements, as on “Den Sorte Porten” and “Liksøk”. The majority of songs is slow to moderately paced, accelerating to a mid-tempo on the dark, slightly Metal phased “Helvete Ligger Så”. There's quite a lot running underneath the music, referring to the active drumming and the mobility in the guitar department featuring picking modes alongside the riffage, and some refreshingly contrasting solo hooks down “Fra Kulden Til Flammene” and “Lende”. Other than what one might expect, there's no double bass drummage down the set and any possible BlackMetal styled blastbeats are limited to this one tune, “Endelikt”; the most BlackMetal minded tune on the album. The vocals however, are BlackMetal by nature but slowed down in a raspy, talk-type grunt and all sung in the native, Norwegian tongue! Overall, “Lenket Til Livet” is one dark sphered affair that sticks together very well; from the songwriting to the musicianship. Hagl sure know how to deliver; solid!
Paul van der Burght
PURE STEEL Records
web: www.puresteel-records.com
www.puresteel-shop.com
Pure Steel records is a Germany based record label and mailorder shop initiated in 2006 that is mostly geared towards traditional Metal. Prime genres represented by the label include 80's Metal, Power and Progressive Metal. Featured artists connected to and released through the label on either CD / LP format or both, include classic 80's acts such as Axemaster, Chastain, Halloween, Mindless Sinner, Ruthless, Steel Prophet and Warrant. The label also has sub-divisions to represent related and other genres including Pure Rock records, Pure Legend records, Pure Prog records and Pure Underground records. In addition, there's also the Pure Steel shop; a mailorder shop featuring all the label releases and a selection of CD's, LP's, DVD's, t-shirts, patches and more. Pure Steel records also works in close connection with journalists, magazines, fanzines and webzines and radio-stations worldwide through Pure Steel Promotions.
web: www.puresteel-records.com
www.puresteel-shop.com
Pure Steel records is a Germany based record label and mailorder shop initiated in 2006 that is mostly geared towards traditional Metal. Prime genres represented by the label include 80's Metal, Power and Progressive Metal. Featured artists connected to and released through the label on either CD / LP format or both, include classic 80's acts such as Axemaster, Chastain, Halloween, Mindless Sinner, Ruthless, Steel Prophet and Warrant. The label also has sub-divisions to represent related and other genres including Pure Rock records, Pure Legend records, Pure Prog records and Pure Underground records. In addition, there's also the Pure Steel shop; a mailorder shop featuring all the label releases and a selection of CD's, LP's, DVD's, t-shirts, patches and more. Pure Steel records also works in close connection with journalists, magazines, fanzines and webzines and radio-stations worldwide through Pure Steel Promotions.
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IRON FORCE – CD EP US 2015 “Dungeon Breaker”
label: Dying Victims productions www.dying-victims.de
songs: Dungeon Breaker / Outrun The Axe / Black Iron / Summon The Grave / Curse Of The Iceman //
web: https://www.facebook.com/ironforcebk http://ironforcespeedmetal.bandcamp.com/
Iron Force are a Brooklyn, New York based band that hark back to the early 80's U.S. Thrash thing on their newest release, “Dungeon Breaker”. Now, this is one very intense, bare-knuckle slab of music, patterned upon bashing speed driven drums, crunching guitar riffs and gruff, talk-type vocals that – in places – sound like a higher toned, pissed off Tom Warrior (Celtic Frost) with a hint of Possessed. The whole set just breathes this 'take no prisoners' feel and attitude, programmed on one basic, straight forward approach but it all works! Think a mix of old school Thrashers Possessed, Dark Angel and Slayer, complete with Kerry King style solo-hook (“Black Iron”), and some Destruction flavoured riffage (titletrack). This is hard, this is fast, this is Iron Force! Convincing
Paul van der Burght
label: Dying Victims productions www.dying-victims.de
songs: Dungeon Breaker / Outrun The Axe / Black Iron / Summon The Grave / Curse Of The Iceman //
web: https://www.facebook.com/ironforcebk http://ironforcespeedmetal.bandcamp.com/
Iron Force are a Brooklyn, New York based band that hark back to the early 80's U.S. Thrash thing on their newest release, “Dungeon Breaker”. Now, this is one very intense, bare-knuckle slab of music, patterned upon bashing speed driven drums, crunching guitar riffs and gruff, talk-type vocals that – in places – sound like a higher toned, pissed off Tom Warrior (Celtic Frost) with a hint of Possessed. The whole set just breathes this 'take no prisoners' feel and attitude, programmed on one basic, straight forward approach but it all works! Think a mix of old school Thrashers Possessed, Dark Angel and Slayer, complete with Kerry King style solo-hook (“Black Iron”), and some Destruction flavoured riffage (titletrack). This is hard, this is fast, this is Iron Force! Convincing
Paul van der Burght
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Photos above left, centre and right: Model Mynxie Monroe. All photos by Adam Robertson
MYNXIE MONROE – The Reigning Queen Of Darkness and beyond!
web: www.mynxiemonroe.com
Mynxie is a showgirl who hates being a showgirl. This means that she has become adept in the very specialist skills of haunting, cursing, snarling at the general public, and fucking shit up. Cheesecake and sparkle make her vomit, leather and Death Metal make her horny. And campy horror B-movies make her jump for joy. As the reigning Queen of Darkness and all-round professional Goth, Mynxie has pretty much every style of act you can think of within the Alternative subgenres, from full-on Gore shows and criminally filthy Gothic stripteases, all the way through to super-camp character-based routines and flamin' hot fire acts – all dripping with satire, sex, and ridiculous amounts of mischief. She is also an internationally published Alternative Model, popping up frequently in niche publications and online zines, often clad in latex, lingerie, or nothing at all. At Mynxie Towers you can find her two baby snakes - Lugosi & Karloff - her infamous costume cupboard, and a sinful collection of incredibly fetishistic footwear.
Photography: Adam Robertson www.adamrobertson.co.uk
DONKERKARNUFFEL – CD 2013 “Zombie Clown Apocalypse”
label: Private
songs: Circue De Mort (intro) / Blood For Donko / Funland / Givin' It The Big 'Un / No Escape / Interlude / The Greatest Show On Earth / Gypsy / Mourn For The New Born / Divinus Infernus / Fire Walk With Me / My Psychosis / The Grim Finale / Zombie Clown Apocalypse //
web: https://www.facebook.com/Donkerkarnuffel?fref=ts
“Zombie Clown Apocalypse” is the debut album by London based 'ClownCore' act Donkerkarnuffel, presenting a very intense and aggressive sounding form of entertainment that walks the tightrope between Tampa style DeathMetal and 90's Swedish DeathMetal. Donkerkarnuffel has taken the best of both and made it their own, rolling on plenty of double-bass drummage, crunching riffs and incredibly intense, growling over the top vocals with hints of Fear Factory. This is a source that is also reflected in the musical department referring to tunes such as “Funland”, “The Greatest Show On Earth” and “Mourn For The New Born” additionally throwing in bits in the styles of the heaviest Pantera and White Zombie material. Things get quite Progressive styled down “Gyspsy”, merging MetalCore with DeathMetal whilst “Givin It The Big Un” displays a more 90's ThrashCore styled approach with pounding grooves to alternate the galloping mid-paced Thrash drive and semi-technically riffed accelerations. Whatever style Donkerkarnuffel adopts, it all sounds incredibly intense with 'loud-times-ten guitars', plenty of double-bass drum action, dark atmospheres and a razor sharp production to do the music justice. As some acts try to mask their abilities with imagery, Donkerkarnuffel do not need to do any such thing.. here it is part of the image as the music stands for itself. Excellent!
Paul van der Burght
label: Private
songs: Circue De Mort (intro) / Blood For Donko / Funland / Givin' It The Big 'Un / No Escape / Interlude / The Greatest Show On Earth / Gypsy / Mourn For The New Born / Divinus Infernus / Fire Walk With Me / My Psychosis / The Grim Finale / Zombie Clown Apocalypse //
web: https://www.facebook.com/Donkerkarnuffel?fref=ts
“Zombie Clown Apocalypse” is the debut album by London based 'ClownCore' act Donkerkarnuffel, presenting a very intense and aggressive sounding form of entertainment that walks the tightrope between Tampa style DeathMetal and 90's Swedish DeathMetal. Donkerkarnuffel has taken the best of both and made it their own, rolling on plenty of double-bass drummage, crunching riffs and incredibly intense, growling over the top vocals with hints of Fear Factory. This is a source that is also reflected in the musical department referring to tunes such as “Funland”, “The Greatest Show On Earth” and “Mourn For The New Born” additionally throwing in bits in the styles of the heaviest Pantera and White Zombie material. Things get quite Progressive styled down “Gyspsy”, merging MetalCore with DeathMetal whilst “Givin It The Big Un” displays a more 90's ThrashCore styled approach with pounding grooves to alternate the galloping mid-paced Thrash drive and semi-technically riffed accelerations. Whatever style Donkerkarnuffel adopts, it all sounds incredibly intense with 'loud-times-ten guitars', plenty of double-bass drum action, dark atmospheres and a razor sharp production to do the music justice. As some acts try to mask their abilities with imagery, Donkerkarnuffel do not need to do any such thing.. here it is part of the image as the music stands for itself. Excellent!
Paul van der Burght
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Photo above left: Stacey Savage / Savage Master. Photo right: Savage Master. Photos published with permission by Skol records
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SAVAGE MASTER – CD 2014 “Mask Of The Devil”
label: Skol records
songs: Blood On The Rose / Thy Mystifying Oracle / Mask Of The Devil / Ripper In Black / Kill Without Warning / Marry The Wolf / Altar Of Lust / Death Rides The Highway /
web: https://www.facebook.com/savagemaster666
U.S. Metalers Savage Master stormed the scene with their pre-album taster “Ripper In Black” receiving nothing but favourable reviews. Not without reason, as they hit all the right spots replicating this pure and uncompromising 80's Underground Metal sound the way it was produced on demo-tapes. Savage Master play riff-based, mid-paced U.S. Metal with an European backbone, pointing at similar styled bands such as Nasty Savage and Jag Panzer. Similar to Nasty Savage, there's this dark, Occult atmosphere, further complimented by the gruff, talk type, and almost narrative like vocalage of frontlady Stacey Savage sounding like a female counterpart of Nasty Ronnie. Even though the overall pace is rather moderate, they all have this driven feel, fuelled by gripping riffage highlighted on the Anthemic Metal cruncher “The Ripper In Black”. The European root is best captured on the all out 80's styled Metalers “Blood On The Rose” and “Kill Without Warning” whilst the Occult atmosphere reigns down the heavily crunch riffed “Mask Of The Devil”. Savage Master truly are THE Master in getting the 80's Metal sound and image right. Great!
Paul van der Burght
label: Skol records
songs: Blood On The Rose / Thy Mystifying Oracle / Mask Of The Devil / Ripper In Black / Kill Without Warning / Marry The Wolf / Altar Of Lust / Death Rides The Highway /
web: https://www.facebook.com/savagemaster666
U.S. Metalers Savage Master stormed the scene with their pre-album taster “Ripper In Black” receiving nothing but favourable reviews. Not without reason, as they hit all the right spots replicating this pure and uncompromising 80's Underground Metal sound the way it was produced on demo-tapes. Savage Master play riff-based, mid-paced U.S. Metal with an European backbone, pointing at similar styled bands such as Nasty Savage and Jag Panzer. Similar to Nasty Savage, there's this dark, Occult atmosphere, further complimented by the gruff, talk type, and almost narrative like vocalage of frontlady Stacey Savage sounding like a female counterpart of Nasty Ronnie. Even though the overall pace is rather moderate, they all have this driven feel, fuelled by gripping riffage highlighted on the Anthemic Metal cruncher “The Ripper In Black”. The European root is best captured on the all out 80's styled Metalers “Blood On The Rose” and “Kill Without Warning” whilst the Occult atmosphere reigns down the heavily crunch riffed “Mask Of The Devil”. Savage Master truly are THE Master in getting the 80's Metal sound and image right. Great!
Paul van der Burght
LANCER – CD 2015 “Second Storm”
label: Despotz records
songs: Running From The Tyrant / Iwo Jima / Masters And Crowns / Behind The Walls / Aton / Children Of The Storm / Steelbreaker / Eyes Of The Liar / Fools Marches On //
web: https://www.facebook.com/lancermetal?fref=ts
“Second Storm” is the aptly titled second album (and third release) by Swedish outfit Lancer, sporting some old-school Melodic Power / SpeedMetal Nu style. Basically, this sounds like a 'modernized' Helloween-meets-Europe, fitted with those prominent yell along choirs German style; A fine example of this is the melodic SpeedMetaler “Running From The Tyrant” (with a slight hint of Europe in the guitar department) and and “Aton”; an all-out 80's HardRocker-turns-Metaler with those Epic, 'comrade' sing along choirs. The Speedmetal thing comes in the shape of “Running From The Tyrant”, “Behind The Walls” and “Fools Marches On”; all driven by double-bass drums in a 'galloping' mode. The Europe flavours are most evident on the melodic HardRock minded “Iwo Jima” and the heavier, up-tempo and slightly PowerMetal tinged tracks “Steelbreaker” and “Eyes Of The Liar”. Throughout the album, there's a proper flow of timing and melody changes and a good balance between fast tracks and slower, moderately to up-tempo workouts. The upper mid-range vocals of Isak Stenvall are crisp and clear with a good lot of harmonized / double dubbed modes, peaking in reach on “Iwo Jima”, “Aton” and “Behind The Walls”. The “Second Storm” further holds a good lot of tasty guitarwork and melodies, and not just the hip 'sweep picking' cliches that usually come with this genre. Enjoyable
Paul van der Burght
label: Despotz records
songs: Running From The Tyrant / Iwo Jima / Masters And Crowns / Behind The Walls / Aton / Children Of The Storm / Steelbreaker / Eyes Of The Liar / Fools Marches On //
web: https://www.facebook.com/lancermetal?fref=ts
“Second Storm” is the aptly titled second album (and third release) by Swedish outfit Lancer, sporting some old-school Melodic Power / SpeedMetal Nu style. Basically, this sounds like a 'modernized' Helloween-meets-Europe, fitted with those prominent yell along choirs German style; A fine example of this is the melodic SpeedMetaler “Running From The Tyrant” (with a slight hint of Europe in the guitar department) and and “Aton”; an all-out 80's HardRocker-turns-Metaler with those Epic, 'comrade' sing along choirs. The Speedmetal thing comes in the shape of “Running From The Tyrant”, “Behind The Walls” and “Fools Marches On”; all driven by double-bass drums in a 'galloping' mode. The Europe flavours are most evident on the melodic HardRock minded “Iwo Jima” and the heavier, up-tempo and slightly PowerMetal tinged tracks “Steelbreaker” and “Eyes Of The Liar”. Throughout the album, there's a proper flow of timing and melody changes and a good balance between fast tracks and slower, moderately to up-tempo workouts. The upper mid-range vocals of Isak Stenvall are crisp and clear with a good lot of harmonized / double dubbed modes, peaking in reach on “Iwo Jima”, “Aton” and “Behind The Walls”. The “Second Storm” further holds a good lot of tasty guitarwork and melodies, and not just the hip 'sweep picking' cliches that usually come with this genre. Enjoyable
Paul van der Burght
HIGHPOWER – CD 2015 “Les Violins De Satan”
label: No Remorse records
songs: Avocat / Sous l'Oeil Du Cobra / Le Dernier Assaut / Rebelle / Heavy Rock / Par Le Sang Et l'Acier / Les Violons De Satan / Demo Bonus Tracks: Hard-Rock Dans La Ville / Par Le Sang Et l'Acier / Pour Un Dieu Qui s'Ennuie / Le Dernier Assault / Les Violons De Satan / Les Putois //
Back in the mid-80's France was a fertile ground for Metal with new bands mushrooming at a large scale. However, most of these bands never got any further than the demo or 7” format. The few that managed to vinylize any album(s) were either on a insignificant label or hampered by poor label support. Highpower managed to land a deal with the respectable indie label Devil's records to release their selftitled debut in '83. Things all seemed pretty OK in terms of recognition but somehow the band did not manage to push it through, and by the time their successor, “Les Violins De Satan” was released in '86 (Sydney productions) Highpower simply got lost in the abundance of Metal bands out there. A shame, as “Violins De Satan” is a proper Euro-Metal record in every respect, though not as convincing as their debut. The trademark French Metal features are omnipresent; melodic-laden guitar hooks and solos, strong, melodic-edged vocals and lyrics in the native tongue. Their set holds the whole spectrum of timings and interpretations; from slow, ominous and almost Doom like (“Le Dernier Assault”) and Metal Balladry (“Par Le Sang Et l'Acier”) onto mod/mid-paced (“Heavy Rock”, “Sous l'Oeil Du Cobra”) onto driven up-tempo Metal (titletrack) and moderately-fast semi-Headbanger modus (“Avocat”). Throughout the album, there's more than one comparison to Accept, referring to “Avocat”, “Sous l'Ouil Du Cobra” and the anthemic, shout along Rocker “Heavy Rock”. Even though the songs have a pretty straight forward nature, Highpower managed to slip in quite a few structural twists, best captured on “Avocat” (including a classical-inspired mid-section) and the in-depth titletrack. This remastered CD additionally features 6 demo bonus tracks that show a more rough edged, unpolished approach that actually suits the music better. Vocals are also topping here and the overall approach tends more towards Judas Priest as evidenced on the riff-based HardRock / Metalers “HardRock Dans La Ville”, and “Pour Un Dieu Qui s'Ennuie”.
Paul van der Burght
label: No Remorse records
songs: Avocat / Sous l'Oeil Du Cobra / Le Dernier Assaut / Rebelle / Heavy Rock / Par Le Sang Et l'Acier / Les Violons De Satan / Demo Bonus Tracks: Hard-Rock Dans La Ville / Par Le Sang Et l'Acier / Pour Un Dieu Qui s'Ennuie / Le Dernier Assault / Les Violons De Satan / Les Putois //
Back in the mid-80's France was a fertile ground for Metal with new bands mushrooming at a large scale. However, most of these bands never got any further than the demo or 7” format. The few that managed to vinylize any album(s) were either on a insignificant label or hampered by poor label support. Highpower managed to land a deal with the respectable indie label Devil's records to release their selftitled debut in '83. Things all seemed pretty OK in terms of recognition but somehow the band did not manage to push it through, and by the time their successor, “Les Violins De Satan” was released in '86 (Sydney productions) Highpower simply got lost in the abundance of Metal bands out there. A shame, as “Violins De Satan” is a proper Euro-Metal record in every respect, though not as convincing as their debut. The trademark French Metal features are omnipresent; melodic-laden guitar hooks and solos, strong, melodic-edged vocals and lyrics in the native tongue. Their set holds the whole spectrum of timings and interpretations; from slow, ominous and almost Doom like (“Le Dernier Assault”) and Metal Balladry (“Par Le Sang Et l'Acier”) onto mod/mid-paced (“Heavy Rock”, “Sous l'Oeil Du Cobra”) onto driven up-tempo Metal (titletrack) and moderately-fast semi-Headbanger modus (“Avocat”). Throughout the album, there's more than one comparison to Accept, referring to “Avocat”, “Sous l'Ouil Du Cobra” and the anthemic, shout along Rocker “Heavy Rock”. Even though the songs have a pretty straight forward nature, Highpower managed to slip in quite a few structural twists, best captured on “Avocat” (including a classical-inspired mid-section) and the in-depth titletrack. This remastered CD additionally features 6 demo bonus tracks that show a more rough edged, unpolished approach that actually suits the music better. Vocals are also topping here and the overall approach tends more towards Judas Priest as evidenced on the riff-based HardRock / Metalers “HardRock Dans La Ville”, and “Pour Un Dieu Qui s'Ennuie”.
Paul van der Burght
GRAND SOUNDS Promotion
web: https://www.facebook.com/grandsounds?fref=ts
http://deadcenter666.com/grandsounds
Grand Sounds Promotion is a promotional agency established in 2012 with the aim to help bands and labels get their music to a wider audience globally. Grand Sounds Promotion operates within a broad spectrum of genres; from Rock and Punk to Metal and Grindcore, works in close contact with over 2000 labels, (web)magazines, radio-shows, gig-organizers etc. and offers promotional packages at very affordable prices. Grand Sounds Promotion also releases a compilation CD series as part of their promotional activities, and has an additional FB page with all the latest news, reviews and updates.
web: https://www.facebook.com/grandsounds?fref=ts
http://deadcenter666.com/grandsounds
Grand Sounds Promotion is a promotional agency established in 2012 with the aim to help bands and labels get their music to a wider audience globally. Grand Sounds Promotion operates within a broad spectrum of genres; from Rock and Punk to Metal and Grindcore, works in close contact with over 2000 labels, (web)magazines, radio-shows, gig-organizers etc. and offers promotional packages at very affordable prices. Grand Sounds Promotion also releases a compilation CD series as part of their promotional activities, and has an additional FB page with all the latest news, reviews and updates.
SHAWN JAMES & THE SHAPESHIFTERS –
CD 2015 “The Gospel According to Shawn James & The Shapeshifters”
label: private
songs: No Gods / Like Father Like Son / Lost / Wild Man / Strange Days / Lake Of Fire / Just Because / Black Down / Lilith / The Sandbox //
web: www.facebook.com/ShawnJamesSoul
“The Gospel According To...” by five-piece U.S. Rockers Shawn James & The Shapeshifters is one of such albums that requires a few spins to get accustomed with the thing they are doing, discovering something new with each and every play. This is one very unusual mix, though refreshing and entertaining in a peculiar way. Picture Lynyrd Skynyrd on a Stoner trip with a fair doses of Gospel and a splash of 70's Hippie Rock, Desert Rock, Hillbilly Blues and Folk. This comes complete with the tools of the trade including Banjo, slide-guitar, Tambourin and Fiddle. The Gospel thing is most evident on “No Gods” (chants), “Wild Man” (sounding like 'Stoner Gospel' with old Led Zep mixed in), “Just Because” (partnering 70's Doom with Folk and Gospel) and “Black Down” that has the Stoner thing re-appearing. Musically, it all sticks together very well and things get quite technical down “Just Because” and the Progressive edged instrumental “The Sandbox”. The vocals operate in a level tone Stoner type, and the riffage is brushed with a hint of Led Zep on more than one occasion, whilst the amplification is more of a snarly 70's Hippie distortion. Within the predominantly slow / moderately paced repertoire featuring some three (semi) ballads, there's also two up-tempo tracks, the first of which highlights the use of Banjo, Fiddle and Tambourin (“Like Father Like Son”), and the second which stands out in terms of originality, creating an 'Electro-meets-Stoner' type of sound. Different!
Paul van der Burght
CD 2015 “The Gospel According to Shawn James & The Shapeshifters”
label: private
songs: No Gods / Like Father Like Son / Lost / Wild Man / Strange Days / Lake Of Fire / Just Because / Black Down / Lilith / The Sandbox //
web: www.facebook.com/ShawnJamesSoul
“The Gospel According To...” by five-piece U.S. Rockers Shawn James & The Shapeshifters is one of such albums that requires a few spins to get accustomed with the thing they are doing, discovering something new with each and every play. This is one very unusual mix, though refreshing and entertaining in a peculiar way. Picture Lynyrd Skynyrd on a Stoner trip with a fair doses of Gospel and a splash of 70's Hippie Rock, Desert Rock, Hillbilly Blues and Folk. This comes complete with the tools of the trade including Banjo, slide-guitar, Tambourin and Fiddle. The Gospel thing is most evident on “No Gods” (chants), “Wild Man” (sounding like 'Stoner Gospel' with old Led Zep mixed in), “Just Because” (partnering 70's Doom with Folk and Gospel) and “Black Down” that has the Stoner thing re-appearing. Musically, it all sticks together very well and things get quite technical down “Just Because” and the Progressive edged instrumental “The Sandbox”. The vocals operate in a level tone Stoner type, and the riffage is brushed with a hint of Led Zep on more than one occasion, whilst the amplification is more of a snarly 70's Hippie distortion. Within the predominantly slow / moderately paced repertoire featuring some three (semi) ballads, there's also two up-tempo tracks, the first of which highlights the use of Banjo, Fiddle and Tambourin (“Like Father Like Son”), and the second which stands out in terms of originality, creating an 'Electro-meets-Stoner' type of sound. Different!
Paul van der Burght
NARBALETH – CD 2015 “Through Blackness And Remote Places”
label: Folter records www.folter666.de
songs: Sons Of The Grand Cosmic Emanation / Mesmerized By The Pale Ghost Moonlight / An Unholy Gathering / Delivering The Very Soul / The Lightbringer / The Eternal Return / Through Blackness, And Remote Places / Gaze Upon The Heaven In Flames (Judas Iscarot cover) //
web: https://www.facebook.com/Narbeleth.BlackMetal?fref=ts
Third album by Cuban act Narbaleth, delivering a brand of 'uncompromising' BlackMetal influenced by Scandinavian classics of the early 90's'. An accurate description as this 8-songer is all that, carving out a dark and cold sphered concept that is shaped by snare drummed beats, raspy, talk type gruntage, 'dramatic' riffage and a touch upon the Doom thing. This is further pushed forward on the more atmospheric laden “The Lightbringer” and present in less a measure on the old school BlackMetaler “Sons Of The Grand Cosmic Emanation” and the catchy, mid-paced “Mesmerized By The Pale Ghost Moonlight”. Completely in accordance with the classic interpretation is the presence of Metal-ish riffage, popping up on “An Unholy Gathering”. Songs tend to somewhat sound alike but this is compensated by a good, allround catchiness that runs through the set. Enjoyable.
Paul van der Burght
label: Folter records www.folter666.de
songs: Sons Of The Grand Cosmic Emanation / Mesmerized By The Pale Ghost Moonlight / An Unholy Gathering / Delivering The Very Soul / The Lightbringer / The Eternal Return / Through Blackness, And Remote Places / Gaze Upon The Heaven In Flames (Judas Iscarot cover) //
web: https://www.facebook.com/Narbeleth.BlackMetal?fref=ts
Third album by Cuban act Narbaleth, delivering a brand of 'uncompromising' BlackMetal influenced by Scandinavian classics of the early 90's'. An accurate description as this 8-songer is all that, carving out a dark and cold sphered concept that is shaped by snare drummed beats, raspy, talk type gruntage, 'dramatic' riffage and a touch upon the Doom thing. This is further pushed forward on the more atmospheric laden “The Lightbringer” and present in less a measure on the old school BlackMetaler “Sons Of The Grand Cosmic Emanation” and the catchy, mid-paced “Mesmerized By The Pale Ghost Moonlight”. Completely in accordance with the classic interpretation is the presence of Metal-ish riffage, popping up on “An Unholy Gathering”. Songs tend to somewhat sound alike but this is compensated by a good, allround catchiness that runs through the set. Enjoyable.
Paul van der Burght
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ZERO DOWN – CD 2014 “NO LIMIT TO THE EVIL”
label: Minotauro Records www.minotaurorecords.com
songs: Return Of The Godz / No Limit To The Evil / Devil’s Thorn / Cold Winters Night / Leche Di Tigre / Phantom Host / Suicide Girl / Steve McQueen / Two Ton Hammer / Black Rhino //
web: https://www.facebook.com/pages/Zero-Down-Seattle/262964899318
Fourth release by this Seattle based five-piece that basically have reproduced the sounds of mid-80's Metal merged with a fair doses of humour a la Steel Panther without the seediness. Zero Down sound like old-school U.S. Metal bands that had the European sound deeply rooted within, evidenced right from its opening tune, “Return Of The Godz”; a mid-paced & riff based Metaler reminiscent of Wild Dogs (album III) and Griffin. A resemblance that also strikes on the catchy, mid-paced “No Limit To The Evil” and the driven, rhythmic HardRock / Metaler “Cold Winter's Night” with an additional hint of Accept thrown in. A great deal of these resemblances are brought about by the hoarse and raised vocals of singer Mark 'Hawk' Hawkinson, that are dressed with those Udo (Accept) styled peaks. And then there's the harmonized guitar melodies and more of the Accept thing down the 'fist in the air and yell along' 80's HardRocker “Leche Di Tigre”. Some Vicious Rumours styled Metal comes in the shape of the Euro styled Headbanger “Phantom Host”, crossing borders with Wild Dogs' “Psycho Radio”. “Steve McQueen” is a pounding mid-paced HardRocker and “Two Ton Hammer” cranks it up in a semi-Headbang style with a hint of Motorhead in the riff-department. The album concludes with “Black Rhino”; another solid sounding HardRocker with a pounding feel and yell along theme. There's been mixed views and reviews of this album. Matter of the fact is that it is all textbook; the musicianship is tip-top with some tasty guitarwork and nice harmonies; the songs are sticky with gripping riffs and a feelgood factor Metal-style. The vocals are match made HardRock / Metal and the concept traditional styled with a good, allround differentiation. Putting it all together it works really well, making this one easy accessible, enjoyable listening affair. In the 80's, Metal bands did not plan to sound all too serious, and the same applied to their imagery and lyrical concept. Zero Down does all that in the now... Cool.
Paul van der Burght
MYSTIFIER – CD 2015 “Goetia”
label: Greyhaze records
songs: Aleister Crowley & Ordo Templi Orientis / An Elizabethan Devil Worshipper's Prayer Book / The Sign Of The Unholy Cross / Caerimonia Sanguilentu (Goetia) / Beelzebuth / The Realm Of Antichristus / The True Story About The Doctor Faust's Pact With Mephistopheles / Cursed Excruciation / The Sinuous Serpent Of Genesis (Leviathan) / The Baphometic Goat Of Knights Templar In The 12th Century / Osculum Obscenum (live) / Cursed Excruciation (live) / The Sign Of The Unholy Cross (live) //
web: www.facebook.com/mystifier666
Re-issue of the second full-lengther by Brazilian outfit Mystifier, originally released in 1993 by Osmose Productions. Mystifier play primitive, straight forward DeathMetal old-school style with a BlackMetal ish backbone. Think a mix of Sodom (“The Sign Of The Unholy Cross”) and Possessed (“Aleister Crowley & Ordo Templi Orientis”) with shades of 90's DeathMetal. The approach gets a bit more 'technical' down “Caerimonia Sanguilentu” but overall, this is a pure and minimalistic affair that works really well as such. The prime asset of Mystifier is this dark and gruff, narrative style gruntage that gives the music this unique sound. Solid
Paul van der Burght
The CD version of the Greyhaze reissue features three live bonus tracks. The album is available as six-panel digipak CD and double vinyl LP (black vinyl or red w/ black smoke vinyl). The vinyl edition does not include the bonus live tracks.
label: Greyhaze records
songs: Aleister Crowley & Ordo Templi Orientis / An Elizabethan Devil Worshipper's Prayer Book / The Sign Of The Unholy Cross / Caerimonia Sanguilentu (Goetia) / Beelzebuth / The Realm Of Antichristus / The True Story About The Doctor Faust's Pact With Mephistopheles / Cursed Excruciation / The Sinuous Serpent Of Genesis (Leviathan) / The Baphometic Goat Of Knights Templar In The 12th Century / Osculum Obscenum (live) / Cursed Excruciation (live) / The Sign Of The Unholy Cross (live) //
web: www.facebook.com/mystifier666
Re-issue of the second full-lengther by Brazilian outfit Mystifier, originally released in 1993 by Osmose Productions. Mystifier play primitive, straight forward DeathMetal old-school style with a BlackMetal ish backbone. Think a mix of Sodom (“The Sign Of The Unholy Cross”) and Possessed (“Aleister Crowley & Ordo Templi Orientis”) with shades of 90's DeathMetal. The approach gets a bit more 'technical' down “Caerimonia Sanguilentu” but overall, this is a pure and minimalistic affair that works really well as such. The prime asset of Mystifier is this dark and gruff, narrative style gruntage that gives the music this unique sound. Solid
Paul van der Burght
The CD version of the Greyhaze reissue features three live bonus tracks. The album is available as six-panel digipak CD and double vinyl LP (black vinyl or red w/ black smoke vinyl). The vinyl edition does not include the bonus live tracks.
AXIS – CD 2015 “No Man's Land”
label: No Remorse records
songs: The King / Line Of Duty / Bringin’ Me Down / Here Today, Gone Tomorrow / No Man’s Land / Bewilderness / Top Of The Hill / Desire / Road To Somewhere / Piece Of The Action / Faith / Right Combination / Over The Edge //
Back in the 80's, there were quite a few bands around sporting the very same name, including another U.S act from Cleveland Ohio that independently released the fairly obscure “Slightly Tilted” LP in 1985. This Axis, from Wisconsin, U.S.A . is equally obscure and also emerged with just one independent release, the cassette-only format 13-songer “No Man's Land”. On offer is a 13 song set that features quite a varied array of styles; from Mainstream Rock (“Bringin' Me Down” “Piece Of The Action”, “Here Today, Gone Tomorrow”), and U.S. HardRock (which covers the greater part of their work) onto Progressive Metal (“Bewilderness”). Whichever style they employ, it is all done in a melodic fashion with the neat, mid-range vocals adding up to this. It is also the vocals that are the focal point of the music, featuring a good lot of double dubbed / sung lead lines, high-pitched modes and a solid vibrato, but are pushed a little too far in prominence both in the mix (volume) and percentage (compared to instrumentation). Tunes that display the vocal competence of singer Douglas, are the ballad “No Man's Land” and the Progressive Metaler “Bewilderness”, both showing strong similarities to Queensryche in both style and vocalage. Equally, “Bewilderness” will make more than one comparison to Razor Maidd arise. The main chunk of the repertoire is either moderately or mid-paced with accelerations in the shape of the driven, up-tempo HardRockers “The King”, “Top Of The Hill”, “The Right Combination”, “Over The Edge” and the slightly faster paced “Desire”. Some good, allround guitar action throughout, peaking on “Here Today, Gone Tomorrow”, “Bewilderness” and “Top Of The Hill”. The “No Man's Land” album is one neat sounding affair, that moves somewhere in between Y&T, Breaker, Stryper, Razor Maidd and Queensryche. Quality!
Paul van der Burght
label: No Remorse records
songs: The King / Line Of Duty / Bringin’ Me Down / Here Today, Gone Tomorrow / No Man’s Land / Bewilderness / Top Of The Hill / Desire / Road To Somewhere / Piece Of The Action / Faith / Right Combination / Over The Edge //
Back in the 80's, there were quite a few bands around sporting the very same name, including another U.S act from Cleveland Ohio that independently released the fairly obscure “Slightly Tilted” LP in 1985. This Axis, from Wisconsin, U.S.A . is equally obscure and also emerged with just one independent release, the cassette-only format 13-songer “No Man's Land”. On offer is a 13 song set that features quite a varied array of styles; from Mainstream Rock (“Bringin' Me Down” “Piece Of The Action”, “Here Today, Gone Tomorrow”), and U.S. HardRock (which covers the greater part of their work) onto Progressive Metal (“Bewilderness”). Whichever style they employ, it is all done in a melodic fashion with the neat, mid-range vocals adding up to this. It is also the vocals that are the focal point of the music, featuring a good lot of double dubbed / sung lead lines, high-pitched modes and a solid vibrato, but are pushed a little too far in prominence both in the mix (volume) and percentage (compared to instrumentation). Tunes that display the vocal competence of singer Douglas, are the ballad “No Man's Land” and the Progressive Metaler “Bewilderness”, both showing strong similarities to Queensryche in both style and vocalage. Equally, “Bewilderness” will make more than one comparison to Razor Maidd arise. The main chunk of the repertoire is either moderately or mid-paced with accelerations in the shape of the driven, up-tempo HardRockers “The King”, “Top Of The Hill”, “The Right Combination”, “Over The Edge” and the slightly faster paced “Desire”. Some good, allround guitar action throughout, peaking on “Here Today, Gone Tomorrow”, “Bewilderness” and “Top Of The Hill”. The “No Man's Land” album is one neat sounding affair, that moves somewhere in between Y&T, Breaker, Stryper, Razor Maidd and Queensryche. Quality!
Paul van der Burght
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DUTCH STEEL – 2CD / 3LP Compilation 2014 / 15
label: Tonefloat
bands: Picture /Sword / Frankenstein / Exciter / Sad iron / Highway Chile / Vortex / Gilgamesj / Martyr / Angus / Vault / Elise / Vopo's / Seducer / Proud Existence / Defender / Allied Forces / Hammerhawk / Dark Wizard / Future Tense / Ear Danger / Emerald / Together / Lady / Final Heiress / Impact / Black Night / Warwick / Savage / Aggressor //
web: https://www.facebook.com/dutchsteel?fref=ts
As its title suggests, “Dutch Steel” is a compilation featuring a selection of HardRock and Metal bands from Holland, perfectly documenting the scene with a pick of tracks lifted from albums, 7” singles, demos and radio-sessions. In all 34 tracks by 31 bands roughly spanning the era '80 - '85 when Metal from The Lowlands was at an all time high. This compilation is not to be confused with the '84 “Dutch Steel” sampler with the same name, although there's connections in both tracks (“Attack” by ALLIED FORCES, “Torcher” by SEDUCER) and bands (TOGETHER, MARTYR, VORTEX). The compilation was put together by Aardschok editor and vinyl collector Robert Haagsma and gives an in-depth look at the quality of 80's Metal bands, most of which were clouded in obscurity but recognized at a large scale in Underground Metal circles with two of them even landing a spot on the renowned compilation LP-series “Metal Massacre” (Future Tense, Martyr). Best known bands on this compilation are PICTURE and HIGHWAY CHILE, both with several albums out. Some of the bands that only released 7-inch singles include EXCITER, FRANKENSTEIN, FINAL HEIRESS, WARWICK and SWORD whilst promising bands such as SAVAGE, VALKYRIE and EAR DANGER never got beyond the demo-stages at the time. Most of the bands on this compilation are Metal minded with a few HardRock oriented acts such as HIGHWAY CHILE, LADY, SAVAGE, ELISE, SEDUCER and GILGAMESJ. The selection of songs / bands truly captures this typical Dutch Euro-Metal sound, most of which is rooted in NWOBHM with similar style guitar leads and riff-based themes. A fine example of this are the riff-based Euro-Headbangersr “Bite In Anger” by HIGHWAY CHILE, “Playing Games” by TOGETHER and slower, mid to up-tempo pieces by EXCITER, HIGHWAY CHILE (“Fever”), VAULT (“Behind The Walls Of Death”), PICTURE (“Bombers”) and BLACK NIGHT (“I'm The one To Blame”). Also deeply rooted in the NWOBHM thing but in a raw, Motorhead / Metal Mirror-esque appearance is “Discovery” by HAMMERHAWK; one of the heaviest Dutch HardRock acts at the time, More of the Motorhead sound is replicated by THE VOPOS, originating from Punk. SpeedMetal on the album is delivered by SWORD (melodic a la Loudness with similarities to UK act Limelight, showered in guitar hooks and solo action), MARTYR (Technical edged SpeedMetal) and PROUD EXISTENCE. Typical Dutch Metal is produced by DARK WIZRD and VORTEX whilst the Euro-Metal style is all around ALLIED FORCES, EAR DANGER, TOGETHER and IMPACT. The DUTCH STEEL is one proper representation of the scene at the time, and a tribute to the many quality bands a small country like Holland managed to produce. Great!
Paul van der Burght
“Dutch Steel”DUTCH STEEL is available as a 2 CD set and limited edition of 666 coloured vinyl 3-LP set through the Dutch Tonefloat label. www.crazy-diamond.nl/tonefloat
label: Tonefloat
bands: Picture /Sword / Frankenstein / Exciter / Sad iron / Highway Chile / Vortex / Gilgamesj / Martyr / Angus / Vault / Elise / Vopo's / Seducer / Proud Existence / Defender / Allied Forces / Hammerhawk / Dark Wizard / Future Tense / Ear Danger / Emerald / Together / Lady / Final Heiress / Impact / Black Night / Warwick / Savage / Aggressor //
web: https://www.facebook.com/dutchsteel?fref=ts
As its title suggests, “Dutch Steel” is a compilation featuring a selection of HardRock and Metal bands from Holland, perfectly documenting the scene with a pick of tracks lifted from albums, 7” singles, demos and radio-sessions. In all 34 tracks by 31 bands roughly spanning the era '80 - '85 when Metal from The Lowlands was at an all time high. This compilation is not to be confused with the '84 “Dutch Steel” sampler with the same name, although there's connections in both tracks (“Attack” by ALLIED FORCES, “Torcher” by SEDUCER) and bands (TOGETHER, MARTYR, VORTEX). The compilation was put together by Aardschok editor and vinyl collector Robert Haagsma and gives an in-depth look at the quality of 80's Metal bands, most of which were clouded in obscurity but recognized at a large scale in Underground Metal circles with two of them even landing a spot on the renowned compilation LP-series “Metal Massacre” (Future Tense, Martyr). Best known bands on this compilation are PICTURE and HIGHWAY CHILE, both with several albums out. Some of the bands that only released 7-inch singles include EXCITER, FRANKENSTEIN, FINAL HEIRESS, WARWICK and SWORD whilst promising bands such as SAVAGE, VALKYRIE and EAR DANGER never got beyond the demo-stages at the time. Most of the bands on this compilation are Metal minded with a few HardRock oriented acts such as HIGHWAY CHILE, LADY, SAVAGE, ELISE, SEDUCER and GILGAMESJ. The selection of songs / bands truly captures this typical Dutch Euro-Metal sound, most of which is rooted in NWOBHM with similar style guitar leads and riff-based themes. A fine example of this are the riff-based Euro-Headbangersr “Bite In Anger” by HIGHWAY CHILE, “Playing Games” by TOGETHER and slower, mid to up-tempo pieces by EXCITER, HIGHWAY CHILE (“Fever”), VAULT (“Behind The Walls Of Death”), PICTURE (“Bombers”) and BLACK NIGHT (“I'm The one To Blame”). Also deeply rooted in the NWOBHM thing but in a raw, Motorhead / Metal Mirror-esque appearance is “Discovery” by HAMMERHAWK; one of the heaviest Dutch HardRock acts at the time, More of the Motorhead sound is replicated by THE VOPOS, originating from Punk. SpeedMetal on the album is delivered by SWORD (melodic a la Loudness with similarities to UK act Limelight, showered in guitar hooks and solo action), MARTYR (Technical edged SpeedMetal) and PROUD EXISTENCE. Typical Dutch Metal is produced by DARK WIZRD and VORTEX whilst the Euro-Metal style is all around ALLIED FORCES, EAR DANGER, TOGETHER and IMPACT. The DUTCH STEEL is one proper representation of the scene at the time, and a tribute to the many quality bands a small country like Holland managed to produce. Great!
Paul van der Burght
“Dutch Steel”DUTCH STEEL is available as a 2 CD set and limited edition of 666 coloured vinyl 3-LP set through the Dutch Tonefloat label. www.crazy-diamond.nl/tonefloat
BLOATED MONKEY – Booking Agency, Tour & Stage Management, Merchandise & more
web: http://www.bloatedmonkey.co.uk/
BLOATED MONKEY is a newly established U.K-based agency that offer more than just booking gigs for bands around the UK and Europe. Their full package of services additionally includes stage-management, promotion and print of any sort of merchandise and pyro-technics. BLOATED MONKEY have numerous contacts within the U.K's live music venues, from pubs to clubs, and have the necessary skills in negotiating to get the best fee for your band.
web: http://www.bloatedmonkey.co.uk/
BLOATED MONKEY is a newly established U.K-based agency that offer more than just booking gigs for bands around the UK and Europe. Their full package of services additionally includes stage-management, promotion and print of any sort of merchandise and pyro-technics. BLOATED MONKEY have numerous contacts within the U.K's live music venues, from pubs to clubs, and have the necessary skills in negotiating to get the best fee for your band.
NARBALETH – CD 2015 “Through Blackness And Remote Places”
label: Folter records www.folter666.de
songs: Sons Of The Grand Cosmic Emanation / Mesmerized By The Pale Ghost Moonlight / An Unholy Gathering / Delivering The Very Soul / The Lightbringer / The Eternal Return / Through Blackness, And Remote Places / Gaze Upon The Heaven In Flames (Judas Iscarot cover) //
web: https://www.facebook.com/Narbeleth.BlackMetal?fref=ts
Third album by Cuban act Narbaleth, delivering a brand of 'uncompromising' BlackMetal influenced by Scandinavian classics of the early 90's'. An accurate description as this 8-songer is all that, carving out a dark and cold sphered concept that is shaped by snare drummed beats, raspy, talk type gruntage, 'dramatic' riffage and a touch upon the Doom thing. This is further pushed forward on the more atmospheric laden “The Lightbringer” and present in less a measure on the old school BlackMetaler “Sons Of The Grand Cosmic Emanation” and the catchy, mid-paced “Mesmerized By The Pale Ghost Moonlight”. Completely in accordance with the classic interpretation is the presence of Metal-ish riffage, popping up on “An Unholy Gathering”. Songs tend to somewhat sound alike but this is compensated by a good, allround catchiness that runs through the set. Enjoyable.
Paul van der Burght
label: Folter records www.folter666.de
songs: Sons Of The Grand Cosmic Emanation / Mesmerized By The Pale Ghost Moonlight / An Unholy Gathering / Delivering The Very Soul / The Lightbringer / The Eternal Return / Through Blackness, And Remote Places / Gaze Upon The Heaven In Flames (Judas Iscarot cover) //
web: https://www.facebook.com/Narbeleth.BlackMetal?fref=ts
Third album by Cuban act Narbaleth, delivering a brand of 'uncompromising' BlackMetal influenced by Scandinavian classics of the early 90's'. An accurate description as this 8-songer is all that, carving out a dark and cold sphered concept that is shaped by snare drummed beats, raspy, talk type gruntage, 'dramatic' riffage and a touch upon the Doom thing. This is further pushed forward on the more atmospheric laden “The Lightbringer” and present in less a measure on the old school BlackMetaler “Sons Of The Grand Cosmic Emanation” and the catchy, mid-paced “Mesmerized By The Pale Ghost Moonlight”. Completely in accordance with the classic interpretation is the presence of Metal-ish riffage, popping up on “An Unholy Gathering”. Songs tend to somewhat sound alike but this is compensated by a good, allround catchiness that runs through the set. Enjoyable.
Paul van der Burght
WHIPSTRIKER – EP 2014 “Black Rose Killz”
label: Dying Victims productions http://www.dying-victims.de/
songs: Her Fire, Hell Fire / Cruel Savagery / Black Rose Killz //
web: https://www.facebook.com/whipstriker
Three song EP featuring some uncompromising, unpolished DeathMetal very early 80's style, crossing borders with old-school BlackMetal and HardCore / Punk Metal mid-80's style. So, all 80's geared but in a few different settings per song. “Her Fire, Hell Fire” is a catchy, fast-paced PunkMetaler with the guitars acting in a slight melodic, almost NWOBHM type fashion underneath the raw edged appearance of the song as a whole. “Cruel Savagery” has a more 'extreme' approach, engaging the very first BlackMetal sounds produced by bands such as Bathory. This one moves in a fast, snare drummed tempo with crunching BlackMetal rifs and a brush of HardCore Metal. The up-tempo “Black Rose Killz” sports the PunkMetal thing a la Warfare merged with the classic Venom sound with similar, gruff, talk type vocals a la Cronos. Essential stuff for those into the sound of the more extreme genres from the early – mid 80's all enrolled into one. Great!
Paul van der Burght
label: Dying Victims productions http://www.dying-victims.de/
songs: Her Fire, Hell Fire / Cruel Savagery / Black Rose Killz //
web: https://www.facebook.com/whipstriker
Three song EP featuring some uncompromising, unpolished DeathMetal very early 80's style, crossing borders with old-school BlackMetal and HardCore / Punk Metal mid-80's style. So, all 80's geared but in a few different settings per song. “Her Fire, Hell Fire” is a catchy, fast-paced PunkMetaler with the guitars acting in a slight melodic, almost NWOBHM type fashion underneath the raw edged appearance of the song as a whole. “Cruel Savagery” has a more 'extreme' approach, engaging the very first BlackMetal sounds produced by bands such as Bathory. This one moves in a fast, snare drummed tempo with crunching BlackMetal rifs and a brush of HardCore Metal. The up-tempo “Black Rose Killz” sports the PunkMetal thing a la Warfare merged with the classic Venom sound with similar, gruff, talk type vocals a la Cronos. Essential stuff for those into the sound of the more extreme genres from the early – mid 80's all enrolled into one. Great!
Paul van der Burght
PRION – CD 2015 “Uncertain Process”
label: Comatose Music
songs: Power Obsessed / Uncertain Process / Chronic Disease / Anhedonist / Now Is The Hour / Control Societies / End Is Near / Losing Itself In The Infinite / Doomed Humanity of Horror / Never Let Me Down Again //
web: http://www.priondeath.com.ar/
Seven years since Argentinian Deathsters released their “Impressions” album, and now they are back in full force with the 10 songer “Uncertain Process. Prion deliver a brand of Technical DeathThrash with shades of the Tampa DeathMetal sound from the 90's and an occasional touch upon the Doom Metal thing, be it in minimal properties (“”Anhedonist”). This is one very intense and agile offering that is showered with timing and melody changes which is mainly funnelled through the guitars. The drummage is pretty much twofold; either slam / snare-drum driven in a blast-beat fashion, or hyper double-bass drummed. The vocals are gaspy and grunted in the trademark 90's U.S. DeathMetal styles. Same applies to the guitars, which, opposite to say, classic Swedish DeathMetal, are toned in the mid-range, and not all the way down to the lower keys. The synchronisation of the instruments during this multitude of patterns is impressive but will require to spin the disc a few times. This is hard, this is technical, this is Prion!
Paul van der Burght
specs: CD comes with a bonus DVD “This is How Argentina Bled”, featuring a full live set filmed at 'The Roxy' Buenos Aires in 2013. Artwork by Marco Hasmann.
label: Comatose Music
songs: Power Obsessed / Uncertain Process / Chronic Disease / Anhedonist / Now Is The Hour / Control Societies / End Is Near / Losing Itself In The Infinite / Doomed Humanity of Horror / Never Let Me Down Again //
web: http://www.priondeath.com.ar/
Seven years since Argentinian Deathsters released their “Impressions” album, and now they are back in full force with the 10 songer “Uncertain Process. Prion deliver a brand of Technical DeathThrash with shades of the Tampa DeathMetal sound from the 90's and an occasional touch upon the Doom Metal thing, be it in minimal properties (“”Anhedonist”). This is one very intense and agile offering that is showered with timing and melody changes which is mainly funnelled through the guitars. The drummage is pretty much twofold; either slam / snare-drum driven in a blast-beat fashion, or hyper double-bass drummed. The vocals are gaspy and grunted in the trademark 90's U.S. DeathMetal styles. Same applies to the guitars, which, opposite to say, classic Swedish DeathMetal, are toned in the mid-range, and not all the way down to the lower keys. The synchronisation of the instruments during this multitude of patterns is impressive but will require to spin the disc a few times. This is hard, this is technical, this is Prion!
Paul van der Burght
specs: CD comes with a bonus DVD “This is How Argentina Bled”, featuring a full live set filmed at 'The Roxy' Buenos Aires in 2013. Artwork by Marco Hasmann.
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ENTROPY O.A.C. – CD EP 2015 “Dark Clouds And Clarity”
label: Pavement Entertainment
songs:Failure To Thrive / Endless Fire / Realm Of Grey //
web: https://www.facebook.com/Entropyofall?fref=nf
Entropy O.A.C are a Northern Wisconsin based 4-piece that previously emerged with the independently released full-lengther “Smiles For Stab Wounds” and the follow up EP “What Nightmares Are Made Of” that emerged in 2011. Their newest offering, “Dark Clouds And Clarity” is another EP release, this time launched onto the public by Pavement Entertainment. Entropy O.A.C tag their thing as a 'sometimes melodic, sometimes Metal band' and that pretty much nails it gauging the material. Picture a mix of Pantera, Sepultura, Staind and Incubus without sounding trendy or duplicating an exact sound. This is more like 90's Metal with a modern twist, and not the other way around. The mid-paced, 5+ minute “Failure To Thrive” is all that; quite moody in approach but it is the Alternative styled, semi-melancholic yet melodic vocals of singer Ben Poulin that give the music this lift in a different direction. Things intensify a bit towards the ending of the song with a more aggressive styled vocal approach to match. Some good allround versatility in atmosphere and themes down this one, making its rather long running time not an obstacle but a plus factor. “Endless Fire” is a short, 2+ minute thumper; sludgy and atmospheric with a semi-Metal ballad feel and nice, dual sung vocal harmonies (as on the 1st tune). The mid-paced “Realm Of Grey” is the heaviest piece by far, tapping into 90's Powergrooves and Thrash-like crunch riffage with the vocals operating in a slightly roughened up Alternative modus with some growls thrown in to accent the provocative nature of the song. In all, an entertaining and convincing effort that sounds strong, confident and refreshing with the clear and double sung vocal harmonies as the prime element to give their music a lot of character.
Paul van der Burght
“Dark Clouds And Clarity” is set for release on April 21 via Pavement Entertainment.
DESIGNS OF CHAOS – CD EP 2015 “The Darkest Storm”
label: private
songs: The Darkest Storm / Social Phantom / Strength In Numbers //
web: https://www.facebook.com/DesignsofChaos
Three song EP by U.K based act Designs Of Chaos, stickered as 'Modern Thrash Metal' that has its roots in the past. The band has done well incorporating more than just one format, delivering a solid diversity flow whilst still retaining a recognizable sound. Titletrack “The Darkest Storm” opens the EP with an all-out Thrash riff and drive in the late 80's / early 90's styles with the 2-toned vocalage of Jay Shields bringing in the Nu element through deep growls and a higher toned scream voice. Further down the song the pace slows down and its mood changes to more atmospheric, followed by a more technical / Progressive laden approach. The fast-slow “Social Phantom” partners Bay Area like Thrash riffage with powergrooves and a cool, bassdrum – riff synchronisation . Things tend to concentrate more on the Nu Metal sound on “Strength In Numbers”; a faster drummed, mid-paced track that is coloured with gripping riffage and shades of Alter Bridge. Solid!
Paul van der Burght
label: private
songs: The Darkest Storm / Social Phantom / Strength In Numbers //
web: https://www.facebook.com/DesignsofChaos
Three song EP by U.K based act Designs Of Chaos, stickered as 'Modern Thrash Metal' that has its roots in the past. The band has done well incorporating more than just one format, delivering a solid diversity flow whilst still retaining a recognizable sound. Titletrack “The Darkest Storm” opens the EP with an all-out Thrash riff and drive in the late 80's / early 90's styles with the 2-toned vocalage of Jay Shields bringing in the Nu element through deep growls and a higher toned scream voice. Further down the song the pace slows down and its mood changes to more atmospheric, followed by a more technical / Progressive laden approach. The fast-slow “Social Phantom” partners Bay Area like Thrash riffage with powergrooves and a cool, bassdrum – riff synchronisation . Things tend to concentrate more on the Nu Metal sound on “Strength In Numbers”; a faster drummed, mid-paced track that is coloured with gripping riffage and shades of Alter Bridge. Solid!
Paul van der Burght
INVINCIBLE FORCE – CD 2015 “Satan Rebellion Metal”
label: Dark Descent records
songs: Rise The Wrath Of Satan / Scraps of The Dead / Necromance / Summoning The Black Destruction / Desolation / Onwards To War / Bringers Of Armageddon / Unholy Trinity //
web: www.facebook.com/pages/Invincible-Force/1474237759478433
http://invincibleforce.bandcamp.com/
Invincible Force are a Chilean act that emerged in 2007 and first launched their material onto the Metal scene in 2008 with the “Black Ritual” demo. The band popped out another few demos and 2 split releases before releasing their debut full-length “Satan Rebellion Metal” through Dark Descent records. On offer is a set of 90's styled DeathThrash that is very intense and fast, patterned upon a combination of hyper-speed double bass drums and / or snare drummed drives showered with agility razor riffage and galloping, all-out Thrash hooks. The gruff, talk type vocals are unmistakably DeathThrash like and give the music this over the top aggressive edge. Occasionally, the material harks back to the early era of the genre with a taste of 80's DeathThrash a la Possessed down “Onwards To War” and a riff in the styles of Destruction's “Mad Butcher” down “Unholy Trinity”. “Satan Rebellion Metal” sticks to the carved out concept from start to finish without superfluity. If it is classic DeathThrash that you want, then it is exactly what you are going to get here. Convincing.
Paul van der Burght
label: Dark Descent records
songs: Rise The Wrath Of Satan / Scraps of The Dead / Necromance / Summoning The Black Destruction / Desolation / Onwards To War / Bringers Of Armageddon / Unholy Trinity //
web: www.facebook.com/pages/Invincible-Force/1474237759478433
http://invincibleforce.bandcamp.com/
Invincible Force are a Chilean act that emerged in 2007 and first launched their material onto the Metal scene in 2008 with the “Black Ritual” demo. The band popped out another few demos and 2 split releases before releasing their debut full-length “Satan Rebellion Metal” through Dark Descent records. On offer is a set of 90's styled DeathThrash that is very intense and fast, patterned upon a combination of hyper-speed double bass drums and / or snare drummed drives showered with agility razor riffage and galloping, all-out Thrash hooks. The gruff, talk type vocals are unmistakably DeathThrash like and give the music this over the top aggressive edge. Occasionally, the material harks back to the early era of the genre with a taste of 80's DeathThrash a la Possessed down “Onwards To War” and a riff in the styles of Destruction's “Mad Butcher” down “Unholy Trinity”. “Satan Rebellion Metal” sticks to the carved out concept from start to finish without superfluity. If it is classic DeathThrash that you want, then it is exactly what you are going to get here. Convincing.
Paul van der Burght
KHOLD – CD 2014 “Til Endes”
label: Peaceville records
songs: Myr / Skogens Uye / Ravnestrupe / Dommens Arme / Til Endes / Det Dunkle Dyp / Avund / Hengitt //
web: http://www.khold.net/
After having released a string of albums ever since their “Masterpiss Of Pain” debut in 2001 and a 6 year hiatus, Norwegian act Khold are back at it with “Til Endes”, an 8-song album played in the early 80's BlackMetal tradition. As such, the material has a Metal backbone that is best evidenced on the mid-paced “Skogens Uye” that sounds like classic Metal gone BlackMetal with a few Doom hooks thrown in halfway down. Follow-up tune “Ravnestrupe” has the Metal thing re-appearing, dressed with blends of old Slayer, and the driving “Avund” has it merged with melodic BlackMetal. Khold does not do trends, and play BlackMetal their way, and that is with an absence of trademark features such as blast beats, trebly sounding guitars, double bass drummage and high-low -and-reversed riffage. An exception to this is the textbook BlackMetaler “Det Dunkle Dyp”, and the blastbeat injected “Hengitt”. The vocals are gruff and sung in a slow, talk-type manner, reminiscent of Schmier (Destruction) in certain places. Throughout the set, the drums are quite active and 'mobile', complimenting the diversity that runs within the concept. This is BlackMetal, stripped bare and pure with a good allround catchiness and free from cliches, making “Til Endes” a competent and enjoyable listening affair well worth checking out.
Paul van der Burght
label: Peaceville records
songs: Myr / Skogens Uye / Ravnestrupe / Dommens Arme / Til Endes / Det Dunkle Dyp / Avund / Hengitt //
web: http://www.khold.net/
After having released a string of albums ever since their “Masterpiss Of Pain” debut in 2001 and a 6 year hiatus, Norwegian act Khold are back at it with “Til Endes”, an 8-song album played in the early 80's BlackMetal tradition. As such, the material has a Metal backbone that is best evidenced on the mid-paced “Skogens Uye” that sounds like classic Metal gone BlackMetal with a few Doom hooks thrown in halfway down. Follow-up tune “Ravnestrupe” has the Metal thing re-appearing, dressed with blends of old Slayer, and the driving “Avund” has it merged with melodic BlackMetal. Khold does not do trends, and play BlackMetal their way, and that is with an absence of trademark features such as blast beats, trebly sounding guitars, double bass drummage and high-low -and-reversed riffage. An exception to this is the textbook BlackMetaler “Det Dunkle Dyp”, and the blastbeat injected “Hengitt”. The vocals are gruff and sung in a slow, talk-type manner, reminiscent of Schmier (Destruction) in certain places. Throughout the set, the drums are quite active and 'mobile', complimenting the diversity that runs within the concept. This is BlackMetal, stripped bare and pure with a good allround catchiness and free from cliches, making “Til Endes” a competent and enjoyable listening affair well worth checking out.
Paul van der Burght
DEATHROW – CD 2014 “The Eerie Sound Of The Slow Awakening”
label: Folter records
songs: A Fallen Empire Of Flesh (intro) / The Sentinel / Old Bones / He, The Destroyer / The Illusion Of Control / Dying In The Cold / Lost In The Grey / Worms And Silence / One Moment / II Sangre Nero (outro) //
Album number four by one man project Deathrow, following the previously released “Desolating Cosmic Intuition” in 2011. Italy has always been a fertile ground for dark sphered Occult Metal, and Deathrow (which is the creation of musician 'Thorns') does just that harking back at the old-school BlackMetal sound of the 80's. You can call it 'cold and minimalistic BlackMetal' or 'primitive BlackMetal' but it simply captures the traditional programming by coupling fast, snare drummed drives to snarling, talk type vocals and signature high-low-and-reversed riffage. The material is given this ominous, cold atmospheric surrounding that peaks on the aptly titled “Dying In The Cold”; a slow and dramatic, agony-laden tune. The vocals of 'Thorns' are not the shrieky kind but more full in sound with the occasional Tom Warrior styled 'ughs' and higher raised modes as evidenced on the 80's HardCore riffed BlackMetaler “Old Bones”. Production is not the tin-sounding affair but more muffled / dim, adding up to the appearance of it all. Strong!
Paul van der Burght
label: Folter records
songs: A Fallen Empire Of Flesh (intro) / The Sentinel / Old Bones / He, The Destroyer / The Illusion Of Control / Dying In The Cold / Lost In The Grey / Worms And Silence / One Moment / II Sangre Nero (outro) //
Album number four by one man project Deathrow, following the previously released “Desolating Cosmic Intuition” in 2011. Italy has always been a fertile ground for dark sphered Occult Metal, and Deathrow (which is the creation of musician 'Thorns') does just that harking back at the old-school BlackMetal sound of the 80's. You can call it 'cold and minimalistic BlackMetal' or 'primitive BlackMetal' but it simply captures the traditional programming by coupling fast, snare drummed drives to snarling, talk type vocals and signature high-low-and-reversed riffage. The material is given this ominous, cold atmospheric surrounding that peaks on the aptly titled “Dying In The Cold”; a slow and dramatic, agony-laden tune. The vocals of 'Thorns' are not the shrieky kind but more full in sound with the occasional Tom Warrior styled 'ughs' and higher raised modes as evidenced on the 80's HardCore riffed BlackMetaler “Old Bones”. Production is not the tin-sounding affair but more muffled / dim, adding up to the appearance of it all. Strong!
Paul van der Burght
REVENGE DIVISION – CD 2014 “The New Generation”
label: MetalGate records
songs: My Sweet Revenge / Oceania / Satan’s Bride / Snake / In the Middle Of Nowhere / For Rose – Intermezzo / Mediocracy / Like A Drill / The Secret Of Palms Sheets / The New Generation / The Temple Of Sin //
web: https://www.facebook.com/revengedivision
Revenge Division is a band to watch for and their potential has not been unnoticed as it already landed them in the final round of the 'Wacken Metal Battle Slovakia'. Their debut, “The New Generation” couples 80's Thrash to the Nu Metal thing, merging trademark 80's Thrash riffage and Bay Area hooks to modern styled, 2 tone vocalage with gruff, growling modes and high pitched screams. The intensity of their music is evidenced from the very first notes of the crunching, hyper double-bass drummed Thrasher “My Sweet Revenge”, and things don't end there. Some Fear Factory styled riff-drum synchronisation down the dark, Gothic sphered “Satan's Bride” (with opera vocal modes) and the groove-Thrasher “In The Middle Of Nowhere”. The ultimate Thrash treat on the album comes in the shape of the slightly Testament flavoured “Mediocracy”, rolling on galloping drums and various, Bay Area riff modes. Some early Slayer and Megadeth features come surfacing on the slow-fast paced ”Like A Drill”. “The New Generation” is a non-stop musical fist-fight with a razor sharp production, crunching Thrash riffs and high-octane drummage likely to please both fans of the old Thrash thing and Nu Metal. Strong.
Paul van der Burght
label: MetalGate records
songs: My Sweet Revenge / Oceania / Satan’s Bride / Snake / In the Middle Of Nowhere / For Rose – Intermezzo / Mediocracy / Like A Drill / The Secret Of Palms Sheets / The New Generation / The Temple Of Sin //
web: https://www.facebook.com/revengedivision
Revenge Division is a band to watch for and their potential has not been unnoticed as it already landed them in the final round of the 'Wacken Metal Battle Slovakia'. Their debut, “The New Generation” couples 80's Thrash to the Nu Metal thing, merging trademark 80's Thrash riffage and Bay Area hooks to modern styled, 2 tone vocalage with gruff, growling modes and high pitched screams. The intensity of their music is evidenced from the very first notes of the crunching, hyper double-bass drummed Thrasher “My Sweet Revenge”, and things don't end there. Some Fear Factory styled riff-drum synchronisation down the dark, Gothic sphered “Satan's Bride” (with opera vocal modes) and the groove-Thrasher “In The Middle Of Nowhere”. The ultimate Thrash treat on the album comes in the shape of the slightly Testament flavoured “Mediocracy”, rolling on galloping drums and various, Bay Area riff modes. Some early Slayer and Megadeth features come surfacing on the slow-fast paced ”Like A Drill”. “The New Generation” is a non-stop musical fist-fight with a razor sharp production, crunching Thrash riffs and high-octane drummage likely to please both fans of the old Thrash thing and Nu Metal. Strong.
Paul van der Burght
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Katatonia photo right by Tina Korhonen
KATATONIA – LP / CD + DVD 2015 “Sanctitude”
label: Kscope Music
Disc one (CD) : songs: In The White / Teargas / Gone / A Darkness Coming / One Year From Now / The Racing Heart / Tonight's Music / Sleeper / Undo You / Lethean / Day / Idle Blood / Unfurl / Omerta / Evidence / The One You Are Looking For Is Not Here //
Disc two (DVD): concert film & documentary
Newest work by Sweden's Katatonia, capturing a 17-song set live and unplugged @ London's Union Chapel. “Sanctitude” features the 80-minute acoustic set both as a sountrack on the CD and as a concert film on the DVD with an additional 60 minutes of interviews and unseen backstage clips. Original members Anders Nyström & Jonas Renkse, teamed up with guitarist Bruce Soord (Pinapple Thief) to lay down this atmospheric happening that additionally features a special guest appearance by Norwegian vocalist Silje Wergeland of Dutch legends The Gathering. The atmospheric mood that runs through Katatonia's studio work has now been taken a level further up, with the acoustic mode of the instruments and the scenic ambience of the Union Chapel adding a dramatic feel that hits you right in the core. This is best captured on the emotive laden balladry of “A Darkness Coming”, “Sleeper” and “Lethean”. The semiwhispered vocalage of Renke are the main trigger of the emotion that runs through the material that is further complimented by the use of piano synths, violins and Epic / Folk -ish moments. The presence of percussion on songs such as “One Year From Now”, “Undo You” and “Lethean” works really well as does the mild orchestration and violins down “Idle Blood”. “Sanctitude” is a most pleasurable listening affair that perfectly captures the Atmospheric Rock thing in almost meditative like proportions. Dim the lights, lit those candles and drift away...
Paul van der Burght
“Sanctitude” is a 2-disc set that comes with a 24 page booklet featuring exclusive photos from across the European tour. Vinyl version in gatefold sleeve also available.
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Above left, centre and right: Model REDD ROCKZ. Photos by Oran Tarjan Photography www.orantarjan.com
ONE MACHINE – CD 2015 “Lies And The Overdriven Truth”
label: Scarlet records
songs: The Distortion Of Lies And the Overdriven Truth / Crossed Over / Kill The Hope Inside / Armchair Warriors / Defiance / One Machine / Into Nothing / Evict The Enemy / Last Star Alights / Freedom And Pain / Don't Care Anymore (bonus track) //
web: http://www.feedtheonemachine.com/ https://www.facebook.com/OneMachineOfficial?fref=ts
“Lies And The Overdriven Truth” by London-based 5-piece One Machine delivers a blend of early 90's styled Power / SpeedMetal with touches upon Metal (“Armchair Warriors”) and Thrash (“Crossed Over”). With a musical background that includes Vicious Rumours, there's moments this influence comes re-appearing as witnessed on the fast, double-bass drummed titletrack that features dazzling guitar hooks and great muscle vocals. Frontman Mikkel Sandager has a voice that suits any of the styles in several appearances; roughened, melodic edged and loaded with a solid vibrato and a whole lot of upper range modes / high-pitched shrieks that bring Halford (Judas Priest) to mind on more than one occasion. There's a lot of double sung / harmonized vocal modes incorporated, adding this extra touch to the music. There's plenty of guitar-flash running through the material, peaking on the moderately paced “Kill The Hope” as it accelerates. More of the same down the Metal / PowerMetal mixed “Defiance”. Overall, songs are either fast or moderately / mid-paced with accelerations integrated. One Machine occasionally intensifies their set, addressing to a more Thrash oriented approach as evidenced on “Crossed Over” and “Evict The Enemy”; the latter incorporating elements of modern style Metal. A twist that comes re-appearing down the atmospheric, semi-Alternative balladry of “Into Nothing” before turning into a moderately paced Nu Metaler. Focal points of the album are the vocalage and the guitar shredding (including some cool Becker / Friedman styles hooks down “Kill The Hope Inside”) entirely in compliance with the genre. This is one potent album that clearly reveals the skill that runs through it.
Paul van der Burght
label: Scarlet records
songs: The Distortion Of Lies And the Overdriven Truth / Crossed Over / Kill The Hope Inside / Armchair Warriors / Defiance / One Machine / Into Nothing / Evict The Enemy / Last Star Alights / Freedom And Pain / Don't Care Anymore (bonus track) //
web: http://www.feedtheonemachine.com/ https://www.facebook.com/OneMachineOfficial?fref=ts
“Lies And The Overdriven Truth” by London-based 5-piece One Machine delivers a blend of early 90's styled Power / SpeedMetal with touches upon Metal (“Armchair Warriors”) and Thrash (“Crossed Over”). With a musical background that includes Vicious Rumours, there's moments this influence comes re-appearing as witnessed on the fast, double-bass drummed titletrack that features dazzling guitar hooks and great muscle vocals. Frontman Mikkel Sandager has a voice that suits any of the styles in several appearances; roughened, melodic edged and loaded with a solid vibrato and a whole lot of upper range modes / high-pitched shrieks that bring Halford (Judas Priest) to mind on more than one occasion. There's a lot of double sung / harmonized vocal modes incorporated, adding this extra touch to the music. There's plenty of guitar-flash running through the material, peaking on the moderately paced “Kill The Hope” as it accelerates. More of the same down the Metal / PowerMetal mixed “Defiance”. Overall, songs are either fast or moderately / mid-paced with accelerations integrated. One Machine occasionally intensifies their set, addressing to a more Thrash oriented approach as evidenced on “Crossed Over” and “Evict The Enemy”; the latter incorporating elements of modern style Metal. A twist that comes re-appearing down the atmospheric, semi-Alternative balladry of “Into Nothing” before turning into a moderately paced Nu Metaler. Focal points of the album are the vocalage and the guitar shredding (including some cool Becker / Friedman styles hooks down “Kill The Hope Inside”) entirely in compliance with the genre. This is one potent album that clearly reveals the skill that runs through it.
Paul van der Burght
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NIGHTRAGE – CD SWE / GRE' 2015 “The Puritan”
label: Despotz records http://www.despotz.se/
songs: The Puritan / With A Blade Of A Knife / Desperate Vows / Endless Night / Foul Vile Life / Stare Into Infinity / Lone Lake (Instrumental) / Son Of Sorrow / When Gold Turns To Rust / Fathomless / Kiss Of A Sycophant //
web: https://www.facebook.com/nightrage?fref=ts
Album no.6 from this Greek / Swedish Metal coalition that hit hard with a contemporary mix of SpeedMetal, melodic DeathThrash, Thrash and melodic PowerMetal. This may sound like a combination that is taken a bit too far, bit it all fits into place. As a matter of fact, it works really well, penning a strong selection of energetic songs with a good sense for balance and proportion all the way through. Most intense moments come in the shape of the DeathThrash geared titletrack and the speed driven, slam drummed “Son Of Sorrow”. The fast-paced “With A Blade Of A Knife” tends more towards SpeedMetal with some catchy staccato Thrash riffage thrown in. A surprising twist in concept is the presence of Nu Metal / MetalCore elements that come surfacing down the slower moments on the disc, addressing to the mid-paced offerings “Desperate Vows”, “Endless Night” and “Foul Vile Life” sporting a riff-format that harks back to classic HardRock / Metal with an 80's appearance down “Endless Night”. The guitars bring in a lot of its versatility overall, injecting the songs with mobility riffage, melodic phrasing and some tasty, HardRock style solo-action. Most of the intensity down the music is generated by the over-the-top, Nu-style scream vocals and shrieks that address to a different, more gruff approach on the Thrash-tinged “Stare Into Infinity”. Another twist in concept is brought in by the tranquillity laden instrumental (Power) ballad “Lone Lake” drifting on semi-acoustic guitars. Towards the end of the disc, Nightrage furthers the Thrash thing with hints of Pantera surfacing on “When Gold Turns To Rust” and “Fathomless”. Another plus and trigger to its allround intensity are the compact nature of the songs and the sharp production by Daniel Bergstand (Meshuggah, Dimmu Borgir, Soilwork) and George Nerantzis. Solid!
Paul van der Burght
HAREM SCAREM – CD 2015 “Thirteen”
label: Frontiers records
songs: Garden Of Eden / Live It / Early Warning Signs / The Midnight Hours / Whatever It Takes / Saints and Sinners / All I Need / Troubled Times / Never Say Never / Stardust / Garden Of Eden (acoustic version bonus track)
web: www.facebook.com/harem.scarem.band
With well over a million records sold and 12 Top 40 hits around the world, Canadian Rockers Harem Scarem do not need any further introduction. “Thirteen” is, as its title suggest, their thirteenth release delivering a signature brand of Mainstream Rock / Radio Rock American style. This comes with the necessary Balladry (“Whatever It Takes”, “Never Say Never”, “Stardust – which actually is a semi-ballad with Beatles-esque hooks), and feelgood Radio-Rockers (“Live It”, “Early Warning Signs”, “The Midnight Hours”, “Troubled Times” and “All I Need”). The guitar-acrobatics of Pete Lesperance shine throughout the album but always in a balanced manner without showing off. The man's abilities are evident right from the opening tunes of feelgood tune”Garden Of Eden”; an all-out Mainstream Rock songs built upon a dazzling staccato riff. A thing that is repeated down the catchy mid-paced Rocker “Saints And Sinners”, rolling on a driven beat and a scorching mobility lead-riff. The vocalage of Harry Hess accents the melodic sense that runs through the material with a slightly roughened / husky upper-mid range voice. Songs are cheerful in vibe, very accessible and feature the standard, sing-along choruses minus the mellowness. Great band, great production, great album.
Paul van der Burght
label: Frontiers records
songs: Garden Of Eden / Live It / Early Warning Signs / The Midnight Hours / Whatever It Takes / Saints and Sinners / All I Need / Troubled Times / Never Say Never / Stardust / Garden Of Eden (acoustic version bonus track)
web: www.facebook.com/harem.scarem.band
With well over a million records sold and 12 Top 40 hits around the world, Canadian Rockers Harem Scarem do not need any further introduction. “Thirteen” is, as its title suggest, their thirteenth release delivering a signature brand of Mainstream Rock / Radio Rock American style. This comes with the necessary Balladry (“Whatever It Takes”, “Never Say Never”, “Stardust – which actually is a semi-ballad with Beatles-esque hooks), and feelgood Radio-Rockers (“Live It”, “Early Warning Signs”, “The Midnight Hours”, “Troubled Times” and “All I Need”). The guitar-acrobatics of Pete Lesperance shine throughout the album but always in a balanced manner without showing off. The man's abilities are evident right from the opening tunes of feelgood tune”Garden Of Eden”; an all-out Mainstream Rock songs built upon a dazzling staccato riff. A thing that is repeated down the catchy mid-paced Rocker “Saints And Sinners”, rolling on a driven beat and a scorching mobility lead-riff. The vocalage of Harry Hess accents the melodic sense that runs through the material with a slightly roughened / husky upper-mid range voice. Songs are cheerful in vibe, very accessible and feature the standard, sing-along choruses minus the mellowness. Great band, great production, great album.
Paul van der Burght
MONUMENTOMB – CD 2014 “Ritual Exhumation”
label: Metal Music Austria
songs: intro / Ritual Exhumation / In The Crypt Devoured / Perrenial Interment / Perpetual Execution Torment / Citadel Of The Living Dead //
web: www.facebook.com/Monumentombofficial
U.K Deathsters replicating Swedish DeathMetal the way it was done back in the early – mid 90's. Most of this then applies to the vocals, delivering some deep, gurgling grunts. The guitars are firmly set in the Thrash thing caking the songs with muffled sounding crunch riffs, alongside the high-low-and-reversed hooks that occasionally tip the band over to BlackMetal, be it in minimal properties. The concept features a good lot of timing and melody changes, mainly alternating fast, snare drummed chops with slower, Thrash riffed segments. Overall, songs go down really well and are upgraded by some cool guitar-flash that is given plenty of room on “Citadel Of The Living Dead” including some nice sweep-picking modes. In addition, the guitars bring a certain balance within the concept but equally trigger most of the versatility that runs through its individual songs. With the 80's thing now being a hot topic in Metal, not too many bands date back to the DeathMetal sound of the 90's. By doing so, this may work well in their favour, coupled to the solid performance that is “Ritual Exhumation”
Paul van der Burght
label: Metal Music Austria
songs: intro / Ritual Exhumation / In The Crypt Devoured / Perrenial Interment / Perpetual Execution Torment / Citadel Of The Living Dead //
web: www.facebook.com/Monumentombofficial
U.K Deathsters replicating Swedish DeathMetal the way it was done back in the early – mid 90's. Most of this then applies to the vocals, delivering some deep, gurgling grunts. The guitars are firmly set in the Thrash thing caking the songs with muffled sounding crunch riffs, alongside the high-low-and-reversed hooks that occasionally tip the band over to BlackMetal, be it in minimal properties. The concept features a good lot of timing and melody changes, mainly alternating fast, snare drummed chops with slower, Thrash riffed segments. Overall, songs go down really well and are upgraded by some cool guitar-flash that is given plenty of room on “Citadel Of The Living Dead” including some nice sweep-picking modes. In addition, the guitars bring a certain balance within the concept but equally trigger most of the versatility that runs through its individual songs. With the 80's thing now being a hot topic in Metal, not too many bands date back to the DeathMetal sound of the 90's. By doing so, this may work well in their favour, coupled to the solid performance that is “Ritual Exhumation”
Paul van der Burght
ECLIPSE – CD 2015 “Armageddonize”
label: Frontiers records
songs: I Don't Wanna Say I'm Sorry / Stand On Your Feet / The Storm / Blood Enemies / Wide Open / Live Like I'm Dying / Breakdown / Love Bites / Caught Up In The Rush / One Life – My Life //
web: https://www.facebook.com/EclipseSweden
Newest album by Sweden's Eclipse that have been Rockin' the scene ever since the late 90's. The experience shows right from the opening tunes “I Don't Wanna Say I'm Sorry”; a driven tune merging melodic HardRock, A.O.R and a slight hint of the Nu Rock thing. This one sort of couples a chorus in the Bon Jovi styles with the heavier, rhythm riff hooks a la Vivian Campbell (Dio - “Holy Diver” album); a winning combination that is repeated in a similar fashion on “One Life – My Life”. The moderately paced “The Storm” accents more of the Nu sound with the Mainstream Rock thing running underneath. Most of the material however is rooted in the 80's HardRock style with shades of Gary Moore's “Empty Rooms” popping up on “Blood Enemies” and the Rock balladry of “Live Like I'm Dying”. Next tune up, the mid-paced “Breakdown” is fed by a toe-tapping vibe and semi-acoustic guitars, running parallel to Blue Murder's “Jelly Roll”. It is also here that the band steers away from the melodic approach, delivering a more rough-edged style, most of which is triggered by the vocalage now heading towards OTT modus opposite the crisp, melodic laden upper mid range vocals that dominiate most of the material. The album concludes in a fast gear with the (double) bass drummed melodic Headbanger “One Life – My Life”. “Armageddonize” is one very complete album by a very competent band, delivering the goods one song after another. Great!
Paul van der Burght
label: Frontiers records
songs: I Don't Wanna Say I'm Sorry / Stand On Your Feet / The Storm / Blood Enemies / Wide Open / Live Like I'm Dying / Breakdown / Love Bites / Caught Up In The Rush / One Life – My Life //
web: https://www.facebook.com/EclipseSweden
Newest album by Sweden's Eclipse that have been Rockin' the scene ever since the late 90's. The experience shows right from the opening tunes “I Don't Wanna Say I'm Sorry”; a driven tune merging melodic HardRock, A.O.R and a slight hint of the Nu Rock thing. This one sort of couples a chorus in the Bon Jovi styles with the heavier, rhythm riff hooks a la Vivian Campbell (Dio - “Holy Diver” album); a winning combination that is repeated in a similar fashion on “One Life – My Life”. The moderately paced “The Storm” accents more of the Nu sound with the Mainstream Rock thing running underneath. Most of the material however is rooted in the 80's HardRock style with shades of Gary Moore's “Empty Rooms” popping up on “Blood Enemies” and the Rock balladry of “Live Like I'm Dying”. Next tune up, the mid-paced “Breakdown” is fed by a toe-tapping vibe and semi-acoustic guitars, running parallel to Blue Murder's “Jelly Roll”. It is also here that the band steers away from the melodic approach, delivering a more rough-edged style, most of which is triggered by the vocalage now heading towards OTT modus opposite the crisp, melodic laden upper mid range vocals that dominiate most of the material. The album concludes in a fast gear with the (double) bass drummed melodic Headbanger “One Life – My Life”. “Armageddonize” is one very complete album by a very competent band, delivering the goods one song after another. Great!
Paul van der Burght
DISTANT SUN – CD 2015 “Dark Matter”
label: Metalism records
songs: Prophet Of The Mean / Kill The Fremen / Dark Matter / Godsdoom / Matrix Hacked / Shattered Empire / Gifts Of Journey / Apocalypto / Healer Of Souls / Zero To Hero //
web: https://www.facebook.com/distantsunband
Collection of 80's / 90's Thrash and SpeedMetal fused with Nu Power / SpeedMetal. This brings you right back to the classic Euro-SpeedMetal thing produced by bands such as Gravedigger, referring to the catchy, double-bass driven “Kill The Fremen”. Further down the disc, the retro Thrash / SpeedMetal sound comes resurfacing with “Shattered Empire”, drawing more than one similarity to Metallica's “Metal Militia” (“Kill 'Em All” album). Not only does this compare to their concept, but also musically as the vocalage tends to sound like James Hetfield (Metallica) in places. Later styled Metallica features come in the shape of the balladry-meets-Nu PowerMetal merged “Healer Of Souls” and the fast-driven “Zero To Hero”. As for the Nu PowerMetal thing; this mostly finds its expression through the 'comrade' style Metal chants and anthemic refrains found on songs such as “Dark Matter”, “Godsdoom” and even “Shattered Empire”. The Thrash element is mainly given value by the guitars / riffage, peaking on the Bay Area tinged “Prophet Of The Mean”, “Marix Hacked” and “Apocalypto”. Quite surprising is the presence of a single blast-beat, found halfway down “Matrix Hacked” as it accelerates its mid-paced, doyble-bass driven sections. The majority of songs are around the 5-minute mark, and in the structural department, it all fits with a good, allround diversity flow and some nice guitar flash. Distant Sun never overdoes it, and don't stick to one basic approach, yet manage to give it a swing all their own. Strong.
Paul van der Burght
label: Metalism records
songs: Prophet Of The Mean / Kill The Fremen / Dark Matter / Godsdoom / Matrix Hacked / Shattered Empire / Gifts Of Journey / Apocalypto / Healer Of Souls / Zero To Hero //
web: https://www.facebook.com/distantsunband
Collection of 80's / 90's Thrash and SpeedMetal fused with Nu Power / SpeedMetal. This brings you right back to the classic Euro-SpeedMetal thing produced by bands such as Gravedigger, referring to the catchy, double-bass driven “Kill The Fremen”. Further down the disc, the retro Thrash / SpeedMetal sound comes resurfacing with “Shattered Empire”, drawing more than one similarity to Metallica's “Metal Militia” (“Kill 'Em All” album). Not only does this compare to their concept, but also musically as the vocalage tends to sound like James Hetfield (Metallica) in places. Later styled Metallica features come in the shape of the balladry-meets-Nu PowerMetal merged “Healer Of Souls” and the fast-driven “Zero To Hero”. As for the Nu PowerMetal thing; this mostly finds its expression through the 'comrade' style Metal chants and anthemic refrains found on songs such as “Dark Matter”, “Godsdoom” and even “Shattered Empire”. The Thrash element is mainly given value by the guitars / riffage, peaking on the Bay Area tinged “Prophet Of The Mean”, “Marix Hacked” and “Apocalypto”. Quite surprising is the presence of a single blast-beat, found halfway down “Matrix Hacked” as it accelerates its mid-paced, doyble-bass driven sections. The majority of songs are around the 5-minute mark, and in the structural department, it all fits with a good, allround diversity flow and some nice guitar flash. Distant Sun never overdoes it, and don't stick to one basic approach, yet manage to give it a swing all their own. Strong.
Paul van der Burght
ISSA – CD 2015 “Crossfire”
label: Frontiers records
songs: Crossfire / New Horizon / Raintown / Long Time Coming / Fight Fire With Fire / Heartbeat / Electric Lights / Ghost Inside My Heart / Red Lights / We Rise / Only You //
Newest album by Norwegian singer Isabell Oversveen with a host of guest musicians. “Crossfire”, her fourth piece, is a collection of feelgood Rock songs with a strong Radio Rock appeal and a melodic finish that sparks of its allround sense for subtlety and balance. Songs are well taken care of, backed by a pro-sounding performance and the modest, upper-mid range lead vocals of frontlady Issa. There's times the vocals are cranked up gearing in a higher pitch, and these are also the moments that Issa's voice comes out best, as evidenced on the mid-paced “Long Time Coming”. Overall, the set has a strong 80's flavour and does relate to some the artists from that era, including Heart (“Crossfire”, “Ghost Inside My Heart”) and Robin Beck (“Raintown”, drawing certain similarities to “For The Very First Time”). Material moves in a moderate / mid-tempo for most of the time, apart from the 2 (semi) ballads, “Raintown” and “Fight Fire With Fire” incorporating piano. Everything on this album is in place, and even the guitar 'flash' is measured to suit the music with some nice solo-action on “New Horizon”; one of the better picks of the album. One or two faster tunes might have added a bit more spice to the set and lift the material out of the mid-paced zone. Other than that, “Crossfire” is a pleasant listening affair that is neat, clean and catchy.
Paul van der Burght
SEA OF DISORDER – CD 2015 “Merging Land And Sky”
label: Talhelm records
songs: Ghost Of Yesterday / 1953 / Merging Land And Sky / Falling Giants / As The Clouds Disperse / Horizon //
web: https://www.facebook.com/pages/Sea-Of-Disorder/280885945344386
With close to an hour of music and only 6 songs to cover that running time, Austrian act Sea Of Disorder pretty much indicate that there is more going on here than the standard programming. Spinning the opening theme of “Ghost Of Yesterday”, the band merges New-Age with Ambient and Progressive Rock as it rolls on semi-acoustics and rhythmic drummage in a tranquil setting. However, approaching the 4 minute mark, as the vocals set in, the song sets a different tone with raspy gruntage over a moor Doom laden atmosphere with the guitars mildly distorted. Things go full on the Ambient thing with the tranquil instrumental “1953”; a lengthy offering stretching over 14 minutes that is merely covered by subtle acoustics and this mobility drum feature. It is here that the New Age vibe comes re-appearing as the repetitive nature of the song tends to get quite hypnotic. Strongly contrasting with the atmosphere of the aforementioned, its slow-paced titletrack is dipped in Doom all the way through, with the raspy grunts and trebly distorted guitars re-appaearing, alongside a dark, almost Gothic like atmosphere. Concept takes yet another turn, coupling elements of Industrial Rock, New Age and the Ambient thing on “Falling Giants” which goes to show that Sea Of Disorder do not shy away from experimenting with atmospheres and styles. It sure is a clever thing, and it all sticks musical wise, delivering a rather unusual format of music that cannot be pigeonholed. It may be too heavy for the Progressive Rock fan and it may be too mild for Doomsters and Metalers, but it will go down well for the more open-minded listener. Interesting.
Paul van der Burght
label: Talhelm records
songs: Ghost Of Yesterday / 1953 / Merging Land And Sky / Falling Giants / As The Clouds Disperse / Horizon //
web: https://www.facebook.com/pages/Sea-Of-Disorder/280885945344386
With close to an hour of music and only 6 songs to cover that running time, Austrian act Sea Of Disorder pretty much indicate that there is more going on here than the standard programming. Spinning the opening theme of “Ghost Of Yesterday”, the band merges New-Age with Ambient and Progressive Rock as it rolls on semi-acoustics and rhythmic drummage in a tranquil setting. However, approaching the 4 minute mark, as the vocals set in, the song sets a different tone with raspy gruntage over a moor Doom laden atmosphere with the guitars mildly distorted. Things go full on the Ambient thing with the tranquil instrumental “1953”; a lengthy offering stretching over 14 minutes that is merely covered by subtle acoustics and this mobility drum feature. It is here that the New Age vibe comes re-appearing as the repetitive nature of the song tends to get quite hypnotic. Strongly contrasting with the atmosphere of the aforementioned, its slow-paced titletrack is dipped in Doom all the way through, with the raspy grunts and trebly distorted guitars re-appaearing, alongside a dark, almost Gothic like atmosphere. Concept takes yet another turn, coupling elements of Industrial Rock, New Age and the Ambient thing on “Falling Giants” which goes to show that Sea Of Disorder do not shy away from experimenting with atmospheres and styles. It sure is a clever thing, and it all sticks musical wise, delivering a rather unusual format of music that cannot be pigeonholed. It may be too heavy for the Progressive Rock fan and it may be too mild for Doomsters and Metalers, but it will go down well for the more open-minded listener. Interesting.
Paul van der Burght
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TOUR DEFORCE – CD EP US 2015 “Live And Let Live”
label: private
songs: Live And Let Live / The Lowest End / To The World / Vanity / Tempest //
web: https://www.facebook.com/tourdeforceband?_rdr http://www.tourdeforceband.com/
Tour DeForce are a U.S based 5-piece that came into existence in 2012 and have now emerged with their debut offering, totalling 5 songs of melodic MetalCore with melodic hints. The Progressive element the band refers to finds its expression through the various timing and melody than run through the material. This disc sticks together very well and roll on a mobility drums and guitars. The vocals are sung in over-the-top modus, delivering both screams and lower toned growls, completely in accordance with the genre. Majority of songs is mid-tempo driven with accelerated sections and chunky, slower paced powergrooves 90's style. Tour deForce injected the songs with frequent minor key riffage, adding this sombre, dramatic atmosphere that is best captured on the melodic laden titletrack. The “Live And Let Live” EP is a collection of textbook MetalCore songs, fully packed and dressed with a razorsharp production.
Paul van der Burght
label: private
songs: Live And Let Live / The Lowest End / To The World / Vanity / Tempest //
web: https://www.facebook.com/tourdeforceband?_rdr http://www.tourdeforceband.com/
Tour DeForce are a U.S based 5-piece that came into existence in 2012 and have now emerged with their debut offering, totalling 5 songs of melodic MetalCore with melodic hints. The Progressive element the band refers to finds its expression through the various timing and melody than run through the material. This disc sticks together very well and roll on a mobility drums and guitars. The vocals are sung in over-the-top modus, delivering both screams and lower toned growls, completely in accordance with the genre. Majority of songs is mid-tempo driven with accelerated sections and chunky, slower paced powergrooves 90's style. Tour deForce injected the songs with frequent minor key riffage, adding this sombre, dramatic atmosphere that is best captured on the melodic laden titletrack. The “Live And Let Live” EP is a collection of textbook MetalCore songs, fully packed and dressed with a razorsharp production.
Paul van der Burght
PARASIGHT – CD 2014 “Munden Fuld Af Logn Lommen Fuld Af Profit
label: Phobia records
songs: Knyt Din Naeve / Ned Pa Knae / Oprab / Blodtud / Jagt Det / Afmagt / Intet Hab, Intet Liv / Ned I Stovet / Lagt For Had //
web:http://parasight.dk/
Second album by Danish act Parasight, engaging some bare-knuckle D-Beat that catapults you right back to the HardCore / PunkMetal sound of the early 80's complete with a matching cover image. Right from the start, things move in a fast pace, only to be slowed down to a mid-paced just once with “Lagt For Had”, sounding much like a traditional styled protest song. As the translation of its title indicates, “Mouth Full Of Lies, Pockets Full Of Profit” is one provocative affair, most of which finds its expression through the anger fuelled, talk-type vocals which are entirely sung in the native tongue. The repertoire on this 9-songer runs on chord / bar riffed guitars and mobility driven drums. There's a few twists in concept, evidenced on one of the album's heaviest picks, “Jagt Det”, incorporating some old-school DeathMetal like high-low-and-reversed riffage. And then there's a slight hint of the modern MetalCore sound (guitar wise) down “Ned Pa Knae”, alongside the 90's MetalCore thing of the super-groovster “Intet Hab, Intet Liv” hinting at Pro-Pain and Pantera. In all, a most entertaining and pure slab of old-school HardCore the way it supposed to sound.
Paul van der Burght
label: Phobia records
songs: Knyt Din Naeve / Ned Pa Knae / Oprab / Blodtud / Jagt Det / Afmagt / Intet Hab, Intet Liv / Ned I Stovet / Lagt For Had //
web:http://parasight.dk/
Second album by Danish act Parasight, engaging some bare-knuckle D-Beat that catapults you right back to the HardCore / PunkMetal sound of the early 80's complete with a matching cover image. Right from the start, things move in a fast pace, only to be slowed down to a mid-paced just once with “Lagt For Had”, sounding much like a traditional styled protest song. As the translation of its title indicates, “Mouth Full Of Lies, Pockets Full Of Profit” is one provocative affair, most of which finds its expression through the anger fuelled, talk-type vocals which are entirely sung in the native tongue. The repertoire on this 9-songer runs on chord / bar riffed guitars and mobility driven drums. There's a few twists in concept, evidenced on one of the album's heaviest picks, “Jagt Det”, incorporating some old-school DeathMetal like high-low-and-reversed riffage. And then there's a slight hint of the modern MetalCore sound (guitar wise) down “Ned Pa Knae”, alongside the 90's MetalCore thing of the super-groovster “Intet Hab, Intet Liv” hinting at Pro-Pain and Pantera. In all, a most entertaining and pure slab of old-school HardCore the way it supposed to sound.
Paul van der Burght
VENREZ – CD 2015 “Children Of The Drones”
label: Monarch Music group
songs: Hang The predator / Children Of The Drones / Devil's Due / Salvation / Mist Or Mercy / Deep / 20th Reason / Reflection / Spin The Top / Sacred Blood //
Quite an interesting sound that is on display on this 10 songer, and though there's quite a few styles incorporated, most fall under the banner of Rock. Frequently, Venrez date back to the sound of the 90's, slightly tilting over to Metal with the moderately paced groovster “Deep” and the heavy riffed, mid-paced “Spin The Top”. Then, there's the more Alternative sounding “Hang The Predator”, “Devil's Due” and “Reflection”; the latter coupling the sounds of Hawkwind, Ozzy and Alice In Chains! “Children Of The Drones” has a more Radio-ready appeal, whereas “Salvation” dates back to 80's Synths Rock, and both “Mist Or Mercy” and “Sacred Blood” find the band toying with the Psychedelic Southern /Stoner Hippy thing. Songs are slow and moderately to mid-paced driven minus this one upbeat tune, “Devil's Due”. The vocalage, although mostly sung in a slow, Alternative fashion, has several appearances to accommodate the atmosphere / feel of the songs and do reminisce of Alice In Chains when it comes down to the harmonies. Different!
Paul van der Burght
label: Monarch Music group
songs: Hang The predator / Children Of The Drones / Devil's Due / Salvation / Mist Or Mercy / Deep / 20th Reason / Reflection / Spin The Top / Sacred Blood //
Quite an interesting sound that is on display on this 10 songer, and though there's quite a few styles incorporated, most fall under the banner of Rock. Frequently, Venrez date back to the sound of the 90's, slightly tilting over to Metal with the moderately paced groovster “Deep” and the heavy riffed, mid-paced “Spin The Top”. Then, there's the more Alternative sounding “Hang The Predator”, “Devil's Due” and “Reflection”; the latter coupling the sounds of Hawkwind, Ozzy and Alice In Chains! “Children Of The Drones” has a more Radio-ready appeal, whereas “Salvation” dates back to 80's Synths Rock, and both “Mist Or Mercy” and “Sacred Blood” find the band toying with the Psychedelic Southern /Stoner Hippy thing. Songs are slow and moderately to mid-paced driven minus this one upbeat tune, “Devil's Due”. The vocalage, although mostly sung in a slow, Alternative fashion, has several appearances to accommodate the atmosphere / feel of the songs and do reminisce of Alice In Chains when it comes down to the harmonies. Different!
Paul van der Burght
DEFY ALL REASON – CD 2015 “The Road Ahead”
label: private
songs: Midnight Train / Bad Blood / Behind Those Eyes / You Get Me High / Bad Taste Of You / Finding My Way (Back To You) / Shame / I Run / Because Of You / Wanted Dead Or Alive / The Only One / Cure For Healing / Redemption //
web: www.defyallreason.co.uk
First full-lengther by these Welsh Rockers, dusting off their boots after the trail of grooved up Rock that is “The Road Ahead”. With Southern Rock as the main objective, Defy All Reason gave their concept an interesting twist by slipping in elements of A.O.R and the melodic thing alongside the occasional brush of Stoner Rock. Thick sounding guitars set the tone on this album that goes through various modes and moods; from the stompin' Southern Stoner “Midnight Train” and the Rock Balladry of tunes such as “Behind Those Eyes” and “The Only One”, to the more melodic laden “Bad Taste Of You” and the heavier offerings such as the melodic HardRock-meets-Southern Rocker “”Shame”, the chunky “Because Of You”, and the powergroove scorcher “Redemption”. Songs are preferably mid-paced with the up-tempo “You Get Me High” being one of the faster picks of the album. Some good, clean vocals by singer / guitarist Gavin Lee Jones, delivering a regular toned, mid-range voice with a slightly roughed up appearance. As with the vocals, the music keeps the balance with the melodic element running underneath, and being pushed forward through the (synchronized) vocals choirs on “Midnight Train” and “You Get Me High”. The concept as a whole works well and sounds quite refreshing, but a few more faster and heavier tracks in the styles of “Redemption” would have further upped the album.
Paul van der Burght
label: private
songs: Midnight Train / Bad Blood / Behind Those Eyes / You Get Me High / Bad Taste Of You / Finding My Way (Back To You) / Shame / I Run / Because Of You / Wanted Dead Or Alive / The Only One / Cure For Healing / Redemption //
web: www.defyallreason.co.uk
First full-lengther by these Welsh Rockers, dusting off their boots after the trail of grooved up Rock that is “The Road Ahead”. With Southern Rock as the main objective, Defy All Reason gave their concept an interesting twist by slipping in elements of A.O.R and the melodic thing alongside the occasional brush of Stoner Rock. Thick sounding guitars set the tone on this album that goes through various modes and moods; from the stompin' Southern Stoner “Midnight Train” and the Rock Balladry of tunes such as “Behind Those Eyes” and “The Only One”, to the more melodic laden “Bad Taste Of You” and the heavier offerings such as the melodic HardRock-meets-Southern Rocker “”Shame”, the chunky “Because Of You”, and the powergroove scorcher “Redemption”. Songs are preferably mid-paced with the up-tempo “You Get Me High” being one of the faster picks of the album. Some good, clean vocals by singer / guitarist Gavin Lee Jones, delivering a regular toned, mid-range voice with a slightly roughed up appearance. As with the vocals, the music keeps the balance with the melodic element running underneath, and being pushed forward through the (synchronized) vocals choirs on “Midnight Train” and “You Get Me High”. The concept as a whole works well and sounds quite refreshing, but a few more faster and heavier tracks in the styles of “Redemption” would have further upped the album.
Paul van der Burght
THRASH – THRASHDEATH – DEATHMETAL - webpage
web: https://www.facebook.com/ThrashThrashdeathDeathMetal
Webpage from Kroatia, affiliated with HAMMER AND TONGS. Page launched in August 2012 and has a whopping 48.000+ likes. Page promotes bands old and new in the heavier territories, mostly through video-links. Also includes posts with tour-info, news, etc. To get your band in there, send in material guaranteed promotion, see page for details
web: https://www.facebook.com/ThrashThrashdeathDeathMetal
Webpage from Kroatia, affiliated with HAMMER AND TONGS. Page launched in August 2012 and has a whopping 48.000+ likes. Page promotes bands old and new in the heavier territories, mostly through video-links. Also includes posts with tour-info, news, etc. To get your band in there, send in material guaranteed promotion, see page for details
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Above left and right: Model Tabata Suicide. Photos by Blackmotel Project
ITALIAN ALT MODEL TABATA SUICIDE
web: https://www.facebook.com/velvetsnakemodel?fref=ts
Another set of pictures from Itailian Alt Model and Suicide Girls hopeful TABATA SUICIDE. More on Tabata Suicide via the web-link above. Additional photos and feature of Tabata in Manic Mosh #06 @ http://www.manicmoshmagazine.com/manic-mosh-06.html
photographer: Blackmotel Project: https://www.facebook.com/BlackmotelProject?fref=ts
CYCLE BEATING – CD 2014 “The Age Of Depression”
label: TWS Musik
songs: intro / The Age Of Depression / Burning Down The Bridge / 254 / No Regrets / Still Sober / The Wrong Path / Mass Corruption / Who Do You Think You Are / In My Darkest Dreams //
web: https://www.facebook.com/cyclebeating/
Debut album by this German based 4-piece that came into existence in 2012. When it comes to influential sources, it goes to the 90's and further back pointing at acts such as Madball, Machine Head, Sodom, Napalm Death and Slipknot. In essence, “The Age Of Depression” is firmly rooted in the 90's ThrashCore / GrooveCore thing that is primarily given shape by the riffs and grooves. There's moments the band turns towards Nu MetalCore referring to the guitar melodies that run through the set. There's never one static approach in concept but tempo wise it pretty much boils down to a moderately / mid-tempo drive with the occasional acceleration and frequent double bassdrum usage. In accordance with the genres on offer, vocals are level toned, gruff and growling in a talk-type manner. Some Industrial, Fear Factory styled features (drum / riff synchronisation) pop up down “254” and things take a turn towards the 90's Tampa DeathMetal sound on the up-tempo “The Wrong Path” partnering high-low-and-reversed blast beats with powergrooves. O.K.
Paul van der Burght
label: TWS Musik
songs: intro / The Age Of Depression / Burning Down The Bridge / 254 / No Regrets / Still Sober / The Wrong Path / Mass Corruption / Who Do You Think You Are / In My Darkest Dreams //
web: https://www.facebook.com/cyclebeating/
Debut album by this German based 4-piece that came into existence in 2012. When it comes to influential sources, it goes to the 90's and further back pointing at acts such as Madball, Machine Head, Sodom, Napalm Death and Slipknot. In essence, “The Age Of Depression” is firmly rooted in the 90's ThrashCore / GrooveCore thing that is primarily given shape by the riffs and grooves. There's moments the band turns towards Nu MetalCore referring to the guitar melodies that run through the set. There's never one static approach in concept but tempo wise it pretty much boils down to a moderately / mid-tempo drive with the occasional acceleration and frequent double bassdrum usage. In accordance with the genres on offer, vocals are level toned, gruff and growling in a talk-type manner. Some Industrial, Fear Factory styled features (drum / riff synchronisation) pop up down “254” and things take a turn towards the 90's Tampa DeathMetal sound on the up-tempo “The Wrong Path” partnering high-low-and-reversed blast beats with powergrooves. O.K.
Paul van der Burght
SILENT FRONT – LP / digital download 2014 “Trust”
label: Function records
songs: Mechanical Grip / Bracken / More Is Less / Friend Or Foe / Confiance / Nails / Invisible Mouth / Veil //
web: http://silentfront.blogspot.co.uk/
This 8 songer starts off with a cocktail of the Industrial thing, Crust and Progressive elements, caked with a melancholic atmosphere and screamy, over-the-top vocals that hint at Rage Against The Machine; a comparison that re-occurs concept wise with the more Metal geared, mid-paced “Nails”. Throughout the set, it is the Industrial thing that comes surfacing most, layered with the occasional element of Noise and a dash of Progressive music tipping towards Jazz (“More Is Less”, “Friend Or Foe”). Silent Front managed to create a sound that is likely to be considered 'different' now, but in the 90's they would have simply tagged it as 'experimental'....
Paul van der Burght
label: Function records
songs: Mechanical Grip / Bracken / More Is Less / Friend Or Foe / Confiance / Nails / Invisible Mouth / Veil //
web: http://silentfront.blogspot.co.uk/
This 8 songer starts off with a cocktail of the Industrial thing, Crust and Progressive elements, caked with a melancholic atmosphere and screamy, over-the-top vocals that hint at Rage Against The Machine; a comparison that re-occurs concept wise with the more Metal geared, mid-paced “Nails”. Throughout the set, it is the Industrial thing that comes surfacing most, layered with the occasional element of Noise and a dash of Progressive music tipping towards Jazz (“More Is Less”, “Friend Or Foe”). Silent Front managed to create a sound that is likely to be considered 'different' now, but in the 90's they would have simply tagged it as 'experimental'....
Paul van der Burght
RAGE PR – Metal and Rock promotion
web: http://www.ragepr.com
RAGE PR is a UK based music PR company established in 2013. With a thorough background and experience in the music industry, RAGE offer tailormade, affordable PR within Rock / Metal territories, aiming to make the best smaller bands the best big bands. Some of the Artists on the current roster include: Altered Sky, Ashestoangels, Bowling For Soup, One Last Run,The Survival Code and William Control. For more information visit the website or contact: info@ragepr.com
web: http://www.ragepr.com
RAGE PR is a UK based music PR company established in 2013. With a thorough background and experience in the music industry, RAGE offer tailormade, affordable PR within Rock / Metal territories, aiming to make the best smaller bands the best big bands. Some of the Artists on the current roster include: Altered Sky, Ashestoangels, Bowling For Soup, One Last Run,The Survival Code and William Control. For more information visit the website or contact: info@ragepr.com
THE STONE – CD 2014 “Nekroza”
label: Folter records www.folter666.de
songs: Kamenolom / Kosmar / Crno Zrno / Dani Crni / Lov na Vestice / Sunovrat / Nekroza / Mrak / Pesimizam / Predgroblje //
web: https://www.facebook.com/thestonehorde?fref=ts
Originally formed as 'Stone To Flesh' mid 1996, these Serbian Black Metalers simplified their name to 'The Stone' after the release of their debut album in 2000 and continued to materialize their set through another 6 albums. The experience clearly shows on their latest release “Nekroza” featuring over 56 minutes of Progressive edged BlackMetal brushed with a melodic finish. The Stone's music is patterned upon mobility guitars, rhythmic drummage and gurgling, talk-type vocals. It is the guitars that generate most of the diversity in both songs and concept featuring the typical high-low-and-reversed BlackMetal riffs alongside melodic-edged guitar harmonies, balanced solos (“Kosmar”, “Crno Zrno”), Metal and Thrash hooks. The Metal thing is pushed forward on “Cro Zrno”; a fast paced Headbanger with hints of Mercyful Fate, minus the snare-drummed BlackMetal section halfway down the song. The production is anything but BlackMetal like, tending towards Metal, particuarly in the guitar department. “Nekroza” is a solid album in every respect; from the songwriting and musical performance to the sound and allround sense for balance. Proper.
Paul van der Burght
label: Folter records www.folter666.de
songs: Kamenolom / Kosmar / Crno Zrno / Dani Crni / Lov na Vestice / Sunovrat / Nekroza / Mrak / Pesimizam / Predgroblje //
web: https://www.facebook.com/thestonehorde?fref=ts
Originally formed as 'Stone To Flesh' mid 1996, these Serbian Black Metalers simplified their name to 'The Stone' after the release of their debut album in 2000 and continued to materialize their set through another 6 albums. The experience clearly shows on their latest release “Nekroza” featuring over 56 minutes of Progressive edged BlackMetal brushed with a melodic finish. The Stone's music is patterned upon mobility guitars, rhythmic drummage and gurgling, talk-type vocals. It is the guitars that generate most of the diversity in both songs and concept featuring the typical high-low-and-reversed BlackMetal riffs alongside melodic-edged guitar harmonies, balanced solos (“Kosmar”, “Crno Zrno”), Metal and Thrash hooks. The Metal thing is pushed forward on “Cro Zrno”; a fast paced Headbanger with hints of Mercyful Fate, minus the snare-drummed BlackMetal section halfway down the song. The production is anything but BlackMetal like, tending towards Metal, particuarly in the guitar department. “Nekroza” is a solid album in every respect; from the songwriting and musical performance to the sound and allround sense for balance. Proper.
Paul van der Burght
NELSON – CD 2015 “Peace Out”
label: Frontiers records
songs: Hello Everybody / Back In The Day / Invincible / Let It Ride / I Wanna Stay Home / On The Bright Side / Rockstar / Autograph / What’s Not To Love? / You And Me / Bad For You / Leave The Light On For Me //
web: https://www.facebook.com/matthewandgunnarnelson
It's been a long time since the Nelson brothers first entered the scene with their '99 “After The Rain” debut, landing a number one hit (“Can't Live Without Your”) Love And Affection and 5 Top 40 Billboard Hot 100 Hit singles in a career that spanned millions of record sales worldwide. After parting ways with the then record company, Nelson took matters into their own hands until they got snapped up by Frontiers records in 2010 after a 10 year hiatus since their last, independently released “Like Father, Like Sons” in 2000. “Peace Out” is all that Nelson does best; U.S. Radio Rock with all the trimmings; toe-tapping Rockers (“I Wanna Stay Home”, “Autograph”), ballads (“On The Bright Side”, “Leave The Light On For Me”), and a selection of mid / up-tempo tracks that tip over to melodic HardRock down “Back In The Day” and “Invincible”. Best picks of the album are the heaviest offerings; the traditional flavoured, riff-based HardRocker “Rock Star”, the Blues-injected “You And Me”, and the catchy “Bad For You”. Overall, music sounds easy on the ear and is light in format with the crisp and clear, vibrato brushed vocalage in the centre of attention. “Peace Out” features some nice guitarwork throughout its concept that is more Rock than HardRock in bothy vibe and groove. Entertaining.
Paul van der Burght
label: Frontiers records
songs: Hello Everybody / Back In The Day / Invincible / Let It Ride / I Wanna Stay Home / On The Bright Side / Rockstar / Autograph / What’s Not To Love? / You And Me / Bad For You / Leave The Light On For Me //
web: https://www.facebook.com/matthewandgunnarnelson
It's been a long time since the Nelson brothers first entered the scene with their '99 “After The Rain” debut, landing a number one hit (“Can't Live Without Your”) Love And Affection and 5 Top 40 Billboard Hot 100 Hit singles in a career that spanned millions of record sales worldwide. After parting ways with the then record company, Nelson took matters into their own hands until they got snapped up by Frontiers records in 2010 after a 10 year hiatus since their last, independently released “Like Father, Like Sons” in 2000. “Peace Out” is all that Nelson does best; U.S. Radio Rock with all the trimmings; toe-tapping Rockers (“I Wanna Stay Home”, “Autograph”), ballads (“On The Bright Side”, “Leave The Light On For Me”), and a selection of mid / up-tempo tracks that tip over to melodic HardRock down “Back In The Day” and “Invincible”. Best picks of the album are the heaviest offerings; the traditional flavoured, riff-based HardRocker “Rock Star”, the Blues-injected “You And Me”, and the catchy “Bad For You”. Overall, music sounds easy on the ear and is light in format with the crisp and clear, vibrato brushed vocalage in the centre of attention. “Peace Out” features some nice guitarwork throughout its concept that is more Rock than HardRock in bothy vibe and groove. Entertaining.
Paul van der Burght
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SIMSON – CD 2014 “Delilah”
label: Cult Metal Classics
songs: Horses Of Fire / From All Our Ways / Gotta Be Me / Kill The Bitch / Delilah / Load It Up / Riding / Sweet Angel / We Know It's Right, But.. / It's A Lie //
Re-release of the original '83 record by this most obscure German 3-piece that never emerged with any other vinyl outside this one full-lenghter on PPM records. Going through the material on this 9-songer it becomes evident that Simson did not jump on any developing trends but kept their music pretty much on the traditional side of things which might be the exact reason this album and its recording artists kept largely unnoticed. The album starts off in a pre-NWOBHM fashion with “Horses Of Fire”, rolling on some mid-paced, melodic edged HardRock with hints of Thin Lizzy in both concept and vocal style. The up-tempo “From All Our Ways” sports a riff reminiscent of April Wine's “I Like To Rock”, but moves away from HardRock, featuring non-distorted guitars throughout. This tune actually sounds like a live take, or live studio-take; a thing that comes resurfacing down the U.F.O. / “Rock Bottom” styled up-tempo HardRocker “Kill The Bitch”. There is quite a bit of versatility going on concept wise, including a regular ballad “Gotta Be Me”, a semi-acoustic driven half-ballad, “Riding” (gelling Rock and Pop), a Blues fuelled Biker Rocker, “Sweet Angel”, a Gary Moore-ish instrumental (“Delilah”), and all out NWOBHM down “We Know It's Right, But..” featuring a gripping riff in the mould of Hollow Ground. Thumbs up for the variety in songs and the 'live feel' of the material (including some simulated live audience editing on some tunes). Vocally, there's moments singer / guitarist Alex Bittman delivers, blending well in with the music with a regular toned, mid-range voice, peaking down “Load It Up”. Then again, there's times the vocalage falls short ( Be Me”). Throughout the concept, there's hints of Lizzy, old Scorpions (“It's A Lie”), U.F.O, and old Gary Moore stuff, but Simson gave the whole thing a mild HardRock, and even Rock oriented swing, lacking a certain power or boost in places to spice up the material. With that in mind, it is the 'heavier' selection that comes out best, with the mid/up-tempo “We Know It's Right, But..” and “Kill The Bitch” as the prime picks.
Paul van der Burght
spcs: “Delilah” is the official re-issue on CD by Cult Metal Classics, fully remastered and comes with 8-page booklet with lyrics and band-info. https://www.facebook.com/cultmetalclassics
Limited edition of 500 copies. Available @ http://sonicagerecords.com/_shop/
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BIGFOOT – CD EP 2015
label: private
songs: Tie Me Down / Bitch Killer / Come Down My Way / The Other Side Of Paradise //
web: http://www.bigfootband.co.uk/ www.facebook.com/bigfootukrock
Manchester Rockers Bigfoot are a fairly new act in the scene as they initiated in Spring 2014, but running through their material it becomes all too evident that these guys surely are no newcomers in the musical department. Loaded with a solid experience from previous bands, Bigfoot comes out with all guns blazing, firing up some superb, classic style HardRock with all the trimmings. Picture a mix of the John Norum / Glenn Hughes “Face The Truth” sound with hints of Thunder and Kingdom Come, and that pretty much captures the concept on offer here. The slow burner “Tie Me Down” paves the way for all the HardRockin' goodness to come; this one has traditional HardRock written all over, sporting a mobile riff a la classic Deep Purple – meets – Kingdom Come. Pleasantly surprising is the application of A.O.R styled vocal choirs; an element that re-appears on all other tunes minus the Rock ballad “Come Down My Way”. More of the Purple / Kingdom Come thing down the E.P's heaviest; the driven, mid-paced “The Other Side Of Paradise”, rolling on fiery, 80's style riffage with the Miller / Mc Cullah guitar tandem delivering the drive and sharp edges. Top pick is the melodic-laden, 6+ minute up-tempo HardRocker “Bitch Killer” highlighting the vocal abilities of Anthony Ellis alongside showers of Norum like guitars, harmonized hooks and a grooved up solo. Overall, songs are quite long; from 4+ minutes up to 6:23 and over, but by no means it this disturbing as the band easily manages to capture and maintain the momentum all the way through. This is clockwork HardRock upgraded by a strong, allround musicianship and prime, melodic laden vocals with a taste of Glenn Hughes on more than one occasion. Top quality effort with a high entertaining value. Recommended!
Paul van der Burght
label: private
songs: Tie Me Down / Bitch Killer / Come Down My Way / The Other Side Of Paradise //
web: http://www.bigfootband.co.uk/ www.facebook.com/bigfootukrock
Manchester Rockers Bigfoot are a fairly new act in the scene as they initiated in Spring 2014, but running through their material it becomes all too evident that these guys surely are no newcomers in the musical department. Loaded with a solid experience from previous bands, Bigfoot comes out with all guns blazing, firing up some superb, classic style HardRock with all the trimmings. Picture a mix of the John Norum / Glenn Hughes “Face The Truth” sound with hints of Thunder and Kingdom Come, and that pretty much captures the concept on offer here. The slow burner “Tie Me Down” paves the way for all the HardRockin' goodness to come; this one has traditional HardRock written all over, sporting a mobile riff a la classic Deep Purple – meets – Kingdom Come. Pleasantly surprising is the application of A.O.R styled vocal choirs; an element that re-appears on all other tunes minus the Rock ballad “Come Down My Way”. More of the Purple / Kingdom Come thing down the E.P's heaviest; the driven, mid-paced “The Other Side Of Paradise”, rolling on fiery, 80's style riffage with the Miller / Mc Cullah guitar tandem delivering the drive and sharp edges. Top pick is the melodic-laden, 6+ minute up-tempo HardRocker “Bitch Killer” highlighting the vocal abilities of Anthony Ellis alongside showers of Norum like guitars, harmonized hooks and a grooved up solo. Overall, songs are quite long; from 4+ minutes up to 6:23 and over, but by no means it this disturbing as the band easily manages to capture and maintain the momentum all the way through. This is clockwork HardRock upgraded by a strong, allround musicianship and prime, melodic laden vocals with a taste of Glenn Hughes on more than one occasion. Top quality effort with a high entertaining value. Recommended!
Paul van der Burght
BAILEY – CD 2014 “Long Way Down
label: Frontiers records
songs: Feed The Flames / In The Name Of The King / Dirty Little Secret / Bad Reputation / Stay / Somewhere In Oslo / Long Way Down / The Night / Love Falls Down / Ticket To Yesterday / Dirty Angel //
“Long Way Down” is the newest work by singer / bass-guitarist Nigel Bailey outside Three Lions. Those familiar with Three Lions will know that Mr. Bailey stands for quality and this 11 song album testifies to this. Surely, comparisons to Three Lions will arise and there is an equal portion of A.O.R and melodic HardRock involved in the set, but overall, this work tends to point more towards a Radio Rock approach. This comes in the shape of “Dirty Little Secret”, “Stay”, “Somewhere In Oslo” and “Love Falls Down”; light format tracks with a poppy vibe and instant grooves. Over against that are the heavier workouts such as the melodic laden, crisp riffed “In The Name Of The King” (drawing certain similarities to Y&T) and the mild, HardRockin' groovster “Ticket To Yesterday”. Overall, the material rolls on a moderate to mid-tempo with the guitars leading the songs. Coupling all this to a catchy vibe just makes “Long Way Down” sound easy on the ear. Musically, the plus factors are the tasty, groove infused guitarwork and the warm, (upper) mid-range vocals of Nigel that in certain places sound like a more modest and lower toned version of Steve Perry (Journey). Nice.
Paul van der Burght
label: Frontiers records
songs: Feed The Flames / In The Name Of The King / Dirty Little Secret / Bad Reputation / Stay / Somewhere In Oslo / Long Way Down / The Night / Love Falls Down / Ticket To Yesterday / Dirty Angel //
“Long Way Down” is the newest work by singer / bass-guitarist Nigel Bailey outside Three Lions. Those familiar with Three Lions will know that Mr. Bailey stands for quality and this 11 song album testifies to this. Surely, comparisons to Three Lions will arise and there is an equal portion of A.O.R and melodic HardRock involved in the set, but overall, this work tends to point more towards a Radio Rock approach. This comes in the shape of “Dirty Little Secret”, “Stay”, “Somewhere In Oslo” and “Love Falls Down”; light format tracks with a poppy vibe and instant grooves. Over against that are the heavier workouts such as the melodic laden, crisp riffed “In The Name Of The King” (drawing certain similarities to Y&T) and the mild, HardRockin' groovster “Ticket To Yesterday”. Overall, the material rolls on a moderate to mid-tempo with the guitars leading the songs. Coupling all this to a catchy vibe just makes “Long Way Down” sound easy on the ear. Musically, the plus factors are the tasty, groove infused guitarwork and the warm, (upper) mid-range vocals of Nigel that in certain places sound like a more modest and lower toned version of Steve Perry (Journey). Nice.
Paul van der Burght
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WITCH BLADE – CD / LP SWE'2015 “Oskuldernas Eld”
label: Swords & Chains records (CD) / Dying Victims records (LP)
www.facebook.com/swordsandchainsrecords
www.dying-victims.de
songs: Ljusets Apostel (Apostle of Light) / Djävulens Svärd (Devil's Sword) / Oskuldernas Eld (Virgin's Fire) / Ondskans Mästare (Master of Evil) / Fjärrans Krig (Distant War) / Nattens Synder (Sins of the Night) / Mörkrets Tempel (Temple of Darkness) / Witch Blade (Häxsvärd) //
web: https://www.facebook.com/witchbladeband
The mystical cover artwork, the logo, and a line-up with monikers such as 'Witchhunter', 'Witchlover', 'Witchdoctor' and 'Witchburner' leave no guessing about the musical direction of this Swedish 4-piece. Witchblade play dead-on 80's Metal dressed with the trademark Swedish guitar melodies and twin phrasing. “Oskuldernas Eld” offers a good palette of Metal songs in both tempo and appearance with about half the set comprised of fast paced Headbangers / early style Euro-SpeedMetalers. The other half holds 2 up-tempo driven NWOBHM flavoured tunes, “Apostle Of Light”, and “Master Of Evil”, a HardRock / Metal fused track, “Witch Blade”, and the slow-fast “Virgin's Fire”. Songs are all riff-based with a catchy vibe and dressed with shaky, talk-type vocals that are quite distinctive and give the music a certain twist but they may not be to everyone's liking. Oddly enough, the vocalage brings up certain similarities to Spanish Rockers Obus but that is purely in terms of singing style as the voice itself sounds completely different, and is more down the page of Dutch 80's Metalers Future Tense and Vortex. Future Tense is a match that also comes back in overall appearance, playing very early format SpeedMetal (without the double-bass drums) before it was tagged as such. Witch Blade managed to replicate the early 80's Metal sound in every respect down this 8-song debut album; from the thin production and the musical content to the cover drawing, and dared to give it a swing by singing the whole thing in Swedish...
Paul van der Burght
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SKARLETT RIOT – CD EP 2015 “We Are The Brave”
label: private
songs: Divide US / Cascade / Wake Up / Rising / Are You Alive //
web: https://www.facebook.com/skarlettriotuk
Newest release from U.K Hopefuls Skarlett Riot, delivering a brand of catchy, mid-paced Nu Metal with a melodic edge. The strength of Skarlett Riot lies in the impact and accessibility of their songs which are compact and rather straight-forward, allowing instant-access. In the centre of attention are the melodic laden vocals of female singer / guitarist Skarlett. Another plus of “We Are The Brave” is the balance between heaviness, subtlety and melody with the guitars mildly mixed in most of the time opposed to the raw edged approach and loud riffage on the E.P's heaviest track “Wake Up”. Nice
Paul van der Burght
label: private
songs: Divide US / Cascade / Wake Up / Rising / Are You Alive //
web: https://www.facebook.com/skarlettriotuk
Newest release from U.K Hopefuls Skarlett Riot, delivering a brand of catchy, mid-paced Nu Metal with a melodic edge. The strength of Skarlett Riot lies in the impact and accessibility of their songs which are compact and rather straight-forward, allowing instant-access. In the centre of attention are the melodic laden vocals of female singer / guitarist Skarlett. Another plus of “We Are The Brave” is the balance between heaviness, subtlety and melody with the guitars mildly mixed in most of the time opposed to the raw edged approach and loud riffage on the E.P's heaviest track “Wake Up”. Nice
Paul van der Burght
ALLHEAVYMETAL – Heavy Metal database website
web: https://www.facebook.com/Allheavymetal
http://Allheavymetal.net/ https://twitter.com/AllHeavyMetal
All Heavy Metal net is a Metal information website / database featuring albums, news, vids and bios from both local and worldwide bands. Site features a random music player to listen and discover new bands featured with Youtube videos. There are 4 sections per band; bio / news / albums / videos and there is also a news-system posting information from bands that get in touch. Interested bands can contact for more information or send their press-packs via the FB page or at allheavymetalnet@gmail.com The information needed is: Biography, Discography, Spotify URL if available, Youtube links to videos, band / cover images, up-to-date news ect. videos, Image for your band page, Images of your albums, and up-to-date news. In order to support upcoming bands, All Heavy Metal also released a FREE download compilation album “GRASSROOTS METAL RISING” available here: http://allheavymetalnet.bandcamp.com/album/grassroots-metal-rising
web: https://www.facebook.com/Allheavymetal
http://Allheavymetal.net/ https://twitter.com/AllHeavyMetal
All Heavy Metal net is a Metal information website / database featuring albums, news, vids and bios from both local and worldwide bands. Site features a random music player to listen and discover new bands featured with Youtube videos. There are 4 sections per band; bio / news / albums / videos and there is also a news-system posting information from bands that get in touch. Interested bands can contact for more information or send their press-packs via the FB page or at allheavymetalnet@gmail.com The information needed is: Biography, Discography, Spotify URL if available, Youtube links to videos, band / cover images, up-to-date news ect. videos, Image for your band page, Images of your albums, and up-to-date news. In order to support upcoming bands, All Heavy Metal also released a FREE download compilation album “GRASSROOTS METAL RISING” available here: http://allheavymetalnet.bandcamp.com/album/grassroots-metal-rising
BASTARD PRIEST – 2015 Ghouls Of The Endless Night
label: Pulverised records (CD) / Dying Victims Productions (cassette version)
songs: Pestilent Force / Ghouls Of The Endless Night / Enter Eternal Nightmare / Poison / Sacrilegious Ground / F*cking Slaughter / Last Scream / Enormous Thunder Of The End //
2015 cassette release of the classic, 2011 album by Swedish cult Deathsters Bastard Priest (comprised of 'Inventor' and Matt Mendoza). Their previous full-lengther, the 2010 “Under The Hammer Of Destruction” debut (also available on casstte via Dying Vicitims Productions) was a bold statement that Bastard Priest were a force to be reckoned with. “Ghouls Of The Endless Night” is a collection of (early) 90's styled DeathMetal with touches upon the first generation DeathMetal. Overall, music is patterned upon snare-drummed drives, high-low and reversed riffage and gurgling vocals in snappy modus. Bastard Priest has been know for their HardCore influence which is an integral part of their music, bouncing off the 'dirty' guitar sound, drummage and guitar chords. Matching up with these features is a hard and fast, straight forward approach that feels like a punch to the face, highlighting on the relentless “Enormous Thunder Of The End”. There's slower moments down the set, such as the haunting “Poison” moving in a slow-motion pace with snarling Doom like guitars, deep, gutteral gruntage and eerie sound effects to compliment the cold and depressing atmosphere that runs through the track. And, then there's “Last Scream”, a less aggressive and more catchy piece hinting at Venom mood-wise. Entombed and Dismember are bands that Bastard Priest has been compared to but in a way, one could fit Hellhammer and Bathory in there as well, particularly when it comes to guitar sound / riffage referring to a song like “F*cking Slaughter”. A great album that you can now enjoy in cassette-format to truly experience the DeathMetal sound of old! Recommended!
Paul van der Burght
cassette version of “Ghouls Of The Endless Night” available @ http://www.dying-victims.de
label: Pulverised records (CD) / Dying Victims Productions (cassette version)
songs: Pestilent Force / Ghouls Of The Endless Night / Enter Eternal Nightmare / Poison / Sacrilegious Ground / F*cking Slaughter / Last Scream / Enormous Thunder Of The End //
2015 cassette release of the classic, 2011 album by Swedish cult Deathsters Bastard Priest (comprised of 'Inventor' and Matt Mendoza). Their previous full-lengther, the 2010 “Under The Hammer Of Destruction” debut (also available on casstte via Dying Vicitims Productions) was a bold statement that Bastard Priest were a force to be reckoned with. “Ghouls Of The Endless Night” is a collection of (early) 90's styled DeathMetal with touches upon the first generation DeathMetal. Overall, music is patterned upon snare-drummed drives, high-low and reversed riffage and gurgling vocals in snappy modus. Bastard Priest has been know for their HardCore influence which is an integral part of their music, bouncing off the 'dirty' guitar sound, drummage and guitar chords. Matching up with these features is a hard and fast, straight forward approach that feels like a punch to the face, highlighting on the relentless “Enormous Thunder Of The End”. There's slower moments down the set, such as the haunting “Poison” moving in a slow-motion pace with snarling Doom like guitars, deep, gutteral gruntage and eerie sound effects to compliment the cold and depressing atmosphere that runs through the track. And, then there's “Last Scream”, a less aggressive and more catchy piece hinting at Venom mood-wise. Entombed and Dismember are bands that Bastard Priest has been compared to but in a way, one could fit Hellhammer and Bathory in there as well, particularly when it comes to guitar sound / riffage referring to a song like “F*cking Slaughter”. A great album that you can now enjoy in cassette-format to truly experience the DeathMetal sound of old! Recommended!
Paul van der Burght
cassette version of “Ghouls Of The Endless Night” available @ http://www.dying-victims.de
ANZI – double A-side single 2015 I Let You Dive / Revival
label: Chemistry Music Enterprises
web: http://www.anzi.co.uk/
Round two for Finnish born 'Industrial Punk Rebel' and former frontman of the Stereo Junks, who is at it again with a new single and album, “ Black Dog Bias”. The double-A side and download only single, coupling “I Let You Dive” and “Revival” is lifted from the new set and is a good representation of his freshly penned work that has been inspired by Industrial Rock, Metal and SynthPop. The mid-tempo “I Let You Dive” testifies to this, merging elements of the Industrial thing with 80's minded Electro Pop. The song mildly intensifies when the full instrumentation sets in, making certain comparisons to Killing Joke arise. “Revival” reveals a heavier approach, addressing to atmospheric edged Industrial Rock that is beefed up by a thick layer of Metal guitars with a matching production. Whichever style Ansi engages, it is fitted with infectious vibes and various vocal moods to compliment the atmosphere of the songs.
Paul van der Burght
“Black Dog Bias” album will be released June 22nd
label: Chemistry Music Enterprises
web: http://www.anzi.co.uk/
Round two for Finnish born 'Industrial Punk Rebel' and former frontman of the Stereo Junks, who is at it again with a new single and album, “ Black Dog Bias”. The double-A side and download only single, coupling “I Let You Dive” and “Revival” is lifted from the new set and is a good representation of his freshly penned work that has been inspired by Industrial Rock, Metal and SynthPop. The mid-tempo “I Let You Dive” testifies to this, merging elements of the Industrial thing with 80's minded Electro Pop. The song mildly intensifies when the full instrumentation sets in, making certain comparisons to Killing Joke arise. “Revival” reveals a heavier approach, addressing to atmospheric edged Industrial Rock that is beefed up by a thick layer of Metal guitars with a matching production. Whichever style Ansi engages, it is fitted with infectious vibes and various vocal moods to compliment the atmosphere of the songs.
Paul van der Burght
“Black Dog Bias” album will be released June 22nd
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IRON KOBRA – CD / MC / LP 2015 “Might And Magic”
label: Dying Victims productions
songs: The Master Speaks (intro) / Tomb Of The Stygian King / Fire / Vanguard Of Doom / Watch The Skies / Spirit Archer / Wut Im Bauch / Born To Play On Ten / Cult Of The Snake //
web: https://www.facebook.com/CultOfTheSnake http://www.ironkobra.de/
Newest release by this German 4-piece totalling 9 old-school Metal songs plus a spoken intro in true Metal tradition; “The Following record is meant to be played on ten”! “Might And Magic” catapults you right back to the early – mid 80's, sporting a set of songs that incorporates blends of NWOBHM and classic Euro-Metal. The NWOBHM influence is best captured on the speedster “Tomb Of The Stygian King” (featuring a chorus that sounds like an 80's Scandinavian Metal band doing NWOBHM) and the mid-paced, all-out NWOBHM riffed “Fire”, resembling Savage in a far distance. More bits and pieces of NWOBHM come surfacing down the instrumental second half of “Watch The Skies” after starting off in a 'trademark' 80's German Metal fashion. Then, there's the traditional Euro-Headbangers “Vanguard Of Doom” and “Born To Play On Ten” alongside the more Epic-laden “Spirit Archer” and “Cult Of The Snake”. As such, there's a good diversity flow in concept (even including a German sung HardRock / Metal track, “Wut Im Bauch”) and down the more structural conscience tracks of the album, “Watch The Skies” and “Spirit Archer” going through quite a few timing and melody changes. Vocalage is mid-range and regular toned with some higher pitched modes and dressed with a European accent which all add up to the traditional Metal sound portrayed on “Might And Magic”. If you like the sort of sound that was produced by 80's Metal bands on the Mausoleum label, then look no further.
Paul van der Burght
“Might And Magic” is available @ http://www.dying-victims.de
DO – CD EP 2015 “Den”
label: private
songs: For The Worms / Frostbites / Hex / The Moon Follows Us //
web: https://www.facebook.com/doofficial666 http://www.denofdo.com/
Clocking in a some 30 minutes of running time and only but 4 songs on offer, there's no guessing about the musical concept down “Den”, addressing to 70's inspired, riff-based Doom with a Stoner edge. This is the kind of doom that is played in a repetitive, slow-motion modus. Overall, the vocals are semi-grunted and lethargic, but turn towards a more raspy, Black Metal style with matching, high-low-and reversed riffage to match down “Hex”; a twist in concept the band repeats down “The Moon Follows Us” through what sounds pretty much like a slowed down Thrash riff, dressed with some all-out Doom and gloom Scandinavian style.
Paul van der Burght
label: private
songs: For The Worms / Frostbites / Hex / The Moon Follows Us //
web: https://www.facebook.com/doofficial666 http://www.denofdo.com/
Clocking in a some 30 minutes of running time and only but 4 songs on offer, there's no guessing about the musical concept down “Den”, addressing to 70's inspired, riff-based Doom with a Stoner edge. This is the kind of doom that is played in a repetitive, slow-motion modus. Overall, the vocals are semi-grunted and lethargic, but turn towards a more raspy, Black Metal style with matching, high-low-and reversed riffage to match down “Hex”; a twist in concept the band repeats down “The Moon Follows Us” through what sounds pretty much like a slowed down Thrash riff, dressed with some all-out Doom and gloom Scandinavian style.
Paul van der Burght
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KLOGR – CD / DVD 2015 “Make Your Stand”
label: Zeta Factory records
CD: Breaking Down / Make Your Stand / Breathing Heart / Draw Closer (Live) / Zero Tolerance (Live) / King Of Unknown (Live) / Failing Crowns (Live) / Vultures Feast (Live) / Hell Of Income (Live) / Silk And Thorns (Live) / Bleeding (Live) / Guilty And Proud (Live) / Guinea Pigs (Live) //
DVD: Live in Trezzo: 45 minutes live show filmed at the Live Music Club in Trezzo (November 2014, supporting GUANO APES
Behind the scenes: 120 minutes of documentary on the band ("'Till You Decay' ''Till You Turn 1&2' 'Black Snow European Tour' 'Make Your Stand')
web: http://www.klogr.net/
Italian / U.S 4-piece that have emerged with 3 new studio tracks that are coupled to a set of live songs including all 4 singles from the critically acclaimed “Black Snow” album. Opening tune “Breaking Down” comes blasting through your speakers with a sharp riff that is followed by a melange of Alter-Bridge and System Of A Down as the vocal choirs set in. This is loud and balanced, flirting with quite a few genres and almost too heavy to be stickered as Metal but by all means Progressive without sounding too technical. The song channels a lot of its diversity flow through the guitars, including subtle semi-acoustics and a great virtuoso solo. The vocals are equally versatile and occasionally bring up James Hetfield (Metallica) in appearance. Follow-up tune “Make Your Stand” is a chunky Nu HardRock / Metal song with a driven mid-tempo beat and infectious riffage in the Alter Bridge styles. Again, the vocals come around in a roughened fashion, but go into a melodic modus hooked up with the choirs. “Breathing Heart” is a semi-ballad with Mainstream appeal and an offbeat solo in the vein of Rage Against The Machine. This 3-songer is a nice representation of the band, amply showcasing Klogr's creativity and proficiency in both the musical and songwriting department without overdoing it. This stuff is easy on the ear but equally would suit the more technical demanding listener.
The CD furthers with 10 live-recordings that showcase the band's musical concept in a more straight-forward, roughened up appearance with intensified vocals. Some cool guitar flash down “Guilty And Proud” and “Zero Tolerance”; an energetic Metal tune with some nice, balanced vocal choirs. The majority of songs move in a moderately / mid-paced gear with the groove factor up down “Silk And Thorns” and the catchy, up-tempo “Bleeding”
Paul van der Burght
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John Garcia photo by Damian Llewellyn
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JOHN GARCIA – Manic Mosh goes up and personal with the Desert Rock legend!
Interview by Damian Lewellyn for Manic Mosh Metal
Whilst in Europe at the tail end of 2014, Manic Mosh editor Damian Llewellyn had a chance to chat with the legend that is John Garcia. His career spans a multitude of musical collaborations, and whichever band John was involved in, they always hit the spot; from the early days with Kyuss to later incarnations such as Vista Chino, Unida, Hermano and Slo Burn. His latest endeavour, under the banner of 'John Garcia', is a solo-project that got materialized in August 2014 as a self-titled album featuring collaborations and contributions with Robbie Krieger (The Doors), Tom Brayton (Vista Chino), Mark Diamond (The Dwarves, Mondo generator) Danko Jones and former Kyuss member Nick Oliveri,
Manic Mosh: I saw a picture of your family, you must be desperate getting home....
John: Desperate is not the word you know but it is tough for me being on the road. You know, if you are single and on the road, that is a different story, but I have an incredible wife, a beautiful 11 year old daughter and a five year old son and this is the longest I have ever been away from home since Wendy and I were married and Marsha was born so it is not like I am in the military serving 6 or 8 months, but it is still tough no matter how you slice it...
Manic Mosh: Where do you get your inspiration for your song-writing; on the road, in your home, other...
John: Very rarely on the road; when I'm on the road I am in a touring mode, and when I'm writing, I am in a writing mode, but inspiration will come in many forms; I am inspired by my family, they are my muse...
Manic Mosh: I hear you are a big fan of The Cult?
John: Frontman Ian Astbury is the reason I started singing. He is the reason why I am here right now where I am at!
Manic Mosh: I was listening to your new album and as soon as it hit, “Love” I though; Cult riffage!
John: “Flower” yeah, I am inspired by them; they've been a huge influence on me, and when Mark
Diamond wrote that part for “Flower”and we were playing it at tonight's show I was, like “I like it, it sounds like The Cult!” so, yeah, I totally agree with that that
Manic Mosh: There is a simplicity about them riffs and yet they are so powerful and catchy...
John: They really are, and I was asked earlier today during another interview what were the 5 tunes I would pick to take with me 'to the bunker', and “She Sells Sanctuary” from the Cult was in my top 5; that record changed my life. “Love”; you know, I was was searching for 'music', I knew I was a fan of music, and I was still searching for this one thing...There some guys that are song, and I had a lot of different from Punk to R&B to Pop, I don't know how many guilty pleasures but I was still searching for that one thing; for some guys, Black Sabbath is their thing, for others iron Maiden is their thing, but for me, The Cult was exactly who I was searching for..
Manic Mosh: Well, same here... when I have my Ipod on shuffle, I never skip one of them tracks...
John: The Cult “Love” record, “Dreamtime”, “Live At The Lyceum”, ”Love”, “Electric”, “Ceremony”; those records meant the most to me and I even went backwards, I went to the Death Cult, I went to the Southern Death Cult, got into them and last time I saw them was in Liverpool, and they were absolutely amazing, When people start drawing around living legends, I definitely think Ian Astbury is one...
Manic Mosh: Well, I think the same could be said about you, being a Stoner Rock legend....
John: Well, I appreciate that, but I don't consider myself a legend...
Manic Mosh: Have you embraced the whole hash tag of Stoner Rock, Desert Rock.. you must be the first person people think of
John: Yeah, I've embraced it, and there was a time that I didn't, but you know, call it what you will and I really don't care, because to me it's just Rock music you know, it's just Rock And Roll, just like the Billy Joel song; “Still Rock And Roll To Me”
Manic Mosh: You have done several collaborations including Danko Jones, Orange Goblin, The Crystal Method etc.. Who else is in your bucket list of people to work with, or could put vocals down on, there must be a few...
John: I obviously would like to do something with Ian from the Cult but I don't think he would do it ha ha.. I want to work with a group of guys that I am working with now. I really like to work with Bobby Krieger (original guitarist for The Doors) more; I'd really like to do something extensive there..
Manic Mosh: What about Bobby Krieger, how did that come about; did you approach him?
John: No, I really honestly had nothing to do with it, he was a friend of my producer Harper Hug, and Harper said, let's try to get Bobby Krieger on this track... You know, I am a big fan of The Doors, so Harper reached out to him and he said yes. I was in the studio, and Bobby had no idea who I was; he thought I was Harper's assistant or something. He said “Did you sing that song?” and I said “yeah”, and he replied; “You're a little off”... and I said “Well, I just gave you scratch, not the final version”, because of the scheduling issues, I wanted to see what he was going to do to, but what an amazing talent!
Manic Mosh; You must have been chuffed when Ian sang with The Doors...
John:I did, and I still got a chance to see original Doors keyboardist Ray Manzarek before he passed away. That song in the desert was amazing, up in the High Desert in a really small town called Lancaster; not many people there, it was amazing I will never forget that ever, ever ever...
Manic Mosh: In the early Kyuss days, could you ever imagine that you would still be singing now as a full time job or vocation ...Did you have a backup plan, did you start a band, having a laugh, or think about doing an apprenticeship or something, or did you think like, I want to be a Rock And Roller and that's it....
John: I've been doing this on and off you know, for you know 25 years and I am appreciate to the fact that I can still sing, I think I can ha ha.... My wife, she helps run 'Palms Springs Animal Hospital', and she is in the veterinary medical field, and that is where we met, in a hospital and I worked at this one place for 8 years, so, when I get back from tour I am going to work with my wife again. I am going to take take it easy in a word, music wise, I am in the infantile stages of writing so enough work and more rehearsals and stuff like that, but at the same time I need to get some normality back in my life. I am very lucky to have two things that I love to do; one is playing in a band - and my wife and kids allowing me to do this - and two; is being in a vet clinic helping animals and although I am not a doctor in veterinary medicine, I should have been...
Manic Mosh: When you get back home and have some family-time, and say you are writing again; is Vista Chino still active or are you going to concentrate on your solo-material? When you are writing, do you think like, “This could be good for this project, or this could be good for my personal stuff to bring out myself”...
John: Damian, I am very happy with where I am at right now and I plan to stay here... Vista Chino was a great project; I love Brant, I love Mike Dean, Bruno... really love Bruno, he is one my all time favourite people in the entire world, but I like where I am and I am going to stay here for a while...
Manic Mosh: Now, with your solo project, being your own boss, and your own name attached to it, do you feel you have more freedom without having to worry about anyone hounding you...
John: True, there's an incredible amount of freedom now, I wouldn't say hounding me... Vista Chino was a great project for a while, but again I am very happy where I am right now...
John Garcia's debut album was released on Napalm records August 2014 and is available here:
http://shop.napalmrecords.com/johngarcia
For more on John Garcia, visit:
web: https://www.facebook.com/JohnGarciaOfficial?fref=ts
Interview by Damian Lewellyn for Manic Mosh Metal
Whilst in Europe at the tail end of 2014, Manic Mosh editor Damian Llewellyn had a chance to chat with the legend that is John Garcia. His career spans a multitude of musical collaborations, and whichever band John was involved in, they always hit the spot; from the early days with Kyuss to later incarnations such as Vista Chino, Unida, Hermano and Slo Burn. His latest endeavour, under the banner of 'John Garcia', is a solo-project that got materialized in August 2014 as a self-titled album featuring collaborations and contributions with Robbie Krieger (The Doors), Tom Brayton (Vista Chino), Mark Diamond (The Dwarves, Mondo generator) Danko Jones and former Kyuss member Nick Oliveri,
Manic Mosh: I saw a picture of your family, you must be desperate getting home....
John: Desperate is not the word you know but it is tough for me being on the road. You know, if you are single and on the road, that is a different story, but I have an incredible wife, a beautiful 11 year old daughter and a five year old son and this is the longest I have ever been away from home since Wendy and I were married and Marsha was born so it is not like I am in the military serving 6 or 8 months, but it is still tough no matter how you slice it...
Manic Mosh: Where do you get your inspiration for your song-writing; on the road, in your home, other...
John: Very rarely on the road; when I'm on the road I am in a touring mode, and when I'm writing, I am in a writing mode, but inspiration will come in many forms; I am inspired by my family, they are my muse...
Manic Mosh: I hear you are a big fan of The Cult?
John: Frontman Ian Astbury is the reason I started singing. He is the reason why I am here right now where I am at!
Manic Mosh: I was listening to your new album and as soon as it hit, “Love” I though; Cult riffage!
John: “Flower” yeah, I am inspired by them; they've been a huge influence on me, and when Mark
Diamond wrote that part for “Flower”and we were playing it at tonight's show I was, like “I like it, it sounds like The Cult!” so, yeah, I totally agree with that that
Manic Mosh: There is a simplicity about them riffs and yet they are so powerful and catchy...
John: They really are, and I was asked earlier today during another interview what were the 5 tunes I would pick to take with me 'to the bunker', and “She Sells Sanctuary” from the Cult was in my top 5; that record changed my life. “Love”; you know, I was was searching for 'music', I knew I was a fan of music, and I was still searching for this one thing...There some guys that are song, and I had a lot of different from Punk to R&B to Pop, I don't know how many guilty pleasures but I was still searching for that one thing; for some guys, Black Sabbath is their thing, for others iron Maiden is their thing, but for me, The Cult was exactly who I was searching for..
Manic Mosh: Well, same here... when I have my Ipod on shuffle, I never skip one of them tracks...
John: The Cult “Love” record, “Dreamtime”, “Live At The Lyceum”, ”Love”, “Electric”, “Ceremony”; those records meant the most to me and I even went backwards, I went to the Death Cult, I went to the Southern Death Cult, got into them and last time I saw them was in Liverpool, and they were absolutely amazing, When people start drawing around living legends, I definitely think Ian Astbury is one...
Manic Mosh: Well, I think the same could be said about you, being a Stoner Rock legend....
John: Well, I appreciate that, but I don't consider myself a legend...
Manic Mosh: Have you embraced the whole hash tag of Stoner Rock, Desert Rock.. you must be the first person people think of
John: Yeah, I've embraced it, and there was a time that I didn't, but you know, call it what you will and I really don't care, because to me it's just Rock music you know, it's just Rock And Roll, just like the Billy Joel song; “Still Rock And Roll To Me”
Manic Mosh: You have done several collaborations including Danko Jones, Orange Goblin, The Crystal Method etc.. Who else is in your bucket list of people to work with, or could put vocals down on, there must be a few...
John: I obviously would like to do something with Ian from the Cult but I don't think he would do it ha ha.. I want to work with a group of guys that I am working with now. I really like to work with Bobby Krieger (original guitarist for The Doors) more; I'd really like to do something extensive there..
Manic Mosh: What about Bobby Krieger, how did that come about; did you approach him?
John: No, I really honestly had nothing to do with it, he was a friend of my producer Harper Hug, and Harper said, let's try to get Bobby Krieger on this track... You know, I am a big fan of The Doors, so Harper reached out to him and he said yes. I was in the studio, and Bobby had no idea who I was; he thought I was Harper's assistant or something. He said “Did you sing that song?” and I said “yeah”, and he replied; “You're a little off”... and I said “Well, I just gave you scratch, not the final version”, because of the scheduling issues, I wanted to see what he was going to do to, but what an amazing talent!
Manic Mosh; You must have been chuffed when Ian sang with The Doors...
John:I did, and I still got a chance to see original Doors keyboardist Ray Manzarek before he passed away. That song in the desert was amazing, up in the High Desert in a really small town called Lancaster; not many people there, it was amazing I will never forget that ever, ever ever...
Manic Mosh: In the early Kyuss days, could you ever imagine that you would still be singing now as a full time job or vocation ...Did you have a backup plan, did you start a band, having a laugh, or think about doing an apprenticeship or something, or did you think like, I want to be a Rock And Roller and that's it....
John: I've been doing this on and off you know, for you know 25 years and I am appreciate to the fact that I can still sing, I think I can ha ha.... My wife, she helps run 'Palms Springs Animal Hospital', and she is in the veterinary medical field, and that is where we met, in a hospital and I worked at this one place for 8 years, so, when I get back from tour I am going to work with my wife again. I am going to take take it easy in a word, music wise, I am in the infantile stages of writing so enough work and more rehearsals and stuff like that, but at the same time I need to get some normality back in my life. I am very lucky to have two things that I love to do; one is playing in a band - and my wife and kids allowing me to do this - and two; is being in a vet clinic helping animals and although I am not a doctor in veterinary medicine, I should have been...
Manic Mosh: When you get back home and have some family-time, and say you are writing again; is Vista Chino still active or are you going to concentrate on your solo-material? When you are writing, do you think like, “This could be good for this project, or this could be good for my personal stuff to bring out myself”...
John: Damian, I am very happy with where I am at right now and I plan to stay here... Vista Chino was a great project; I love Brant, I love Mike Dean, Bruno... really love Bruno, he is one my all time favourite people in the entire world, but I like where I am and I am going to stay here for a while...
Manic Mosh: Now, with your solo project, being your own boss, and your own name attached to it, do you feel you have more freedom without having to worry about anyone hounding you...
John: True, there's an incredible amount of freedom now, I wouldn't say hounding me... Vista Chino was a great project for a while, but again I am very happy where I am right now...
John Garcia's debut album was released on Napalm records August 2014 and is available here:
http://shop.napalmrecords.com/johngarcia
For more on John Garcia, visit:
web: https://www.facebook.com/JohnGarciaOfficial?fref=ts
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Left: Official Video of John Garcia - "My Mind" / Napalm records right: Manic Mosh editor Damian Llewellyn (left) and John Garcia (right) |
CONVENT GUILT – CD / LP AUSTR'2014 “Guns For Hire”
label: Shadow Kingdom records www.shadowkingdomrecords.com
Cruz Del Sur Music http://www.cruzdelsurmusic.com/
Dying Victims Productions: www.dyingvictims.de
songs: Angels In Black Leather / Don’t Close Your Eyes / Perverse Altar / They Took Her Away / Guns For Hire / Desert Brat / Convicts At Arms / Stockade //
web: https://www.facebook.com/ConventGuilt
With the retro-Metal boom sweeping across Europe, Australian outfit Convent Guilt take on the challenge in replicating that exact same sound, and they do it well. With practically zero Metal bands emerging from the Land From Down Under during the NWOBHM haydays, this Sydney based 4-piece unit settle the score with their 8-song debut album. Convent Guilt engage in mild format, melodic edged NWOBHM patterned upon straight forward riff-based drives that vary from moderately and mid-paced to up-tempo (“Angels In Black Leather”, “Perverse Altar”, “Guns For Hire”) with the semi-Headbanger “Stockade” as the fastest tune of the set. There's only but two moments that reveal the age of this release, referring to the modern, sweep-picking guitar mode down “Angels In Black Leather” and the Medieval / Folk features at the beginning of “Perverse Altar”; elements that did not merge with NWOBHM back in the day, but it works... The whole thing sounds as if it was recorded in one-take, giving it this classic demo-tape kind of feel. Vocals ain't 100% steady all the way through but does not really affect music; there's moments they do compliment the melodic side of the band, as on “Angels In Black Leather” drawing certain similarities to UK outfit LeGriffe. Those into the classic, unpolished sound of the independent NWOBHM releases of the very early 80's now have another one to add to their collection... Nice
Paul van der Burght
label: Shadow Kingdom records www.shadowkingdomrecords.com
Cruz Del Sur Music http://www.cruzdelsurmusic.com/
Dying Victims Productions: www.dyingvictims.de
songs: Angels In Black Leather / Don’t Close Your Eyes / Perverse Altar / They Took Her Away / Guns For Hire / Desert Brat / Convicts At Arms / Stockade //
web: https://www.facebook.com/ConventGuilt
With the retro-Metal boom sweeping across Europe, Australian outfit Convent Guilt take on the challenge in replicating that exact same sound, and they do it well. With practically zero Metal bands emerging from the Land From Down Under during the NWOBHM haydays, this Sydney based 4-piece unit settle the score with their 8-song debut album. Convent Guilt engage in mild format, melodic edged NWOBHM patterned upon straight forward riff-based drives that vary from moderately and mid-paced to up-tempo (“Angels In Black Leather”, “Perverse Altar”, “Guns For Hire”) with the semi-Headbanger “Stockade” as the fastest tune of the set. There's only but two moments that reveal the age of this release, referring to the modern, sweep-picking guitar mode down “Angels In Black Leather” and the Medieval / Folk features at the beginning of “Perverse Altar”; elements that did not merge with NWOBHM back in the day, but it works... The whole thing sounds as if it was recorded in one-take, giving it this classic demo-tape kind of feel. Vocals ain't 100% steady all the way through but does not really affect music; there's moments they do compliment the melodic side of the band, as on “Angels In Black Leather” drawing certain similarities to UK outfit LeGriffe. Those into the classic, unpolished sound of the independent NWOBHM releases of the very early 80's now have another one to add to their collection... Nice
Paul van der Burght
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Above: Model Nikkiita Freespirit; photos left and right:Stuart Richards, photo centre: James Hall / Laughing Orc Photography
NIKKIITA FREESPIRIT – Professional dancer, actress and model
web: www.facebook.com/nikkiitafreespirit
Nikkiita Freespirit is a UK based Alternative Model, dancer and actress and her favourite Modelling styles include Latex fashion and Body-Paint. She is a huge fan of 'The Walking Dead' and the regulars that pop up on her playlist are Slipknot, Black Stone Chery, Shinedown, Metallica, Halestorm and a whole host of Punk; “I've recently started looking for unsigned music too because there is a huge amount of talent out there that deserves a few extra ears”. She has always got one project or another on the go and tends to make a lot of dance work, including that with her own ''Freedom Dance Collective'.
Photographers:
James Hall https://www.facebook.com/laughingorcphotography?fref=ts
Stuart Richards https://www.facebook.com/stuart.richards.549
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DOGMA / CORRUPT LEADERS – split 7” CND / USA 2014
label: Moshpit Tragedy records http://moshpittragedy.bandcamp.com/
songs: CORRUPT LEADERS: Power Lies / Patterns / Antennas // DOGMA: Premeditated Obsolescence / Wolf //
web: https://www.facebook.com/DogmaNWI/timeline?ref=page_internal
https://www.facebook.com/corruptleaders?fref=ts
Split vinyl coupling Canadian act CORRUPT LEADERS and Indiana / USA act DOGMA. Corrupt Leaders blast through a 3-song set of Crust that couples elements of DeathMetal, 80's HardCore and hints of GrindCore. Knowing the short running time of the tracks, there's a considerable diversity flow slipped in there to alternate the fast-paced nature of the material that is caked with muffled crunch guitars and gurgling vocals with added scream gruntage. DOGMA deliver some straight-forward, bare-knuckles D-Beat in 80's tradition with gruff, talk-type vocals and a whole lot of provocation.
The Dogma / Corrupt Leaders split 7” is pressed in a limited edition of 200 copies, 100 in black vinyl and 100 in red vinyl, available @ http://givepraiserecords.com
Paul van der Burght
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MORE THAN MOST – EP 2015 “Impossible Is Temporary”
label: private
songs: You're Not Alone / Remember Who You Are / Save Me From Myself / Nightmares //
web: https://www.facebook.com/morethanmostofficial?fref=ts
http://www.morethanmostuk.com/
https://morethanmost.bandcamp.com/
More Than Most is a London based 5-piece unit that emerged from a previous project called 'Outsiders' featuring guitarist Leandro Leandro and bassist Mokhtar Saib. Upon completion of the line-up, the band launched their first single, “You're Not Alone” in 2014, followed by “Remember Who You are” the very same year. Both these tunes have now been re-captured in the shape of an EP with the addition of two new tracks, “Save Me From Myself” and “Nightmares”. With the objective to pen some material that would couple energy and power to subtle detail and atmosphere, the 4 songs on offer do just that, merging mild and melodic style Metalcore with almost Gothic like mood swings and a splash of Billboard appeal. The Gothic vibes are evident down the instant access, up-tempo driven “Remember Who You Are” and the slightly AFI tinged “Nightmares” with the synths setting the atmospheres in the back of the song. The compact opening tune “You're Not tags as a modern Metal / melodic Metalcore number with a slightly emotive, ballad-esque undertone, alternating mild-format Metal programming with heavier sectioning. The mid-paced “Save Me From Myself” further down the EP adopts a similar approach, minus the vocals, now alternating a light, Rap infused modus with melodic phrasing and atmospheric chants (in the styles of AFI). The crisp, mid-range vocals of Izzy Stylez compliment the music throughout, and the fact that More Than Most do not incorporate the standard two-tone vocalage with cliché grunts / screams makes them steer clear from the bulk of bands down these territories. Another plus are the mature sound of the set as a whole and the smooth, pro-sounding production courtesy of Justin Paul Hill (Malefice, The Defiled, Bury Tomorrow etc.) lifting this 4-songer to the regions of more qualitative releases of this sort out there. Neat!
Paul van der Burght
label: private
songs: You're Not Alone / Remember Who You Are / Save Me From Myself / Nightmares //
web: https://www.facebook.com/morethanmostofficial?fref=ts
http://www.morethanmostuk.com/
https://morethanmost.bandcamp.com/
More Than Most is a London based 5-piece unit that emerged from a previous project called 'Outsiders' featuring guitarist Leandro Leandro and bassist Mokhtar Saib. Upon completion of the line-up, the band launched their first single, “You're Not Alone” in 2014, followed by “Remember Who You are” the very same year. Both these tunes have now been re-captured in the shape of an EP with the addition of two new tracks, “Save Me From Myself” and “Nightmares”. With the objective to pen some material that would couple energy and power to subtle detail and atmosphere, the 4 songs on offer do just that, merging mild and melodic style Metalcore with almost Gothic like mood swings and a splash of Billboard appeal. The Gothic vibes are evident down the instant access, up-tempo driven “Remember Who You Are” and the slightly AFI tinged “Nightmares” with the synths setting the atmospheres in the back of the song. The compact opening tune “You're Not tags as a modern Metal / melodic Metalcore number with a slightly emotive, ballad-esque undertone, alternating mild-format Metal programming with heavier sectioning. The mid-paced “Save Me From Myself” further down the EP adopts a similar approach, minus the vocals, now alternating a light, Rap infused modus with melodic phrasing and atmospheric chants (in the styles of AFI). The crisp, mid-range vocals of Izzy Stylez compliment the music throughout, and the fact that More Than Most do not incorporate the standard two-tone vocalage with cliché grunts / screams makes them steer clear from the bulk of bands down these territories. Another plus are the mature sound of the set as a whole and the smooth, pro-sounding production courtesy of Justin Paul Hill (Malefice, The Defiled, Bury Tomorrow etc.) lifting this 4-songer to the regions of more qualitative releases of this sort out there. Neat!
Paul van der Burght
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THE TOI – CD 2015 “Water Into Wine”
label: Sushi Roll
songs: Get On It / Come Alive / I'm Still Crying / Till The Morning Comes / The One / Staring At The Sun / I Think About You / Water Into Wine / Cold In The Night / Down By The River //
web: https://www.facebook.com/TheToiOfficial
The Toi are three-piece from Glasgow that got together in 2011 and emerged with their debut album, “Water Into Wine” in March 2015. Produced by Oasis engineer Nick Brine and The Darkness guitarist and producer Dan Hawkins, The Toi cooked up a blend of melodic laden U.S. Radio Rock that tips towards AOR on more than one occasion. This applies to opening tune “Get On It” (sporting additional hints of Mainstream and Sleaze Rock), “I Think About You” and the balladry of “Cold In The Night”. In compliance with the opted genre, the material is mostly moderately / mid-tempo geared, increasing to an up-tempo on the catchy, slightly Bon Jovi tinged “Come Alive” and the Bryan Adams styled “Staring At The Sun”; a comparison that comes resurfacing on the 80's fashioned “I'm Still Crying”. Overall concept is light format with the Rock-ish guitar picking modes and the melodic, mid-range vocals of singer / guitarist Paul Healy to match. Picture a modest, neat sounding set that is somewhere along the likes of 80's acts Santers and Coney Hatch minus the keys, and that is where you will find The Toi.
Paul van der Burght
POSEIDON – CD 2015 “Back From The Abyss” - The Anthology
label: Dying Victims (www.dyingvictims.com)
songs: Beyond The Seven Gates Of Hell / Freedom Of Thought / Violence / Conviction And Faith / Prisoned In Covered Chains / Eternia / Close The Abyss / Buttf*ck //
German act that were dipped in obscurity back in the late 80's / early 90's, only to be re-discovered by Dying Victims that coupled the band's '89 “The Final Gate” E.P to their '90 “Close To The Abyss” demo, to be materialized in the shape of a 8 song CD re-issue. Poseidon are stickered as Thrash, but gauging the material it tends to be more sort of a early 80's Satanic Metal / BlackMetal thing with Thrashy guitars and gruff, talk-type vocals. The sound portrayed here reminds of the heavier Italian acts from the 80's such as Bulldozer (referring to “Beyond The Seven Gates Of Hell”) with a blend of Impaler (USA) thrown in. Surprising is the presence of HardCore styled 80's Metal found on “Conviction And Faith”, complete with snare-drummed drive and signature chants. Quite offbeat in all concept wise which leads back again to Bulldozer and Impaler. Problem with those acts was that they were never taken seriously, and the same pretty much applies to Poseidon. Nowadays they call that 'cult' acts...
Paul van der Burght
label: Dying Victims (www.dyingvictims.com)
songs: Beyond The Seven Gates Of Hell / Freedom Of Thought / Violence / Conviction And Faith / Prisoned In Covered Chains / Eternia / Close The Abyss / Buttf*ck //
German act that were dipped in obscurity back in the late 80's / early 90's, only to be re-discovered by Dying Victims that coupled the band's '89 “The Final Gate” E.P to their '90 “Close To The Abyss” demo, to be materialized in the shape of a 8 song CD re-issue. Poseidon are stickered as Thrash, but gauging the material it tends to be more sort of a early 80's Satanic Metal / BlackMetal thing with Thrashy guitars and gruff, talk-type vocals. The sound portrayed here reminds of the heavier Italian acts from the 80's such as Bulldozer (referring to “Beyond The Seven Gates Of Hell”) with a blend of Impaler (USA) thrown in. Surprising is the presence of HardCore styled 80's Metal found on “Conviction And Faith”, complete with snare-drummed drive and signature chants. Quite offbeat in all concept wise which leads back again to Bulldozer and Impaler. Problem with those acts was that they were never taken seriously, and the same pretty much applies to Poseidon. Nowadays they call that 'cult' acts...
Paul van der Burght
PALACE OF THE KING – CD 2015 “White Bird / Burn The Sky”
label: Listenable records
songs: Take Your Medicine / No Chance In Hell / Another Thing Coming / Burn My Bridges / White Bird (Bring Your Armies Against Me) / Ain't Got Nobody To Blame But Myself / Leave Me Behind / Devil's Daughter / Get Back Up (Burn The Sky) / If It Ain't Broke /
web: www.palaceofthekingmusic.com
Diverse palette of 70's Blues injected (Hard)Rock, Stoner Rock and the Hippie thing, fuelled by instant grooves and gripping riffs in a moderately / mid-paced setting. Music is voiced by the roughed up, regular to upper mid-range vocals of singer / percussionist Tim Henwood drawing certain similarities to Sass Jordan style wise, as evidenced on the 70's HardRocker “Another Thing Coming” that comes complete with Funkadelic synths. Some cool Hammond grooves on the sludge-driven toe-tappers “Burn My Bridges” and “Ain't Got Nobody To Blame But Myself”. Australian 6-piece Palace Of The King produce a pure and unpolished sound that has this 'plug in and play' feel throughout. This band Rocks!
Paul van der Burght
label: Listenable records
songs: Take Your Medicine / No Chance In Hell / Another Thing Coming / Burn My Bridges / White Bird (Bring Your Armies Against Me) / Ain't Got Nobody To Blame But Myself / Leave Me Behind / Devil's Daughter / Get Back Up (Burn The Sky) / If It Ain't Broke /
web: www.palaceofthekingmusic.com
Diverse palette of 70's Blues injected (Hard)Rock, Stoner Rock and the Hippie thing, fuelled by instant grooves and gripping riffs in a moderately / mid-paced setting. Music is voiced by the roughed up, regular to upper mid-range vocals of singer / percussionist Tim Henwood drawing certain similarities to Sass Jordan style wise, as evidenced on the 70's HardRocker “Another Thing Coming” that comes complete with Funkadelic synths. Some cool Hammond grooves on the sludge-driven toe-tappers “Burn My Bridges” and “Ain't Got Nobody To Blame But Myself”. Australian 6-piece Palace Of The King produce a pure and unpolished sound that has this 'plug in and play' feel throughout. This band Rocks!
Paul van der Burght
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BURNING – 7” HOL 2015 “Something Is Lurking In The Dark”
label: private
web: https://www.facebook.com/burningmetalband
https://soundcloud.com/hugo-koch/tracks
“Something Is Lurking In The Dark” is the debut-single by old-school Metalers Burning. This is their first original released since their inception in 2013, and it is coupled with the Tygers Of Pan Tang cover “Killers” on the B-side. Not only does Burning sound old-school; roots of the band also date back to the glorious days of Dutch Heavy Metal. “Something Is Lurking In The Dark” is a mid-paced and riff-based Euro Metaler, early 80's style with a NWOBHM backbone and a typical Dutch swing to it; think a mix of Future Tense, Dark Wizard and Ear Danger with a hint of Witchfinder General thrown in. B-side tune “Killers” is another mid-paced & riff-based affair, sporting an all-out, early 80's NWOBHM sound with traces of Thin Lizzy. Old School Metal is alive!
spcs: Limited edition of 300 7” vinyl copies
Paul van der Burght
label: private
web: https://www.facebook.com/burningmetalband
https://soundcloud.com/hugo-koch/tracks
“Something Is Lurking In The Dark” is the debut-single by old-school Metalers Burning. This is their first original released since their inception in 2013, and it is coupled with the Tygers Of Pan Tang cover “Killers” on the B-side. Not only does Burning sound old-school; roots of the band also date back to the glorious days of Dutch Heavy Metal. “Something Is Lurking In The Dark” is a mid-paced and riff-based Euro Metaler, early 80's style with a NWOBHM backbone and a typical Dutch swing to it; think a mix of Future Tense, Dark Wizard and Ear Danger with a hint of Witchfinder General thrown in. B-side tune “Killers” is another mid-paced & riff-based affair, sporting an all-out, early 80's NWOBHM sound with traces of Thin Lizzy. Old School Metal is alive!
spcs: Limited edition of 300 7” vinyl copies
Paul van der Burght
HOUSE OF LORDS – CD 2015 “Indestructible”
label: Frontiers records
songs: Go To Hell / Indestructible / Pillar Of Salt / 100 Mph / Call My Bluff / We Will Always Be One / Die To Tell / Another Dawn / Eye Of The Storm / Ain't Suicidal // Stand And Deliver //
Tenth studio album by Rockers House Of Lords, delivering a concept that is cemented in traditional HardRock and Mainstream Rock without the 80's cliches, and powered by a whole range of heavier, Nu-style features. This comes straight off down opening tune “Go To Hell”; a catchy, modern stye HardRocker with Mainstream choirs. Some heavy, Nu / 90's style riffage on the up-tempo Rockers “100 Mph” and “Die To Tell”, nicely contrasting with the softer sounding refrains and synths to balance things out. The vocals of James Christian match the music with a regular toned voice that is slightly roughened up down “100 Mph”. The “Indestructible” album is splashed with gripping riffs and tasty guitarwork with some cool flash fretwork delivered on the album's heaviest cuts, “100 Mph”, the energetic up-tempo HardRocker “Ain't Suicidal” and the groove-injected, Blues rooted Rocker “Stand And Deliver”. Balladry comes in the shape of the (slightly Beatles influenced) “Pillar Of Salt”, the piano laden “We Will Always Be One”, and the Def Leppard ish semi-ballad “Eye Of The Storm”. All the rest is pretty much A.O.R / Mainstream Radio Rock oriented, providing a solid diversity flow to keep things interesting all the way through. Enjoyable.
Paul van der Burght
label: Frontiers records
songs: Go To Hell / Indestructible / Pillar Of Salt / 100 Mph / Call My Bluff / We Will Always Be One / Die To Tell / Another Dawn / Eye Of The Storm / Ain't Suicidal // Stand And Deliver //
Tenth studio album by Rockers House Of Lords, delivering a concept that is cemented in traditional HardRock and Mainstream Rock without the 80's cliches, and powered by a whole range of heavier, Nu-style features. This comes straight off down opening tune “Go To Hell”; a catchy, modern stye HardRocker with Mainstream choirs. Some heavy, Nu / 90's style riffage on the up-tempo Rockers “100 Mph” and “Die To Tell”, nicely contrasting with the softer sounding refrains and synths to balance things out. The vocals of James Christian match the music with a regular toned voice that is slightly roughened up down “100 Mph”. The “Indestructible” album is splashed with gripping riffs and tasty guitarwork with some cool flash fretwork delivered on the album's heaviest cuts, “100 Mph”, the energetic up-tempo HardRocker “Ain't Suicidal” and the groove-injected, Blues rooted Rocker “Stand And Deliver”. Balladry comes in the shape of the (slightly Beatles influenced) “Pillar Of Salt”, the piano laden “We Will Always Be One”, and the Def Leppard ish semi-ballad “Eye Of The Storm”. All the rest is pretty much A.O.R / Mainstream Radio Rock oriented, providing a solid diversity flow to keep things interesting all the way through. Enjoyable.
Paul van der Burght
ARTHEDAIN – CD EP 2014 “Arias Exalted”
label: private
songs: Through Immolation Sparked / Visions Of Fire / The Constant Void / Traverse The Path Of Thorns //
web: https://www.facebook.com/arthedainmusic
ARTHEDAIN first saw the light of day in 2014 as a solo-project created by Charles Wolford. That very same year his music materialized in the shape of "By The Light Of The Moon" which was recorded in the Carpathian forests of Transylvania. In August, Charles teamed up with drummer Tobias Schuler which resulted in the release of the “Arias Exalted” EP at the tail end of 2014. The 4 songs on display (actually 3 plus a semi-acoustic guitar interlude, “The Constant Void”) showcase a mix of melodic edged BlackMetal and Atmospheric Doom with deep, gruff sounding vocals and a combination of fast, slam drummed drives and slower, atmospheric laden moments.
Paul van der Burght
label: private
songs: Through Immolation Sparked / Visions Of Fire / The Constant Void / Traverse The Path Of Thorns //
web: https://www.facebook.com/arthedainmusic
ARTHEDAIN first saw the light of day in 2014 as a solo-project created by Charles Wolford. That very same year his music materialized in the shape of "By The Light Of The Moon" which was recorded in the Carpathian forests of Transylvania. In August, Charles teamed up with drummer Tobias Schuler which resulted in the release of the “Arias Exalted” EP at the tail end of 2014. The 4 songs on display (actually 3 plus a semi-acoustic guitar interlude, “The Constant Void”) showcase a mix of melodic edged BlackMetal and Atmospheric Doom with deep, gruff sounding vocals and a combination of fast, slam drummed drives and slower, atmospheric laden moments.
Paul van der Burght
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THE DREAMING – CD 2015 “Rise Again”
label: Metropolis records
songs: Alone / Painkillers / Kisses Taste Like Death / Empty Promises / Afraid / Blink Of An Eye / Still Believe / Throw It Away / Destroy / Rise Again //
web: https://www.facebook.com/thedreamingmusic http://www.thedreamingband.com/
New release by American hopefuls The Dreaming who emerged from the acclaimed Industrial Rock act Stabbing Westward, landing two gold records out of a 4 album catalogue. After two full-lengthers and a few spin-offs released by The Dreaming, the band opted to replicate the sound of Stabbing Westward which materialized in the aptly titled “Rise Again”. With three of its members stemming from the Stabbing Westwards days, including its initiators, singer Christopher Hall and Walter Flakus (keyboards & programming), The Dreaming easily switched to Stabbing Westward modus, delivering a set that collects the goods from electronic Music, Industrial Rock and Nu Rock / Metal. The material is mainly moderately / mid-paced with the faster, up-tempo titletrack, the slower atmospheric laden “Afraid”, and the ballad-esque “Blink Of An Eye” as the one tunes to differentiate. Songs clock in at an average of 4 minutes and manage to entertain throughout rolling on easy going themes and sticky refrains that occasionally give the music a more Billboard PopMetal like appearance, as on “Kisses Taste Like Death”, the more prominent synths-laden “Empty Promises”, the driven, mid-tempo “Still Believe” and the catchy, electronic edged Nu HardRock / Metaler “Throw It Away”. Still, that does not take away some heavy riffage, as witnessed on “Kisses....”, opposed to “Still Believe” that has the guitars mixed way in the back. Heavier tunes on the disc are the orchestral splashed “Afraid” and the final two tracks, “Destroy” and “Rise Again”. Whatever mood or structure of the songs, they all come with a melodic finish, triggered by the clear, mid-range vocalage of Chris hall which is the main draw throughout. It all fits, and with more than a good number of songs that have the potential to hit the charts, “Rise Again” simply oozes quality on all accounts. Strong!
Paul van der Burght
I AM THE TRIREME – CD 2015 “Gnosis: Never Follow The Light”
label: Horror Pain Gore Death Productions
songs: Mettre Fin A Cette / Trusty Noose / Basking In The Essence Of My Sorrow / Grey Fields Of Ash / Sombering Light / Ascending Into Oblivion / A Sullen Reflection Of Purity / Tamerlane (chapter 1) / Tamerlane (chapter 2) //
web: http://www.iamthetrireme.com
Philiadelphia based act engaging some Atmospheric BlackMetal with an Avant Garde twist and elements of Doom and the Progressive thing. Alongside the blast-beats and slam-drummage to fuel the faster, all-out BlackMetal moments, there's this sense for melody that finds its expression in the melodic guitar hooks and melodies that even tend to hint at Iron Maiden down the slow, Progressive-laden “Basking In The Essence Of My Sorrow”. The vocals are variable in appearance, but overall moody and gurgling in a scream modus BlackMetal style. The vibe gets really dark and Doomy on “Sombering Light”; a down-sphered tune with violins intro and slam-drummed acceleration in the centre of the song. Some more Doom hooks on follow-up tune “Ascending Into Oblivion” that has the violin parts at the ending of the song. In all, “Gnosis..” is a fine piece of BlackMetal with a few sidesteps style wise. Convincing.
Paul van der Burght
label: Horror Pain Gore Death Productions
songs: Mettre Fin A Cette / Trusty Noose / Basking In The Essence Of My Sorrow / Grey Fields Of Ash / Sombering Light / Ascending Into Oblivion / A Sullen Reflection Of Purity / Tamerlane (chapter 1) / Tamerlane (chapter 2) //
web: http://www.iamthetrireme.com
Philiadelphia based act engaging some Atmospheric BlackMetal with an Avant Garde twist and elements of Doom and the Progressive thing. Alongside the blast-beats and slam-drummage to fuel the faster, all-out BlackMetal moments, there's this sense for melody that finds its expression in the melodic guitar hooks and melodies that even tend to hint at Iron Maiden down the slow, Progressive-laden “Basking In The Essence Of My Sorrow”. The vocals are variable in appearance, but overall moody and gurgling in a scream modus BlackMetal style. The vibe gets really dark and Doomy on “Sombering Light”; a down-sphered tune with violins intro and slam-drummed acceleration in the centre of the song. Some more Doom hooks on follow-up tune “Ascending Into Oblivion” that has the violin parts at the ending of the song. In all, “Gnosis..” is a fine piece of BlackMetal with a few sidesteps style wise. Convincing.
Paul van der Burght
THROAAT – 7” 2015 “The Light”
label: Dying Victims productions
songs: The Light / Evil Dead //
web: https://www.facebook.com/Throaat?fref=ts
With band-members adopting names such as 'Grave Rat' (bass), 'Impurifier' (drums, keys, vocals) and 'Destroyer' (guitars), there's no guessing about the musical style on this 2-songer. New York unit Throaat deliver some traditional mark BlackMetal, rooted in the 80's. As such, their music has a Metal-ish backbone, in those days often tagged as 'Satanic Metal'. “The Light” is a moderately paced track with some Celtic Frost / Hellhammer style riffage and slow double-bass drummage, followed by a mid-paced section that morphs into blast-beat modus as the song furthers. “Evil Dead” follows the same routine of a slower pace and blast beats but is set in a darker, BlackMetal ish atmosphere with those traditional, high-low-and-reversed riffs thrown in Completely in tradition with the genre, vocals are grunted in a talk-type manner, occasionally sounding somewhat like a lower toned Tom Warrior (Celtic Frost).
Paul van der Burght
label: Dying Victims productions
songs: The Light / Evil Dead //
web: https://www.facebook.com/Throaat?fref=ts
With band-members adopting names such as 'Grave Rat' (bass), 'Impurifier' (drums, keys, vocals) and 'Destroyer' (guitars), there's no guessing about the musical style on this 2-songer. New York unit Throaat deliver some traditional mark BlackMetal, rooted in the 80's. As such, their music has a Metal-ish backbone, in those days often tagged as 'Satanic Metal'. “The Light” is a moderately paced track with some Celtic Frost / Hellhammer style riffage and slow double-bass drummage, followed by a mid-paced section that morphs into blast-beat modus as the song furthers. “Evil Dead” follows the same routine of a slower pace and blast beats but is set in a darker, BlackMetal ish atmosphere with those traditional, high-low-and-reversed riffs thrown in Completely in tradition with the genre, vocals are grunted in a talk-type manner, occasionally sounding somewhat like a lower toned Tom Warrior (Celtic Frost).
Paul van der Burght
VIGILANCE – LP 2015 “Hounds Of Megiddo”
label: Dying Victims productions
songs: Hounds Of Megiddo / The Lidless Eye / Satan's Funeral / Storming The Underground / The Enchanter / Zloba / The Devil Rides Out / Tower Of Black Sorcery / Sacrifice (Bathory cover) //
web: https://www.facebook.com/pages/Vigilance/105590836178568?fref=ts
“Hounds Of Megiddo” catapults you right back to the early / mid-80's Satanic / Occult Metal sounds. This is quite an interesting interpretation, sporting a contrasting mix of melodic & harmonized Metal-style guitars (a la Iron Maiden) and gruff, talk type growl vox in the vein of Cronos (Venom). The instrumentation throughout the set is Metal by all means with a good lot of those 'refreshing' guitar harmonies and some great, rhythmic drummage highlighted on the Maiden ish instrumental “The Enchanter”. Cool!
Paul van der Burght
label: Dying Victims productions
songs: Hounds Of Megiddo / The Lidless Eye / Satan's Funeral / Storming The Underground / The Enchanter / Zloba / The Devil Rides Out / Tower Of Black Sorcery / Sacrifice (Bathory cover) //
web: https://www.facebook.com/pages/Vigilance/105590836178568?fref=ts
“Hounds Of Megiddo” catapults you right back to the early / mid-80's Satanic / Occult Metal sounds. This is quite an interesting interpretation, sporting a contrasting mix of melodic & harmonized Metal-style guitars (a la Iron Maiden) and gruff, talk type growl vox in the vein of Cronos (Venom). The instrumentation throughout the set is Metal by all means with a good lot of those 'refreshing' guitar harmonies and some great, rhythmic drummage highlighted on the Maiden ish instrumental “The Enchanter”. Cool!
Paul van der Burght
DODHEIMSGARD – CD 2015 “A Umbra Omega”
label: Peaceville records
songs: The Love Divine / Aphelion Void / God Protocol Axiom / The Unlocking / Architect Of Darkness / Blue Moon Duel //
web: https://www.facebook.com/DODHEIMSGARD
“A Umbra Omega” by Norwegian act Dodheimsgard is anything but common and the length of its songs – averaging around 12 minutes and over – should be a fair indication. After the intro, “The Love Divine”, things get furious and agile in a BlackMetal setting rolling on hyper-speed doule bass drums and mobility guitars. When the vocals set in, another story unfolds in every sense of the word, as the narrative style vocalage of Aldrahn give the music this Occult, Horror-story like finish. But that's not where it ends as there's all sorts other vocal moods and appearances, including screams and 'insane' like modes, spotlighted on the cold-sphered “God Protocol Axiom” that starts in a fast, slam drummed BlackMetal fashion, slows down with some semi-acoustics and then furthers in this obnoxious style with trumpets and all. Same on the opening tune, incorporating piano, trumpets and Jazzy-like instrumentation (drums in particular) to partner with the BlackMetal thing. In the mid-90's, this genre sort of developed and got stickered as Avant-Garde Metal / BlackMetal. This stuff is weird and intelligent at the same time... try it if you dare!
Paul van der Burght
label: Peaceville records
songs: The Love Divine / Aphelion Void / God Protocol Axiom / The Unlocking / Architect Of Darkness / Blue Moon Duel //
web: https://www.facebook.com/DODHEIMSGARD
“A Umbra Omega” by Norwegian act Dodheimsgard is anything but common and the length of its songs – averaging around 12 minutes and over – should be a fair indication. After the intro, “The Love Divine”, things get furious and agile in a BlackMetal setting rolling on hyper-speed doule bass drums and mobility guitars. When the vocals set in, another story unfolds in every sense of the word, as the narrative style vocalage of Aldrahn give the music this Occult, Horror-story like finish. But that's not where it ends as there's all sorts other vocal moods and appearances, including screams and 'insane' like modes, spotlighted on the cold-sphered “God Protocol Axiom” that starts in a fast, slam drummed BlackMetal fashion, slows down with some semi-acoustics and then furthers in this obnoxious style with trumpets and all. Same on the opening tune, incorporating piano, trumpets and Jazzy-like instrumentation (drums in particular) to partner with the BlackMetal thing. In the mid-90's, this genre sort of developed and got stickered as Avant-Garde Metal / BlackMetal. This stuff is weird and intelligent at the same time... try it if you dare!
Paul van der Burght
MENDES PREY – CD 2015 reissue “The Never Ending Road”
label: No Remorse records
songs: Red Alert / Runnin' For You / What The Hell's Going On / On To The Borderline / Cry For The World / Lone Survivor / Take Me 'Cross The Water / Drifting / Don't Shine / Losin' Man / I Beg For Mercy / Can You Believe It? / Listen / Breakin' My Heart / Drifting (live) / Flight To Moscow (live) //
web: https://www.facebook.com/pages/Mendes-Prey/166341796797522?fref=ts
It's been a long time coming since NWOBHM act Mendes Prey first released their demo-tape in '81. Now they have finally been able to showcase most of their work through this 16 song re-issue compilation. This CD features all their vinylized work, minus the “Wonderland” single cut. This then includes “What The Hell's Going on” (“Heavy Metal Heroes II” compilation '82), “Red Alert” and “Cry For The World” (on the obscure “Parkside Steelworks” compilation '85), “Can You Believe It” (from the “Wonderland” single) and their most notable offering; the '82 single, coupling “On To The Borderline” and “Runnin' For You”. As with many other NWOBHM acts, the career of Mendes Prey never really took off. The melodic laden HardRock showcased on their '82 single did have potential; from the classic, mid-paced NWOBHM of “On To The Borderline” to the mixage of UFO and The Scorpions (a la “The Zoo”) on the flipside tune. The concept of the band at the time came out very well, and had a way with subtlety and balance whilst still retaining this trademark NWOBHM sound, as also was the case with their other '82 offering, “What The Hell's Going On”; a mod-paced, melodic track in the traditional styles. The band then took a turn towards the mellowed, American Rock sound which was the downfall for many other NWOBHM / U.K HardRock bands, trying to follow in the footsteps of Def Leppard. The song “Red Alert”, from '85 testifies to this, addressing to mild format A.O.R; a style that comes resurfacing in full force on their later material, including some Poppy Radio-Rockers (“Can You Believe It?”, “Listen” and “Breaking My Heart”) alongside a good lot of balladry (5 altogether on this disc). It is such a shame the band did not stick to their core, as it is the neat, melodic laden NWOBHM that at least had character; unfortunately, this is only represented in minimal quantities on this collection.
Paul van der Burght
label: No Remorse records
songs: Red Alert / Runnin' For You / What The Hell's Going On / On To The Borderline / Cry For The World / Lone Survivor / Take Me 'Cross The Water / Drifting / Don't Shine / Losin' Man / I Beg For Mercy / Can You Believe It? / Listen / Breakin' My Heart / Drifting (live) / Flight To Moscow (live) //
web: https://www.facebook.com/pages/Mendes-Prey/166341796797522?fref=ts
It's been a long time coming since NWOBHM act Mendes Prey first released their demo-tape in '81. Now they have finally been able to showcase most of their work through this 16 song re-issue compilation. This CD features all their vinylized work, minus the “Wonderland” single cut. This then includes “What The Hell's Going on” (“Heavy Metal Heroes II” compilation '82), “Red Alert” and “Cry For The World” (on the obscure “Parkside Steelworks” compilation '85), “Can You Believe It” (from the “Wonderland” single) and their most notable offering; the '82 single, coupling “On To The Borderline” and “Runnin' For You”. As with many other NWOBHM acts, the career of Mendes Prey never really took off. The melodic laden HardRock showcased on their '82 single did have potential; from the classic, mid-paced NWOBHM of “On To The Borderline” to the mixage of UFO and The Scorpions (a la “The Zoo”) on the flipside tune. The concept of the band at the time came out very well, and had a way with subtlety and balance whilst still retaining this trademark NWOBHM sound, as also was the case with their other '82 offering, “What The Hell's Going On”; a mod-paced, melodic track in the traditional styles. The band then took a turn towards the mellowed, American Rock sound which was the downfall for many other NWOBHM / U.K HardRock bands, trying to follow in the footsteps of Def Leppard. The song “Red Alert”, from '85 testifies to this, addressing to mild format A.O.R; a style that comes resurfacing in full force on their later material, including some Poppy Radio-Rockers (“Can You Believe It?”, “Listen” and “Breaking My Heart”) alongside a good lot of balladry (5 altogether on this disc). It is such a shame the band did not stick to their core, as it is the neat, melodic laden NWOBHM that at least had character; unfortunately, this is only represented in minimal quantities on this collection.
Paul van der Burght
MONSTERWORKS – CD 2015 “The Existential Codex”
label: Eat Lead & Die Music
songs: Higgs Field / Ripple Effect / Engine / Temple Of Distortion / Tapping The Void / The Ride //
web: http://www.supermetal.net/
The musical background of London based Monsterworks dates back to the early 90's and had some changes along the way, taking their Thrash inspired concept to the Progressive thing and a more orchestral approach and then back to a more bare-bones sound as it is now. Gauging the 6 songs on offer the band truly lives up to the 'stripped to basics' thing as they sticker it. This is one unusual sort of musical concept, that scores 9 out of 10 in originality but might not be to everyone's liking as it takes far more than one spin to figure out what the heck this band is doing, but it all sounds great. And yes, this is one 'bare knuckle' sort of thing in terms of performance and sound; very pure and ad-lib like, as if listening to a live-take. This stuff mainly moves in a slow to moderate pace, surrounded by dark atmospheres, Psychedelic features and trippy moments, experiencing some sort of an Alternative Doom thing referring to “Temple Of Distortion”. The melancholy is taken a few levels further up down the 8+ minute “Tapping The Void” featuring acoustic guitars and what seems to sound like a cello, alongside its fast-paced chops and Stoner Doom type phrasing. More of the Psychedelic vibes down opening tune “Higgs Field” blended with the Alternative Rock / Metal nature of its basics. In the centre of attention are the strong, powerhouse vocals by Jon, delivering a muscular, raised voice that, at certain times goes down the same page as Sebastian Bach referring to the higher pitched screams. “The Existential Codex” is anything but common; think Jane's Addiction with a dark atmosphere, tripping in an Alternative fashion with a tip-top performance and high originality factor; you have been warned!
Paul van der Burght
label: Eat Lead & Die Music
songs: Higgs Field / Ripple Effect / Engine / Temple Of Distortion / Tapping The Void / The Ride //
web: http://www.supermetal.net/
The musical background of London based Monsterworks dates back to the early 90's and had some changes along the way, taking their Thrash inspired concept to the Progressive thing and a more orchestral approach and then back to a more bare-bones sound as it is now. Gauging the 6 songs on offer the band truly lives up to the 'stripped to basics' thing as they sticker it. This is one unusual sort of musical concept, that scores 9 out of 10 in originality but might not be to everyone's liking as it takes far more than one spin to figure out what the heck this band is doing, but it all sounds great. And yes, this is one 'bare knuckle' sort of thing in terms of performance and sound; very pure and ad-lib like, as if listening to a live-take. This stuff mainly moves in a slow to moderate pace, surrounded by dark atmospheres, Psychedelic features and trippy moments, experiencing some sort of an Alternative Doom thing referring to “Temple Of Distortion”. The melancholy is taken a few levels further up down the 8+ minute “Tapping The Void” featuring acoustic guitars and what seems to sound like a cello, alongside its fast-paced chops and Stoner Doom type phrasing. More of the Psychedelic vibes down opening tune “Higgs Field” blended with the Alternative Rock / Metal nature of its basics. In the centre of attention are the strong, powerhouse vocals by Jon, delivering a muscular, raised voice that, at certain times goes down the same page as Sebastian Bach referring to the higher pitched screams. “The Existential Codex” is anything but common; think Jane's Addiction with a dark atmosphere, tripping in an Alternative fashion with a tip-top performance and high originality factor; you have been warned!
Paul van der Burght
REVERTED – CD 2013 “Sputter The Worms”
label: private
songs: Sputter The Worms / Magledonna (Harvest Of Sin) / Don't Try To Steal Me From The Inside / Dispose Of Heartaches / Die My Saint / Pulse / Tolerance/ Stained Soul / Insanity / Forsaken / Stars Of Guilt / Time //
web: http://www.reverted.co.uk/
Debut full-lenghter by London Metalers Reverted addressing to 90's Groove / PowerMetal with an occasional brush of the Alternative and Industrial thing. The riffage drives most of the songs, and either operate in a 90's Thrash style or chunky PowerMetal modus to accommodate the slow groovsters. Concept-wise, comparisons to Pantera are inevitable with a similar groove, intensity and guitar style in places. Singer Tony Vega does have a vocal approach that blends in with Pantera, but equally tends to fall in the same category as James Hetfield (Metallica). The Alternative element is mainly given value by the vocal choirs (that bring up certain similarities to Alice In Chains) and most evident on “Stars Of Guilt” and “Dispose Of Heartaches” sporting a matching atmosphere to surround the song with. Some hints of Industrial Metal come surfacing in places, as evidenced on “Die My Saint” and “Pulse”, collecting the lot of major 90's Metal acts, including System Of A Down, Metallica and Pantera. Music gets quite heavy and provocative with a good lot of Mosh-pit moments but never pushed over the top which nicely balances the whole thing out. There's a good diversity flow within the sound of “Sputter The Worms”, particularly in the vocal and guitar-department and the same pretty much applies to the concept as a whole; the only thing missing here though is guitar solos. Reverted managed to replicate the 90's Metal sound in more than one way and did well doing so through a whole palette of styles within that sound-frame.
Paul van der Burght
label: private
songs: Sputter The Worms / Magledonna (Harvest Of Sin) / Don't Try To Steal Me From The Inside / Dispose Of Heartaches / Die My Saint / Pulse / Tolerance/ Stained Soul / Insanity / Forsaken / Stars Of Guilt / Time //
web: http://www.reverted.co.uk/
Debut full-lenghter by London Metalers Reverted addressing to 90's Groove / PowerMetal with an occasional brush of the Alternative and Industrial thing. The riffage drives most of the songs, and either operate in a 90's Thrash style or chunky PowerMetal modus to accommodate the slow groovsters. Concept-wise, comparisons to Pantera are inevitable with a similar groove, intensity and guitar style in places. Singer Tony Vega does have a vocal approach that blends in with Pantera, but equally tends to fall in the same category as James Hetfield (Metallica). The Alternative element is mainly given value by the vocal choirs (that bring up certain similarities to Alice In Chains) and most evident on “Stars Of Guilt” and “Dispose Of Heartaches” sporting a matching atmosphere to surround the song with. Some hints of Industrial Metal come surfacing in places, as evidenced on “Die My Saint” and “Pulse”, collecting the lot of major 90's Metal acts, including System Of A Down, Metallica and Pantera. Music gets quite heavy and provocative with a good lot of Mosh-pit moments but never pushed over the top which nicely balances the whole thing out. There's a good diversity flow within the sound of “Sputter The Worms”, particularly in the vocal and guitar-department and the same pretty much applies to the concept as a whole; the only thing missing here though is guitar solos. Reverted managed to replicate the 90's Metal sound in more than one way and did well doing so through a whole palette of styles within that sound-frame.
Paul van der Burght
BROTHER / GHOST – CD 2015 “Buried”
label: Shelsmusic
songs: Satan / Harpies / Cripple / Causeway / Freedom / Pendulum / Black Dog //
web: https://www.facebook.com/brotherghost?fref=ts
Follow up to the 2010 debut E.P “Black Ice”. Spinning the new work by Austin's Brother / Ghost is like being thrown back and forth between a good lot of styles without any strict sense for direction. Starting off with the dramatic sounds of violins, things turn towards 70's Hippie Doom down the dark and trippy “Satan”. Furthering with the improvisation like approach of the slow paced, level-tone sung Alternative / atmospheric Rocker that is “Harpies”. More of the same on “Cripple” that is played in 'slow-motion' modus without sounding Doom like. And on it goes, blending those trippy vibes with a whole lot of melancholy in a 'live-take' sort of appearance. When it gets to the final tune, “Black Dog”, the band moves away from Rock, addressing to a mix of synths, bass and vocals that slips into a 'gloomy' setting halfway down. The sound of Brother / Ghost is not downtoned or heavy; the guitars are 'gain' feedbacked, not distorted and the vocals are regular toned, adding up to the melancholy that runs through the concept as a whole. Different
Paul van der Burght
label: Shelsmusic
songs: Satan / Harpies / Cripple / Causeway / Freedom / Pendulum / Black Dog //
web: https://www.facebook.com/brotherghost?fref=ts
Follow up to the 2010 debut E.P “Black Ice”. Spinning the new work by Austin's Brother / Ghost is like being thrown back and forth between a good lot of styles without any strict sense for direction. Starting off with the dramatic sounds of violins, things turn towards 70's Hippie Doom down the dark and trippy “Satan”. Furthering with the improvisation like approach of the slow paced, level-tone sung Alternative / atmospheric Rocker that is “Harpies”. More of the same on “Cripple” that is played in 'slow-motion' modus without sounding Doom like. And on it goes, blending those trippy vibes with a whole lot of melancholy in a 'live-take' sort of appearance. When it gets to the final tune, “Black Dog”, the band moves away from Rock, addressing to a mix of synths, bass and vocals that slips into a 'gloomy' setting halfway down. The sound of Brother / Ghost is not downtoned or heavy; the guitars are 'gain' feedbacked, not distorted and the vocals are regular toned, adding up to the melancholy that runs through the concept as a whole. Different
Paul van der Burght
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CONDOR / TOXIK DEAT - split 7” 2014 “Victims Of Burning Death"
label: Dying Victims productions (http://www.dying-victims.de/)
songs: CONDOR: Chained Victims / When Death Comes //
TOXIK DEATH: Burning Death / The Beast //
web: https://www.facebook.com/ToxikDeath https://www.facebook.com/condornorway?fref=ts
Split 7” single coupling 2 sets of 1 original and 1 cover each, delivered by Norwegian acts Condor and Toxik Death. A fitting combination as both bands have a similar style that is largely patterned upon the heavier 80's Thrash / DeathThrash sound. “Chained Victim”s by Condor opens with a series of riffs that have Destruction written all over, firing up some agility hooks a la “Bestial Invasion”; This is one fast, pure and raw edged Thrasher with gruff, talk type vocals and rhythm riffs. The harsh sounding “When Death Comes” (a Faff-Bey cover) shows a faster, more extreme approach, almost early BlackMetal like with a splash of US Deathsters Possessed. Toxic Death's, snare-drummed “Burning Death” is a very fast DeathThrasher with hoarse, HardCore style vocals and trebly, agility riffed guitars. “The Beast” (A cover by The Beast) sounds like the 80's styled (Hardcore) Metaler that it is, bordering on a very early style DeathMetal / DeathThrash with a raw, unpolished approach a la Warfare. The Condor / Toxik Death split is a nice retrospect release of the heavier sort. Those keen on the classic Thrash / DeathThrash sound produced by acts such as Kreator, Destruction, (early) Slayer and Possessed should have no problem getting this one down their necks!
Paul van der Burght
SHREDHEAD – CD 2015 “Death Is Righteous”
label: Mighty Music
songs: Devil's Race / LPBZ / The Lie / Last Words Are Lost / Death Is Righteous / Hallucinations / Walk With The Dead / Can't Be Left Alive / Witness Hell / I Hate Myself / I Am
web: www.facebook.com/shredheadband?fref=ts
Israeli act delivering a very intense, aggressive form of Thrash that leans towards DeathThrash on the album's heaviest, “Devil's Race” and “Hallucinations”. Shredhead has got all the intensity tricks in there; blast-beats, high-low-and-reversed riffage, hyper double-bass drums and aggressive, talk-type vocals. Apart from some Bay-Area hooks on “Devil's Race”, most of the repertoire is rooted in the 90's Thrash thing. This come with a strong taste of Pantera including a vocal style that is almost identical to Phil Anselmo. Overall, music is fitted with plenty of melody changes and some great, driving drummage, gearing the set with a whole spectrum of tempos; from slow (“Can't be Left Alive”) and mid-paced (“LPBZ”, “The Lie”) to up-tempo (“Death Is Righteous”) and fast (“Devil's Race”, “Walk With The Dead”). “Death Is Righteous”, which is the second outlet by the band, will make a welcome addition to those into intensified Thrash 90's style. This one might be particularly of interest to those into Pantera and Sepultura. Convincing
Paul van der Burght
label: Mighty Music
songs: Devil's Race / LPBZ / The Lie / Last Words Are Lost / Death Is Righteous / Hallucinations / Walk With The Dead / Can't Be Left Alive / Witness Hell / I Hate Myself / I Am
web: www.facebook.com/shredheadband?fref=ts
Israeli act delivering a very intense, aggressive form of Thrash that leans towards DeathThrash on the album's heaviest, “Devil's Race” and “Hallucinations”. Shredhead has got all the intensity tricks in there; blast-beats, high-low-and-reversed riffage, hyper double-bass drums and aggressive, talk-type vocals. Apart from some Bay-Area hooks on “Devil's Race”, most of the repertoire is rooted in the 90's Thrash thing. This come with a strong taste of Pantera including a vocal style that is almost identical to Phil Anselmo. Overall, music is fitted with plenty of melody changes and some great, driving drummage, gearing the set with a whole spectrum of tempos; from slow (“Can't be Left Alive”) and mid-paced (“LPBZ”, “The Lie”) to up-tempo (“Death Is Righteous”) and fast (“Devil's Race”, “Walk With The Dead”). “Death Is Righteous”, which is the second outlet by the band, will make a welcome addition to those into intensified Thrash 90's style. This one might be particularly of interest to those into Pantera and Sepultura. Convincing
Paul van der Burght
TRIXTER – CD 2015 “Human Era”
label: Frontiers records
songs: Rockin’ To The Edge Of The Night / Crash That Party / Not Like All The Rest / For You / Every Second Counts / Beats Me Up / Good Times Now / Midnight In Your Eyes / All Night Long / Soul Of A Lovin' Man / Human Era //
web: https://www.facebook.com/trixterrocks?fref=ts
This is Trixter's newest work since their 2012 “New Audio Machine” comeback album, landing rave-reviews all over. Not without reason, as listening to “Human Era” simply is 'comfortable'. The whole thing just flows and before you know it, you have listened through the whole set of 11 groove-oriented songs that just scream out to be played again and again. Trixter kept the concept entirely within the box, collecting all the traditional moves and if you will, cliches of 80's styled Mainstream Rock, Radio Rock, Sleaze Rock and melodic HardRock but by no means does that bring this album down. Songs are all pretty much straight forward with easy access and a main focus geared towards the chorus. There's plenty of differentiation down the repertoire, both in style and tempo, including a slow-paced Rocker (“Good Times Now”, sounding somewhat like a Steel Panther – Firehouse get-together), mid and upbeat Sleaze Rockers (“Rockin' To The Edge”, “Crash That Party”), Balladry (“Beats Me Up”), A.O.R (“Midnight In Your Eyes”, “All Night Long”) and Radio / Billboard Rock (“Not Like All The Rest”, and the Great White-ish “Every Second Counts”). Some hints of Bon Jovi and Firehouse here and there and a strong connection with Mr.Big's “Addicted To That Rush” down the Bluesed up, shuffle-esque double-bass drummed semi-Headbanger “For You”; the ultimate showcase for the guitar-acrobatics of Steve Brown. Musically it all fits with the strong, mid-range muscle vocals of Peter Loran adding either a melodic or slight roughened edge to the music. This is one very enjoyable album in every respect. Recommended!
Paul van der Burght
label: Frontiers records
songs: Rockin’ To The Edge Of The Night / Crash That Party / Not Like All The Rest / For You / Every Second Counts / Beats Me Up / Good Times Now / Midnight In Your Eyes / All Night Long / Soul Of A Lovin' Man / Human Era //
web: https://www.facebook.com/trixterrocks?fref=ts
This is Trixter's newest work since their 2012 “New Audio Machine” comeback album, landing rave-reviews all over. Not without reason, as listening to “Human Era” simply is 'comfortable'. The whole thing just flows and before you know it, you have listened through the whole set of 11 groove-oriented songs that just scream out to be played again and again. Trixter kept the concept entirely within the box, collecting all the traditional moves and if you will, cliches of 80's styled Mainstream Rock, Radio Rock, Sleaze Rock and melodic HardRock but by no means does that bring this album down. Songs are all pretty much straight forward with easy access and a main focus geared towards the chorus. There's plenty of differentiation down the repertoire, both in style and tempo, including a slow-paced Rocker (“Good Times Now”, sounding somewhat like a Steel Panther – Firehouse get-together), mid and upbeat Sleaze Rockers (“Rockin' To The Edge”, “Crash That Party”), Balladry (“Beats Me Up”), A.O.R (“Midnight In Your Eyes”, “All Night Long”) and Radio / Billboard Rock (“Not Like All The Rest”, and the Great White-ish “Every Second Counts”). Some hints of Bon Jovi and Firehouse here and there and a strong connection with Mr.Big's “Addicted To That Rush” down the Bluesed up, shuffle-esque double-bass drummed semi-Headbanger “For You”; the ultimate showcase for the guitar-acrobatics of Steve Brown. Musically it all fits with the strong, mid-range muscle vocals of Peter Loran adding either a melodic or slight roughened edge to the music. This is one very enjoyable album in every respect. Recommended!
Paul van der Burght