# 10 - January - April 2019
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Above left and right: Model ANTTI ANATOMIA
LIVING METAL – 2018 “Living Metal”
label: private
songs: Are You Ready For Metal? / Living For Metal / Fire On Two Wheels / Back To The 80's / Hail! The True Metal (Will Never Die) / Rocka Rolla (Judas Priest cover) //
web: https://www.facebook.com/LivingMetalOfficial/
Debut outing by this Brazilian unit that has True Metal written all over. Its cover image and song titles speak for itself, and the music does the rest. Living Metal truly live up to their moniker, addressing to easy going, straight forward Metal tracks with a catchy vibe and gripping themes. The galloping “Living For Metal” is all that, and the up-tempo “Fire On Two Wheels” does exactly the same but in a more traditional, riff-based HardRock / Metal styled fashion, gelling the likes of Accept and Judas Priest. More Judas Priest minded Metal comes in the shape of the mid-paced HardRock / Metaler “Back To The 80's”, and the cover version of “Rocka Rolla”. Although there's the occasional hint of Halford in the vocal department, the singer has a tone and roar that is functional and all Metal without tending to sound like Priest. The band returns to gallop-modus with the mid-tempo, Epic-Metal fist pumper “Hail” The True Metal” that picks up speed after the solo. The strength of this E.P is its no-frills, bare bones approach that makes for an entertaining listening affair. Enjoyable.
Paul van der Burght
label: private
songs: Are You Ready For Metal? / Living For Metal / Fire On Two Wheels / Back To The 80's / Hail! The True Metal (Will Never Die) / Rocka Rolla (Judas Priest cover) //
web: https://www.facebook.com/LivingMetalOfficial/
Debut outing by this Brazilian unit that has True Metal written all over. Its cover image and song titles speak for itself, and the music does the rest. Living Metal truly live up to their moniker, addressing to easy going, straight forward Metal tracks with a catchy vibe and gripping themes. The galloping “Living For Metal” is all that, and the up-tempo “Fire On Two Wheels” does exactly the same but in a more traditional, riff-based HardRock / Metal styled fashion, gelling the likes of Accept and Judas Priest. More Judas Priest minded Metal comes in the shape of the mid-paced HardRock / Metaler “Back To The 80's”, and the cover version of “Rocka Rolla”. Although there's the occasional hint of Halford in the vocal department, the singer has a tone and roar that is functional and all Metal without tending to sound like Priest. The band returns to gallop-modus with the mid-tempo, Epic-Metal fist pumper “Hail” The True Metal” that picks up speed after the solo. The strength of this E.P is its no-frills, bare bones approach that makes for an entertaining listening affair. Enjoyable.
Paul van der Burght
Manic Mosh Metal interview with Living Metal singer Pedro Zupo
Manic Mosh Metal: Did the band release any demo-tapes prior to the album, or is this the very first material to be materialized?
Pedro Zupo: Hello Metal brother! First of all, I must say that it is an honour for us to answer these questions! In our country (Brazil), it really is too expensive to release any kind of material. As we figured, we would spend money to do our first material, we decided to go straight for an E.P without demos, so we would spend just once, but with good quality material.
MMM: What are the bands the concept of Living Metal has sourced from; there's traces of classic HardRock / Metal acts such as Accept and Priest, as showcased on “Back To The 80's”...
Pedro: Judas Priest is our biggest influence! Accept is a big influence too, as we would like to rescue the 80’s metal sonority... almost all of our influences are these titans of the 80’s heavy sound…Manowar, Manilla Road, Demon, Saxon and some others
MMM: ”Hail! The True Metal” shows a different approach, addressing to a more Epic Metal minded sound; will there be more of this in the future?
Pedro: We want to capture the majestic atmosphere of the Metal songs that bands like Priest and Manowar do! Hopefully we will have a lot of this approach in the future
MMM: You guys have kept the technicality to a minimum, and opted for a rather straight forward sound; do you think that gives the album this 80's charm
Pedro: For sure! Metal is for mad head banging not for showing how good we are as musicians! We put our concept of 80’s Metal before anything, so I think that helps us to reach that result.
MMM: Anything else you'd like to add..
Pedro: Not only are we a Metal band, we are Metal lovers and Metal believers! We are here to spread our songs worldwide and hope to reach as many headbangers as possible! We are still in the beginning of our march to raise the True Metal flag!
Manic Mosh Metal: Did the band release any demo-tapes prior to the album, or is this the very first material to be materialized?
Pedro Zupo: Hello Metal brother! First of all, I must say that it is an honour for us to answer these questions! In our country (Brazil), it really is too expensive to release any kind of material. As we figured, we would spend money to do our first material, we decided to go straight for an E.P without demos, so we would spend just once, but with good quality material.
MMM: What are the bands the concept of Living Metal has sourced from; there's traces of classic HardRock / Metal acts such as Accept and Priest, as showcased on “Back To The 80's”...
Pedro: Judas Priest is our biggest influence! Accept is a big influence too, as we would like to rescue the 80’s metal sonority... almost all of our influences are these titans of the 80’s heavy sound…Manowar, Manilla Road, Demon, Saxon and some others
MMM: ”Hail! The True Metal” shows a different approach, addressing to a more Epic Metal minded sound; will there be more of this in the future?
Pedro: We want to capture the majestic atmosphere of the Metal songs that bands like Priest and Manowar do! Hopefully we will have a lot of this approach in the future
MMM: You guys have kept the technicality to a minimum, and opted for a rather straight forward sound; do you think that gives the album this 80's charm
Pedro: For sure! Metal is for mad head banging not for showing how good we are as musicians! We put our concept of 80’s Metal before anything, so I think that helps us to reach that result.
MMM: Anything else you'd like to add..
Pedro: Not only are we a Metal band, we are Metal lovers and Metal believers! We are here to spread our songs worldwide and hope to reach as many headbangers as possible! We are still in the beginning of our march to raise the True Metal flag!
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HEIR APPARENT – 2018 “The View From Below”
label: No Remorse records
songs: Man In the Sky / The Door / Here We Aren't / Synthetic Lies / Savior / Further And Farther / The Road To Palestine/ Insomnia //
web: https://www.facebook.com/HeirApparentOfficial
U.S outfit Heir Apparent need no further introduction, launching a monumental album, “Graceful Inheritance” in 1986, that put them up there with the best in (Progressive) U.S Metal territories. With only but one follow-up, “One Small Voice” ('89) to continue the legacy, it was not until 2018 that the band revived their brilliance with “The View From Below”, although being different in approach and sound. The album is mainly 90's U.S. Power / Progressive oriented with a focus on atmosphere rather than technicality. The Progressive element is funnelled through the dramatic, emotive-laden moments on the disc that peak on the semi-balladry of “Further And Farther” that sits alongside the beautiful piano – vocal rooted piece that is “Here We Aren't”. It is also here that the vocal excellence of new singer Will Shaw shows in full, delivering lots of feel with an rough edge and a solid vibrato. A thing that is repeated on the slow and sludgy grinder “Synthetic Lies” that cranks up the vocal muscle over a Queensryche tinged atmosphere. Most of the set moves in a slow to moderate tempo - that also gives room for some Stoner esque grooves down “The Door” - with the catchy, upbeat PowerMetaler “Savior” as the fastest, and the most traditional rooted pick of the bunch. This album ticks all the boxes in both songwriting and delivery, and makes for a gripping listening experience that perfectly couples power to atmosphere with the vocals in the centre of attention. A masterpiece!
Paul van der Burght
label: No Remorse records
songs: Man In the Sky / The Door / Here We Aren't / Synthetic Lies / Savior / Further And Farther / The Road To Palestine/ Insomnia //
web: https://www.facebook.com/HeirApparentOfficial
U.S outfit Heir Apparent need no further introduction, launching a monumental album, “Graceful Inheritance” in 1986, that put them up there with the best in (Progressive) U.S Metal territories. With only but one follow-up, “One Small Voice” ('89) to continue the legacy, it was not until 2018 that the band revived their brilliance with “The View From Below”, although being different in approach and sound. The album is mainly 90's U.S. Power / Progressive oriented with a focus on atmosphere rather than technicality. The Progressive element is funnelled through the dramatic, emotive-laden moments on the disc that peak on the semi-balladry of “Further And Farther” that sits alongside the beautiful piano – vocal rooted piece that is “Here We Aren't”. It is also here that the vocal excellence of new singer Will Shaw shows in full, delivering lots of feel with an rough edge and a solid vibrato. A thing that is repeated on the slow and sludgy grinder “Synthetic Lies” that cranks up the vocal muscle over a Queensryche tinged atmosphere. Most of the set moves in a slow to moderate tempo - that also gives room for some Stoner esque grooves down “The Door” - with the catchy, upbeat PowerMetaler “Savior” as the fastest, and the most traditional rooted pick of the bunch. This album ticks all the boxes in both songwriting and delivery, and makes for a gripping listening experience that perfectly couples power to atmosphere with the vocals in the centre of attention. A masterpiece!
Paul van der Burght
CANCER – 2018 “Shadow Gripped”
label: Peaceville records
songs: Down The Steps / Garrotte / Ballcutter / Organ Snatcher / The Infocidal / Half Man Half Beast / Crimes So Vile / Thou Shalt Kill / Shadow Gripped / Dispose //
web: https://www.facebook.com/goryend/
U.K based three-piece Cancer are one of the monumental acts that were right there at the evolution of the 90's DeathMetal thing, entering the scene with the “To The Gory End” album. Although the band never equalled the quality and impact of their debut over the course of time and a few 'come back' releases, the band rips it up in true 90's DeathMetal fashion with “Shadow Gripped”; a collection of straight-forward, cold sphered DeathMetal tracks that are given substance by a wall of meaty crunch guitars, sticky themes and deep, gurgling grunts. The whole deal reminds of the classic Tampa style DeathMetal, pushed forward on the propelling, double bass-drummed tracks “Organ Snatcher” and “Half Man Half Beast”, and the slow – fast structured “Thou Shalt Kill”. Songs are mostly slow - fast or fast - slow structured, with snare drummed drives to fuel the faster parts of songs such as the lightly Celtic Frost sourced “The Infocidal”, the Possessed tinged “Ball Cutter” and the thundering, Thrash injected “Garrotte”. “Shadow Gripped” is one incredibly energetic DeathMetal affair that grips all the way through and is further elevated by a demolishing production. This is how old-school DeathMetal is done, properly! Excellent
Paul van der Burght
label: Peaceville records
songs: Down The Steps / Garrotte / Ballcutter / Organ Snatcher / The Infocidal / Half Man Half Beast / Crimes So Vile / Thou Shalt Kill / Shadow Gripped / Dispose //
web: https://www.facebook.com/goryend/
U.K based three-piece Cancer are one of the monumental acts that were right there at the evolution of the 90's DeathMetal thing, entering the scene with the “To The Gory End” album. Although the band never equalled the quality and impact of their debut over the course of time and a few 'come back' releases, the band rips it up in true 90's DeathMetal fashion with “Shadow Gripped”; a collection of straight-forward, cold sphered DeathMetal tracks that are given substance by a wall of meaty crunch guitars, sticky themes and deep, gurgling grunts. The whole deal reminds of the classic Tampa style DeathMetal, pushed forward on the propelling, double bass-drummed tracks “Organ Snatcher” and “Half Man Half Beast”, and the slow – fast structured “Thou Shalt Kill”. Songs are mostly slow - fast or fast - slow structured, with snare drummed drives to fuel the faster parts of songs such as the lightly Celtic Frost sourced “The Infocidal”, the Possessed tinged “Ball Cutter” and the thundering, Thrash injected “Garrotte”. “Shadow Gripped” is one incredibly energetic DeathMetal affair that grips all the way through and is further elevated by a demolishing production. This is how old-school DeathMetal is done, properly! Excellent
Paul van der Burght
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SATAN – 2018 “Cruel Magic”
label:Metal Blade records
songs: Into The Mouth Of Eternity / Cruel Magic / The Doomsday Clock / Legions Hellbound / Ophidian / My Prophetic Soul / Death Knell For A King / Who Among Us / Ghosts Of Monongah / Mortality //
web:https://www.facebook.com/officialsatanpage/
Arisen from the early NWOBHM generation, U.K's Satan swiftly profiled themselves as on of the faster,more guitar oriented bands of the genre. This formula worked, and it still does to this very day, although there's no traces of the NWOBHM sound left, apart from the unique vocal tone of NWOBHM deluxe singer Brian Ross, and this one track; “Ghosts Of Monongah”, and the intro plus particles of “Into The Mouth Of Eternity”. Overall, the set on the album hoovers in between a varied array of genres,including PowerMetal, Thrash, 80's & 90's Metal and SpeedMetal. Fastest tunes on offer include the rhythm riffed “The Doomsday Clock”, the monster-riff driven “Who Among Us”, and the U.S Power / Speed styled “My Prophetic Soul” and “Death Knell For A King”. Down the slower end of the spectrum are the chunky, 80's Metaler “Cruel Magic”, the driven and rhythmic, PowerMetal edged “Legions Hellbound” (featuring some great drumage),and the sludgy, atmospheric laden “Ophidian” (that has a certain click with Megadeath halfway down), and the moderately paced, 90's Metal minded “Mortality”. The album stands out in diversity and impact and comes with a slight melodic undertone and a whole lot of guitar and drum hooks. Special note to the drum-sound that is quite prominent in the mix and has this rather unusual but very genuine, close-range like appearance. In all, an impressive and convincing set that entertains al the way through. Great!
Paul van der Burght.
label:Metal Blade records
songs: Into The Mouth Of Eternity / Cruel Magic / The Doomsday Clock / Legions Hellbound / Ophidian / My Prophetic Soul / Death Knell For A King / Who Among Us / Ghosts Of Monongah / Mortality //
web:https://www.facebook.com/officialsatanpage/
Arisen from the early NWOBHM generation, U.K's Satan swiftly profiled themselves as on of the faster,more guitar oriented bands of the genre. This formula worked, and it still does to this very day, although there's no traces of the NWOBHM sound left, apart from the unique vocal tone of NWOBHM deluxe singer Brian Ross, and this one track; “Ghosts Of Monongah”, and the intro plus particles of “Into The Mouth Of Eternity”. Overall, the set on the album hoovers in between a varied array of genres,including PowerMetal, Thrash, 80's & 90's Metal and SpeedMetal. Fastest tunes on offer include the rhythm riffed “The Doomsday Clock”, the monster-riff driven “Who Among Us”, and the U.S Power / Speed styled “My Prophetic Soul” and “Death Knell For A King”. Down the slower end of the spectrum are the chunky, 80's Metaler “Cruel Magic”, the driven and rhythmic, PowerMetal edged “Legions Hellbound” (featuring some great drumage),and the sludgy, atmospheric laden “Ophidian” (that has a certain click with Megadeath halfway down), and the moderately paced, 90's Metal minded “Mortality”. The album stands out in diversity and impact and comes with a slight melodic undertone and a whole lot of guitar and drum hooks. Special note to the drum-sound that is quite prominent in the mix and has this rather unusual but very genuine, close-range like appearance. In all, an impressive and convincing set that entertains al the way through. Great!
Paul van der Burght.
SAFFIRE ROXX
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SAFFIRE ROXX
Tattooed, Alternative, Latex and Fetish Model U.K. Model Saffire Roxx truly Rocks! Having previously been published in Manic Mosh Metal #08 here: https://manicmoshmagazine.com/metal-08.html Saffire Roxx returns in Manic Mosh Metal, complete with MMM vest! Check out Saffire's pages and stay tuned for her feature in the soon to be released printed magazine format of Manic Mosh Metal! Saffire Roxx links: https://www.facebook.com/saffireroxx/ https://www.instagram.com/saffireroxx |
CRONAXIA – 2018 “Collapsing The Outer Structure”
label:Lusitanian Music
songs: Collapsing The Outer Structure / Logarithmic Cavitation / The Core Condition / Dimension Ratio / Continuous Signal / Embryonic Reanimation / Plasmatech / Tangential Threshold //
web: https://cronaxia.bandcamp.com/
Although Portugal based Deathsters Cronaxia have been around since the late 90's, this happens to be their first full-length outing. The musical experience is evident right from the start of this 8-songer that catapults you straight back to the early – mid 90's Tampa DeathMetal sound, and puts many bands of the genre to shame. This is an explosive performance that rips through each and every track with an overdose of brutality and technicality. Most Progressive appearance has got to be “Logarithmic Cavitation” but technical and mobility wise, “Dimension Ratio” tops it, sporting a frenzy of melody changes in the guitar department, and some really sick drummage by Rolando Barros; a true, technical mastermind musician that fires the whole thing up with an over-the-top palette of drum layers; from snare-drummed hooks and punishing blast beats to rhythmic modes and a whole lot of rattling double bass drums. Add to this some buzzing, DeathThrash like riffs and deep, gurgling grunts and the result is a 'best in class' DeathMetal album with a maximum score in the technical department. Impressive!
Paul van der Burght
label:Lusitanian Music
songs: Collapsing The Outer Structure / Logarithmic Cavitation / The Core Condition / Dimension Ratio / Continuous Signal / Embryonic Reanimation / Plasmatech / Tangential Threshold //
web: https://cronaxia.bandcamp.com/
Although Portugal based Deathsters Cronaxia have been around since the late 90's, this happens to be their first full-length outing. The musical experience is evident right from the start of this 8-songer that catapults you straight back to the early – mid 90's Tampa DeathMetal sound, and puts many bands of the genre to shame. This is an explosive performance that rips through each and every track with an overdose of brutality and technicality. Most Progressive appearance has got to be “Logarithmic Cavitation” but technical and mobility wise, “Dimension Ratio” tops it, sporting a frenzy of melody changes in the guitar department, and some really sick drummage by Rolando Barros; a true, technical mastermind musician that fires the whole thing up with an over-the-top palette of drum layers; from snare-drummed hooks and punishing blast beats to rhythmic modes and a whole lot of rattling double bass drums. Add to this some buzzing, DeathThrash like riffs and deep, gurgling grunts and the result is a 'best in class' DeathMetal album with a maximum score in the technical department. Impressive!
Paul van der Burght
NECROPHOBIC – 2018 “Mark Of The Necrogram”
label: Century Media records
songs: Mark of the Necrogram / Odium Caecum / Tsar Bomba / Lamashtu / Sacrosanct / Pesta / Requiem For A Dying Sun / Crown Of Horns / From The Great Above To The Great Below / Undergången //
web: http://www.necrophobic.net/
Old school Deathsters that were right there when Swedish DeathMetal was at its prime. The band's '91 “Unholy Prophecies” demo upped the band in its territories and their newest outing,”Mark Of The Necrogram” does it all over again. On offer is a broad spectrum of songs that hoover in between classic Death and BlackMetal with Metal hooks and added twists in concept. First, there's the melodic, Nordic swing as showcased on the fairly BlackMetal dominated titletrack, and “Crown Of Thorns” that merges the Nordic thing with a blend of Trash. The Viking features pop up in the chorus of “Tsar Bomba”,and run underneath the slow paced “Requiem For A Dying Sun” that tends to a more modern adaptation of DeathMetal. Among the heaviest offerings is the slow-fast “Sacrosanct” that partly rolls on blast beats with a Metal riff thrown in. More blast beat action comes surfacing on the more BlackMetal oriented “Lamashtu”.Dressed with a raspy grunt style, melodic guitar hooks, crunching riffs, and a whole lot of thundering double-bass drum action, Necrophobic testifies to its quality, and further ups it with a good lot of shape shifting without being technical. Solid.
Paul van der Burght
label: Century Media records
songs: Mark of the Necrogram / Odium Caecum / Tsar Bomba / Lamashtu / Sacrosanct / Pesta / Requiem For A Dying Sun / Crown Of Horns / From The Great Above To The Great Below / Undergången //
web: http://www.necrophobic.net/
Old school Deathsters that were right there when Swedish DeathMetal was at its prime. The band's '91 “Unholy Prophecies” demo upped the band in its territories and their newest outing,”Mark Of The Necrogram” does it all over again. On offer is a broad spectrum of songs that hoover in between classic Death and BlackMetal with Metal hooks and added twists in concept. First, there's the melodic, Nordic swing as showcased on the fairly BlackMetal dominated titletrack, and “Crown Of Thorns” that merges the Nordic thing with a blend of Trash. The Viking features pop up in the chorus of “Tsar Bomba”,and run underneath the slow paced “Requiem For A Dying Sun” that tends to a more modern adaptation of DeathMetal. Among the heaviest offerings is the slow-fast “Sacrosanct” that partly rolls on blast beats with a Metal riff thrown in. More blast beat action comes surfacing on the more BlackMetal oriented “Lamashtu”.Dressed with a raspy grunt style, melodic guitar hooks, crunching riffs, and a whole lot of thundering double-bass drum action, Necrophobic testifies to its quality, and further ups it with a good lot of shape shifting without being technical. Solid.
Paul van der Burght
ANTTI ANATOMIA Metalhead, fire-eater and 80's addict
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Above left and right: Model ANTTI ANATOMIA
ANTTI ANATOMIA
web: https://www.facebook.com/missanatomiaofficial
https://www.instagram.com/missanatomia/
http://www.anttianatomia.bigcartel.com
Lituanian born Alternative Model ANTTI ANATOMIA started modelling as a hobby and got praised for her tall and slim appearance; “I recall one of the photographers back then described me as a 'Tim Burton like' figure.” “I was always an outsider; my main inspiration at the time came from the band The Rasmus (I used to wear black feathers in my hair and all)”. “I still love them and they are my favourite band, however, I am also a huge fan of Sabaton (Joakim is such a babe!!!), Him, and Ghost! I also listen to Hanoi Rocks, Skid Row, Hardcore Superstar, Hardline, Steelheart, Modern Talking etc. as I am super obsessed with the 80’s!” “My hair as you may notice, might remind you of Rogue from Xmen! “I am also a fire eater and an Asatruar (Ancient Warrior religion of early Scandinavia) and I always have my Mjolnir ring with me.
web: https://www.facebook.com/missanatomiaofficial
https://www.instagram.com/missanatomia/
http://www.anttianatomia.bigcartel.com
Lituanian born Alternative Model ANTTI ANATOMIA started modelling as a hobby and got praised for her tall and slim appearance; “I recall one of the photographers back then described me as a 'Tim Burton like' figure.” “I was always an outsider; my main inspiration at the time came from the band The Rasmus (I used to wear black feathers in my hair and all)”. “I still love them and they are my favourite band, however, I am also a huge fan of Sabaton (Joakim is such a babe!!!), Him, and Ghost! I also listen to Hanoi Rocks, Skid Row, Hardcore Superstar, Hardline, Steelheart, Modern Talking etc. as I am super obsessed with the 80’s!” “My hair as you may notice, might remind you of Rogue from Xmen! “I am also a fire eater and an Asatruar (Ancient Warrior religion of early Scandinavia) and I always have my Mjolnir ring with me.
Above: Model ANTTI ANATOMIA
KING COMPANY – 2018 “Queen Of Hearts”
label: Frontiers music
songs: Queen Of Hearts / One Day Of Your Life / Stars / Living In A Hurricane / Under The Spell / Never Say Goodbye / Learn To Fly / Berlin / King For Tonight / Living The Dream / Arrival / Good Thing (bonus track – digital version //
web: https://www.facebook.com/kingcompanyofficial/ http://www.kingcompanyband.com
Newest album by this Finland based act, merging 80's melodic HardRock /Metal with 90's U.S Mainstream HardRock. Although the American sound prevails throughout, the Scandinavian roots still show, as evidenced on the melodic semi-Headbanger “Queen Of Hearts”, coupling Europe to Alcatrazz. The beefy, moderately paced HardRocker “Living In A Hurricane” clicks with Dokken, whilst the more cliché styled Mainstream Rocker “Never Say Goodbye” somehow reminds of Firehouse (vocal wise). The vocals displayed here are of an upper mid-range tone but show an ability to adapt to the various musical styles, and overall sound easy on the ear. Music is well played and the whole thing sticks together properly with the synths backing creating this full sound, and even pushing the band towards the Goth thing down the balladry of “Living The Dream”. Enjoyable.
Paul van der Burght
label: Frontiers music
songs: Queen Of Hearts / One Day Of Your Life / Stars / Living In A Hurricane / Under The Spell / Never Say Goodbye / Learn To Fly / Berlin / King For Tonight / Living The Dream / Arrival / Good Thing (bonus track – digital version //
web: https://www.facebook.com/kingcompanyofficial/ http://www.kingcompanyband.com
Newest album by this Finland based act, merging 80's melodic HardRock /Metal with 90's U.S Mainstream HardRock. Although the American sound prevails throughout, the Scandinavian roots still show, as evidenced on the melodic semi-Headbanger “Queen Of Hearts”, coupling Europe to Alcatrazz. The beefy, moderately paced HardRocker “Living In A Hurricane” clicks with Dokken, whilst the more cliché styled Mainstream Rocker “Never Say Goodbye” somehow reminds of Firehouse (vocal wise). The vocals displayed here are of an upper mid-range tone but show an ability to adapt to the various musical styles, and overall sound easy on the ear. Music is well played and the whole thing sticks together properly with the synths backing creating this full sound, and even pushing the band towards the Goth thing down the balladry of “Living The Dream”. Enjoyable.
Paul van der Burght
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THEM – 2018 “Manor Of The Se7en Gables”
label: Steamhammer / SPV
songs: Residuum / Circuitous / Refuge In The Manor / Witchfinder / A Scullery Maid / Ravna / As The Sage Burns / The Secret Stairs / Peine Forte Et Dure / Maleficium / Seven Gables To Ash / Punishment By Fire //
web: https://www.facebook.com/thembandofficial/
Newest outlet by this inter-continental act that is quickly making a name in the scene. The album basically is a mix of melodic 80's Euro-Powermetal and 90's U.S PowerMetal / Thrash that is dressed with atmospheric / Gothic synths backing. This all comes together in the semi-orchestral like “Maleficium” which also highlights the technical element down the material. Them has often been compared to MF Fate, but stripped from the King Diamond esque image, falsetto highs, and some multi sung / dubbed lead lines, Them have more in common with Megadeath instead. This is clearly witnessed on the mid-paced PowerMetaler “Witchfinder”, and fragments of the double-bass drummed semi-Thrasher “Seven Gables To Ash”. Furthering on the Thrash thing is the galloping, Forbidden / Testament tinged “Refuge In The Manor”, whilst “Punishment By Fire” covers the whole palette of musical styles, coupling melodic PowerMetal and Thrash with Gothic choirs and Nordic style BlackMetal riffs. There's a lot of double-bass drummage throughout the set that is largely riff dominated. The whole thing is energetic with a good, allround delivery and a fat, pounding production. For a retro styled / inspired band, Them sounds rather modern and a bit too 'polished' in places, tending towards a more 'overground' / commercial appearance. The package works though, and makes for a cool listening affair.
Paul van der Burght
label: Steamhammer / SPV
songs: Residuum / Circuitous / Refuge In The Manor / Witchfinder / A Scullery Maid / Ravna / As The Sage Burns / The Secret Stairs / Peine Forte Et Dure / Maleficium / Seven Gables To Ash / Punishment By Fire //
web: https://www.facebook.com/thembandofficial/
Newest outlet by this inter-continental act that is quickly making a name in the scene. The album basically is a mix of melodic 80's Euro-Powermetal and 90's U.S PowerMetal / Thrash that is dressed with atmospheric / Gothic synths backing. This all comes together in the semi-orchestral like “Maleficium” which also highlights the technical element down the material. Them has often been compared to MF Fate, but stripped from the King Diamond esque image, falsetto highs, and some multi sung / dubbed lead lines, Them have more in common with Megadeath instead. This is clearly witnessed on the mid-paced PowerMetaler “Witchfinder”, and fragments of the double-bass drummed semi-Thrasher “Seven Gables To Ash”. Furthering on the Thrash thing is the galloping, Forbidden / Testament tinged “Refuge In The Manor”, whilst “Punishment By Fire” covers the whole palette of musical styles, coupling melodic PowerMetal and Thrash with Gothic choirs and Nordic style BlackMetal riffs. There's a lot of double-bass drummage throughout the set that is largely riff dominated. The whole thing is energetic with a good, allround delivery and a fat, pounding production. For a retro styled / inspired band, Them sounds rather modern and a bit too 'polished' in places, tending towards a more 'overground' / commercial appearance. The package works though, and makes for a cool listening affair.
Paul van der Burght
On March 22 / 23, London was host to the border crossing event that is the World Metal Congress; the first of its kind in celebrating International Heavy Metal music and its global impact through film, live-music, debates and interaction. As such, this two-day event managed to connect a diverse palette of those actively involved in the scene, such as media / press, organisers, artists / bands and most importantly, fans of Heavy Metal music in general. Day one of this event concentrated on debate, whilst the Saturday daytime showcase featured a variety of events, including film, discussion and live-music, spread over two floors with a Metal market on the ground floor. The event was topped with live-music on Saturday evening, including performances by Wormrot, Dawn Ray'd, Zombies Ate My Girlfriend and Unyielding Love. In all, a most interesting event that shows Heavy Metal is more than just music; it is global community that is very much alive!
For more information about World Metal Congress please visit the following links:
www.worldmetalcongress.com https://www.facebook.com/worldmetalcongress/
For more information about World Metal Congress please visit the following links:
www.worldmetalcongress.com https://www.facebook.com/worldmetalcongress/
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Above and below; an impression of the first World Metal Congress event
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PIG – 2018 “Risen”
label: Metropolis records
songs: The Chosen Few / Morphine Machine / Loud, Lawless & Lost / The Revelation (Misinterpretation Mix) / Truth Is Sin / The Vice Girls / Rise & Repent (Descent Mix) / Leather Pig / When I’m Done (Delivered Mix) / The Cult Of Chaos / The Hangman’s Wooing / Prey & Obey (Disobey Mix) / Hard Machine (Lard Machine Mix) / Ecstasy & Exorcism (Excoriation Variation Mix) //
web: https://pigindustries.bandcamp.com
The “Risen” album by Industrial (Goth) Rock legends Pig pretty much sounds like a retrospect of the band's repertoire through the years. The collaborations with artists from bands such as The Sisters Of Mercy, Combichrist, KMFDM and Filter in combination with various mix-versions add up to this and give the album a varied palette of electronic entertainment. Pig goes back to the early days of the electronic genre in the shape of the 80's, Funk Pop-injected “Loud, Lawless & Lost” that sounds something like Gary Numan – meets – Bowie's “Fashion” in an Industrial manner. At the other end of the spectrum sits the Industrial riff monster that is “The revelation”; the heaviest outing on the album, along with the bobbing slow grinder “Morphine Machine”. In between this is a variety of sounds and styles, including machinery like Industrial Rock (“Rise & Repent”), melancholic balladry (“Truth Is Sin”, “When I'm Done”), Dark sphered Mainstream Rock (“The Hangman's Wooing”), Wave Rock (“The Cult Of Chaos”), and allround depressing melancholy Nick Cave style down “Ecstasy & Exorcism”). The overall delivery of the material is high level and experienced, and beefed up by a superb, power-punch production. Add to all this, the vocal poetry of frontman Raymond Watts, materialized in a deep, level tone voice, and you have a collection of songs that ticks all the boxes. Complete.
Paul van der Burght
label: Metropolis records
songs: The Chosen Few / Morphine Machine / Loud, Lawless & Lost / The Revelation (Misinterpretation Mix) / Truth Is Sin / The Vice Girls / Rise & Repent (Descent Mix) / Leather Pig / When I’m Done (Delivered Mix) / The Cult Of Chaos / The Hangman’s Wooing / Prey & Obey (Disobey Mix) / Hard Machine (Lard Machine Mix) / Ecstasy & Exorcism (Excoriation Variation Mix) //
web: https://pigindustries.bandcamp.com
The “Risen” album by Industrial (Goth) Rock legends Pig pretty much sounds like a retrospect of the band's repertoire through the years. The collaborations with artists from bands such as The Sisters Of Mercy, Combichrist, KMFDM and Filter in combination with various mix-versions add up to this and give the album a varied palette of electronic entertainment. Pig goes back to the early days of the electronic genre in the shape of the 80's, Funk Pop-injected “Loud, Lawless & Lost” that sounds something like Gary Numan – meets – Bowie's “Fashion” in an Industrial manner. At the other end of the spectrum sits the Industrial riff monster that is “The revelation”; the heaviest outing on the album, along with the bobbing slow grinder “Morphine Machine”. In between this is a variety of sounds and styles, including machinery like Industrial Rock (“Rise & Repent”), melancholic balladry (“Truth Is Sin”, “When I'm Done”), Dark sphered Mainstream Rock (“The Hangman's Wooing”), Wave Rock (“The Cult Of Chaos”), and allround depressing melancholy Nick Cave style down “Ecstasy & Exorcism”). The overall delivery of the material is high level and experienced, and beefed up by a superb, power-punch production. Add to all this, the vocal poetry of frontman Raymond Watts, materialized in a deep, level tone voice, and you have a collection of songs that ticks all the boxes. Complete.
Paul van der Burght
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BLACKULT – E.P 2018 “Our Kind”
label: private
songs: Burning Liars / Damned (By Serpents Tongues) / Black Metal Army / Hate Manifest / Prevail Legacy / In Desolate Landscape (Narbeleth cover) //
web: https://www.facebook.com/Blackult/
Six song E.P. by Cuban based 2-piece Blackult, coupling the 2013 “Black Metal Army” demo plus the 2015 “Enchant Moon” E.P. This makes for a collection of primitive, old-school Death / BlackMetal that sounds heavier than the average BlackMetal act. This album does not have the trebly BlackMetal guitars or the polished up production; “Our Kind” is as dirty and provocative as it gets, with a budget production, overpowered guitars drum programming, and scraping, hard as nails vocals. There's a HardCore styled modus on more than one occasion,either channelled through the vocals or the guitars, as witnessed on “Burning Liars” and “Damned”, whilst the old Celtic Frost esque “Hate Manifest” has the BlackMetal thing bordering on GrindCore. Cool
Paul van der Burght
label: private
songs: Burning Liars / Damned (By Serpents Tongues) / Black Metal Army / Hate Manifest / Prevail Legacy / In Desolate Landscape (Narbeleth cover) //
web: https://www.facebook.com/Blackult/
Six song E.P. by Cuban based 2-piece Blackult, coupling the 2013 “Black Metal Army” demo plus the 2015 “Enchant Moon” E.P. This makes for a collection of primitive, old-school Death / BlackMetal that sounds heavier than the average BlackMetal act. This album does not have the trebly BlackMetal guitars or the polished up production; “Our Kind” is as dirty and provocative as it gets, with a budget production, overpowered guitars drum programming, and scraping, hard as nails vocals. There's a HardCore styled modus on more than one occasion,either channelled through the vocals or the guitars, as witnessed on “Burning Liars” and “Damned”, whilst the old Celtic Frost esque “Hate Manifest” has the BlackMetal thing bordering on GrindCore. Cool
Paul van der Burght
INTERVIEW WITH WITCHTOWER ORIGINATOR VICTOR M. DE LA CHICA
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Manic Mosh Metal: How and when did WITCHTOWER come into existence, and were you involved in other bands prior to Witchtower.
Victor: Witchtower started in 2013, when I uploaded the first E.P as a YouTube video; it was very exciting for me because it got a lot of good reviews from a vast amount of people into Underdround Metal way. At that time, I was also involved in other bands like Sombras Del Destino (melodic Speed Metal) and Aria Inferno (Progressive Metal) as a bassist sharing the band with Ronnie Romero from Ritchie Blackmore's Rainbow)
MMM: When did you decide to make Witchtower a full-band, or were musicians just called in to help record the selftitled debut?
Victor: At the time, I was into an IRON MAIDEN cover band called Opera Prima; I talked with the guys and they really liked the idea. Next thing, Witchtower started as a band!
MMM: The real breakthrough came with the “Hammer of Witches” album. What do you think triggered this?
Victor: I think that “Hammer Of Witches” worked for its simple contribution and say, a humble vision of Old School Heavy Metal with a spoonful of mysticism and occult Rock. Nowadays all copies of the album in all possible versions are almost sold out. So I think that we did the fine!
MMM: The sound of Witchtower is firmly rooted in the classic HardRock / Metal thing and even touches upon the Blues-infused HardRock sound of the early 80's as showcased on “Fast Broomsticks”.
Victor: Yes, you are right; in my opinion, this is a good song; you can hear a big influence of bands like UFO or Randy. Talking about the lyrics, it is a mixed history about the power of witches and drugs.
MMM: Any bands in particular that have inspired you concept wise?
Victor: Early Maiden, Black Sabbath, Judas Priest, Deep Purple Thin Lizzy, UFO, Angel Witch, Diamond Head... etc.
MMM: Since Witchtower has a broad spectrum of styles that have been given an own swing, is there any that you would further on specifically or will you maintain this diversity?
Victor: You will find the answer for this on the next album!
MMM: Witchtower is also being featured alongside Backslash on the “Tribute To Randy” mini-LP; how did that came about?
Victor: They offered us to take part on this and we accepted with excitement. Iron Shield records and Blackslash offered us a good deal too.
MMM: Since this split was released through Iron Shield records; will this also be the label of choice for a future release?
Victor: Honestly no. Maybe a re-issue on vinyl would be great, but we think firmly that it needs a remaster. Songs from Blackslash are louder than Witchtower.
MMM: So, any news on the new album,and what can we expect for the future?
Victor: I want to make our third album our best album ever; I know it will be a hard task, because there are a lot of bands out there with good albums and tracks. But, I am working on 8 songs, the best 8 killer tracks ever from Witchtower. It is my personal quest to keep the Old Metal alive, and to fight against modern Metal, reggaeton and the rest of inferior styles!
MMM: Anything else you'd like to add?
Victor: Thanks for this interview. We are always looking for new gigs, so if you want to bring WITCHTOWER to your town, club, or festival, please, write to us at: witchtower.spain@gmail
Victor: Witchtower started in 2013, when I uploaded the first E.P as a YouTube video; it was very exciting for me because it got a lot of good reviews from a vast amount of people into Underdround Metal way. At that time, I was also involved in other bands like Sombras Del Destino (melodic Speed Metal) and Aria Inferno (Progressive Metal) as a bassist sharing the band with Ronnie Romero from Ritchie Blackmore's Rainbow)
MMM: When did you decide to make Witchtower a full-band, or were musicians just called in to help record the selftitled debut?
Victor: At the time, I was into an IRON MAIDEN cover band called Opera Prima; I talked with the guys and they really liked the idea. Next thing, Witchtower started as a band!
MMM: The real breakthrough came with the “Hammer of Witches” album. What do you think triggered this?
Victor: I think that “Hammer Of Witches” worked for its simple contribution and say, a humble vision of Old School Heavy Metal with a spoonful of mysticism and occult Rock. Nowadays all copies of the album in all possible versions are almost sold out. So I think that we did the fine!
MMM: The sound of Witchtower is firmly rooted in the classic HardRock / Metal thing and even touches upon the Blues-infused HardRock sound of the early 80's as showcased on “Fast Broomsticks”.
Victor: Yes, you are right; in my opinion, this is a good song; you can hear a big influence of bands like UFO or Randy. Talking about the lyrics, it is a mixed history about the power of witches and drugs.
MMM: Any bands in particular that have inspired you concept wise?
Victor: Early Maiden, Black Sabbath, Judas Priest, Deep Purple Thin Lizzy, UFO, Angel Witch, Diamond Head... etc.
MMM: Since Witchtower has a broad spectrum of styles that have been given an own swing, is there any that you would further on specifically or will you maintain this diversity?
Victor: You will find the answer for this on the next album!
MMM: Witchtower is also being featured alongside Backslash on the “Tribute To Randy” mini-LP; how did that came about?
Victor: They offered us to take part on this and we accepted with excitement. Iron Shield records and Blackslash offered us a good deal too.
MMM: Since this split was released through Iron Shield records; will this also be the label of choice for a future release?
Victor: Honestly no. Maybe a re-issue on vinyl would be great, but we think firmly that it needs a remaster. Songs from Blackslash are louder than Witchtower.
MMM: So, any news on the new album,and what can we expect for the future?
Victor: I want to make our third album our best album ever; I know it will be a hard task, because there are a lot of bands out there with good albums and tracks. But, I am working on 8 songs, the best 8 killer tracks ever from Witchtower. It is my personal quest to keep the Old Metal alive, and to fight against modern Metal, reggaeton and the rest of inferior styles!
MMM: Anything else you'd like to add?
Victor: Thanks for this interview. We are always looking for new gigs, so if you want to bring WITCHTOWER to your town, club, or festival, please, write to us at: witchtower.spain@gmail
ASHBURY - 2018 "Eye Of The Stygian Witches"
label: High Roller Records (CD & LP format)
songs: End Of All Time / Good Guitar / Summer Fades Away / Celtic Cross / Waited So Long / Out Of The Blue / Faceless Waters / Searchin' / Amber Glass / Eye Of The Stygian Witches / All My Memories //
web: https://www.facebook.com/Ashbury-USA-376482897840
The '83 Ashbury album “Endless Skies” is a much praised and sought after collectible with a matching, three figure price tag. With the back catalogue being re-released in more recent years, the band elevated itself out of the obscurity corner and followed it up with a brand new release. One stuck to the 70's Progressive Rock concept of their previous works, but sees an increase of the Folk thing and mellowed down acoustics, the latter which are an essential feature throughout. This comes with a good lot of sing along themes, or in the shape of vocal + guitar only modes, as on “Summer Fades Away”. There's the occasional click with Wishbone Ash in the guitar / instrumental department (and guitar sound) as witnessed on the Hippie styled Prog Rocker “End Of Al Time” and the Folk infused instrumental “Celtic Cross” that additionally incorporates flute. Epic features pop up at the beginning of “Waited So Long” before it morphs into a ballad. The whole appearance on the album is rather mild and at the other end of the stick of anything HardRock minded, apart from the riff-based Rocker “Goof Guitar” and the Bluesed up “Faceless Waters”. Overall, material is preferably slow to mid-paced with little variety in drive and drums. That is a different matter when it comes to the guitar which lifts the songs with with groovy, and ad-lib style solo actions but does not excel. Fair
Paul van der Burght
label: High Roller Records (CD & LP format)
songs: End Of All Time / Good Guitar / Summer Fades Away / Celtic Cross / Waited So Long / Out Of The Blue / Faceless Waters / Searchin' / Amber Glass / Eye Of The Stygian Witches / All My Memories //
web: https://www.facebook.com/Ashbury-USA-376482897840
The '83 Ashbury album “Endless Skies” is a much praised and sought after collectible with a matching, three figure price tag. With the back catalogue being re-released in more recent years, the band elevated itself out of the obscurity corner and followed it up with a brand new release. One stuck to the 70's Progressive Rock concept of their previous works, but sees an increase of the Folk thing and mellowed down acoustics, the latter which are an essential feature throughout. This comes with a good lot of sing along themes, or in the shape of vocal + guitar only modes, as on “Summer Fades Away”. There's the occasional click with Wishbone Ash in the guitar / instrumental department (and guitar sound) as witnessed on the Hippie styled Prog Rocker “End Of Al Time” and the Folk infused instrumental “Celtic Cross” that additionally incorporates flute. Epic features pop up at the beginning of “Waited So Long” before it morphs into a ballad. The whole appearance on the album is rather mild and at the other end of the stick of anything HardRock minded, apart from the riff-based Rocker “Goof Guitar” and the Bluesed up “Faceless Waters”. Overall, material is preferably slow to mid-paced with little variety in drive and drums. That is a different matter when it comes to the guitar which lifts the songs with with groovy, and ad-lib style solo actions but does not excel. Fair
Paul van der Burght
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FAST EVIL – 2018 “The Midnight Force”
label: Classic Metal records
songs: The Arrival / Hellboss / Japanese Killer / Hell Angel / The Midnight Force / Evil Maniacs / Living At The Speed / Metal Is Back / Ritual Of Sacrifice //
web: https://www.facebook.com/FastevilBand
This first full-lengther by Brazilian Speedsters Fast Evil features all of the songs from the “Wake Up The Devil” E.P. Plus 4 new tracks and an intro; “The Arrival”. The concept on display here basically sounds like accelerated Metal, sort of like the thing very early SpeedMetal bands did, particularly those evolving from the NWOBHM (as on the Savage esque “Japanese Killer”), and the first generation U.S bands such as Abattoir (“Hell Angel”), the latter which is pushed forward on the rhythm riffed “Hell Angel” that incorporates additional traces of Iron Angel and Living Death; two sources that return in full force on the more Euro-styled SpeedMetaler “Evil Maniacs”. The driven “The Midnight Force” alternates Metal with speed in the styles of Exciter and counts as the most in-depth offering here with some cool guitar actions as another plus. A similar twist of speed and subtlety is present on “Living At The Speed” with the Euro sound high up there. The Malibu Barbi styled, rhythm riffed speedster “Metal Is Back” stands out in both tempo (as it is the fastest cut) and vocalage, featuring quite a distinctive up-tone voice. The album concludes with the Griffin – meets – Priest styled up-tempo Metaler “Ritual Of Sacrifice”, complimenting the allround diversity of the set. Nice.
Paul van der Burght
label: Classic Metal records
songs: The Arrival / Hellboss / Japanese Killer / Hell Angel / The Midnight Force / Evil Maniacs / Living At The Speed / Metal Is Back / Ritual Of Sacrifice //
web: https://www.facebook.com/FastevilBand
This first full-lengther by Brazilian Speedsters Fast Evil features all of the songs from the “Wake Up The Devil” E.P. Plus 4 new tracks and an intro; “The Arrival”. The concept on display here basically sounds like accelerated Metal, sort of like the thing very early SpeedMetal bands did, particularly those evolving from the NWOBHM (as on the Savage esque “Japanese Killer”), and the first generation U.S bands such as Abattoir (“Hell Angel”), the latter which is pushed forward on the rhythm riffed “Hell Angel” that incorporates additional traces of Iron Angel and Living Death; two sources that return in full force on the more Euro-styled SpeedMetaler “Evil Maniacs”. The driven “The Midnight Force” alternates Metal with speed in the styles of Exciter and counts as the most in-depth offering here with some cool guitar actions as another plus. A similar twist of speed and subtlety is present on “Living At The Speed” with the Euro sound high up there. The Malibu Barbi styled, rhythm riffed speedster “Metal Is Back” stands out in both tempo (as it is the fastest cut) and vocalage, featuring quite a distinctive up-tone voice. The album concludes with the Griffin – meets – Priest styled up-tempo Metaler “Ritual Of Sacrifice”, complimenting the allround diversity of the set. Nice.
Paul van der Burght
MANIC MOSH METAL had a little chat with singer Lucas Mesquita about the new album:
MMM: How was the response to the “Wake Up The Devil”E.P?
Lucas: We received very positive feedback from sites and fanzines specializing in Rock / Heavy Metal, and we also got great comments from people around the world that contacted us.
MMM: The new songs; “The Midnight Force” and “Living At The Speed” show a slightly more in-depth approach and alternate fast chops with more subtle hooks, will this be a new tendency for forthcoming material?
Lucas: Yes, we like to mix faster and violent sonorities with doses of sentimental ballads with ecstasy
MMM: How did you guys hook up with Classic Metal records?
Lucas: We were already planning to release an album, so our bass player Marcos Andrade contacted Denis Zuliano (owner of Classic Metal Records) and presented him our “Wake Up The Devil” E.P with the proposal to release a debut album, in case he was interested in the proposal. After a few days we received a positive return from Denis.
MMM: How was the response to the “Wake Up The Devil”E.P?
Lucas: We received very positive feedback from sites and fanzines specializing in Rock / Heavy Metal, and we also got great comments from people around the world that contacted us.
MMM: The new songs; “The Midnight Force” and “Living At The Speed” show a slightly more in-depth approach and alternate fast chops with more subtle hooks, will this be a new tendency for forthcoming material?
Lucas: Yes, we like to mix faster and violent sonorities with doses of sentimental ballads with ecstasy
MMM: How did you guys hook up with Classic Metal records?
Lucas: We were already planning to release an album, so our bass player Marcos Andrade contacted Denis Zuliano (owner of Classic Metal Records) and presented him our “Wake Up The Devil” E.P with the proposal to release a debut album, in case he was interested in the proposal. After a few days we received a positive return from Denis.
DRAGONY – 2018 “Masters Of The Multiverse”
label: Limb music
songs: Flame Of Tar Valon / If It Bleeds We Can Kill It / Grey Wardens / Defenders / Fallen Star / Angels On Neon Wings / Days Of High Adventure / Evermore / The Iron Price / Eternia Eternal (The Masters Of The Multiverse) / The Touch (CD only Bonustrack) //
web: http://www.dragony.net
Austrian project – turned – band presenting their third album showcasing a collection of traditional rooted Symphonic Metal tracks with an overground vibe and a strong sing along mode. This is pushed forward on the Gothic edged “If It Bleeds We Can Kill It”. More tending towards the melodic (Power)Metal thing Helloween style are “Grey Wardens” and “Angels On Neon Wings”. There is a good allround variety in songs here, furthered with the anthemic balladry of “Fallen Star”, and the theatrical, Meatloaf esque Stadium Rocker “Days Of High Adventure” (that goes back to the late 70's, American style with lots of piano), the 80's, American Mainstream Rocker “Evermore”, the slow, semi-pounder “The Iron Price” with its fist in the air chorus, and the traditional, melodic PowerMetal minded “Eternia Eternal” with its Helloween esque undertones. Dragony have a decent and for the genre functional singer without the (falsetto) upper tones; it works well but does not spark. Same goes for the performance as w hole which sports all the trimmings, including plenty of double bass drummage, chants, and 'orchestral' synths usage, which are all over the 'bombastic' “Defenders”. The synthesizer is a pretty dominant thing throughout the disc, and stimulates the vibe of certain songs; equally it is a bit out of place or overdone, as witnessed on “The Touch”; an American style PompRocker in the 80's tradition with a strong Journey taste. Dragony ticks all the boxes and has come up with a proper album, but does not exceed, OK
Paul van der Burght
label: Limb music
songs: Flame Of Tar Valon / If It Bleeds We Can Kill It / Grey Wardens / Defenders / Fallen Star / Angels On Neon Wings / Days Of High Adventure / Evermore / The Iron Price / Eternia Eternal (The Masters Of The Multiverse) / The Touch (CD only Bonustrack) //
web: http://www.dragony.net
Austrian project – turned – band presenting their third album showcasing a collection of traditional rooted Symphonic Metal tracks with an overground vibe and a strong sing along mode. This is pushed forward on the Gothic edged “If It Bleeds We Can Kill It”. More tending towards the melodic (Power)Metal thing Helloween style are “Grey Wardens” and “Angels On Neon Wings”. There is a good allround variety in songs here, furthered with the anthemic balladry of “Fallen Star”, and the theatrical, Meatloaf esque Stadium Rocker “Days Of High Adventure” (that goes back to the late 70's, American style with lots of piano), the 80's, American Mainstream Rocker “Evermore”, the slow, semi-pounder “The Iron Price” with its fist in the air chorus, and the traditional, melodic PowerMetal minded “Eternia Eternal” with its Helloween esque undertones. Dragony have a decent and for the genre functional singer without the (falsetto) upper tones; it works well but does not spark. Same goes for the performance as w hole which sports all the trimmings, including plenty of double bass drummage, chants, and 'orchestral' synths usage, which are all over the 'bombastic' “Defenders”. The synthesizer is a pretty dominant thing throughout the disc, and stimulates the vibe of certain songs; equally it is a bit out of place or overdone, as witnessed on “The Touch”; an American style PompRocker in the 80's tradition with a strong Journey taste. Dragony ticks all the boxes and has come up with a proper album, but does not exceed, OK
Paul van der Burght
STRANA OFFICINA – 2018 “Non Finira Mai”
label: Jolly Roger records
songs: Non Finira Mai / Bimbo / Ricordo Di Lei / Vittima / Non Finira Mai ('95) / Bimbo ('95) / Amore E Fuoco ('95) / Vittima ('95) //
web: https://www.facebook.com/StranaOfficinaBand/
Italy's Strana Officina first entered the scene in '83 with a contribution to the “Heavy Metal Eruption” compilation LP with the song “Non Sei Normale”, and from then onwards the band ranked themselves as one of the heavier and better bands to emerge from the Italian Metal scene without getting the credit they really deserved. Their newest work, “Non Finire Mai” is sung in native tongue and played in the 80's HardRock / Metal tradition, beefed up with a power-punch production and meaty guitars. This makes for a chunky sound, coupled to the moderate tempos of the classic rooted titletrack and the 90's Alternative edged “Bimbo” that also features its original, lighter format '95 version. Another element that lifts the power of the music are the muscle vocals of Daniele “Bud”Ancillotti, whilst the quality upgrade comes off the hands of guitarist Dario Cappanera, saucing the songs with some cool, grooved up guitar action. Fastest pick of the set is the thundering, Priest – meets – Picture Euro Headbanger “ Ricordo Di Lei”, whilst the NWOBHM styled and Boogie based “Amore E Fuoco” harks back to the very early 80's, and the Scorpions / T.T.Quick esque “Vittima” colours the musical palette with some classic Rock balladry. This is one entertaining HardRock affair that goes well easy on the ear. Solid.
Paul van der Burght
specs: Grey LP (100 copies), LP, CD, Digital
label: Jolly Roger records
songs: Non Finira Mai / Bimbo / Ricordo Di Lei / Vittima / Non Finira Mai ('95) / Bimbo ('95) / Amore E Fuoco ('95) / Vittima ('95) //
web: https://www.facebook.com/StranaOfficinaBand/
Italy's Strana Officina first entered the scene in '83 with a contribution to the “Heavy Metal Eruption” compilation LP with the song “Non Sei Normale”, and from then onwards the band ranked themselves as one of the heavier and better bands to emerge from the Italian Metal scene without getting the credit they really deserved. Their newest work, “Non Finire Mai” is sung in native tongue and played in the 80's HardRock / Metal tradition, beefed up with a power-punch production and meaty guitars. This makes for a chunky sound, coupled to the moderate tempos of the classic rooted titletrack and the 90's Alternative edged “Bimbo” that also features its original, lighter format '95 version. Another element that lifts the power of the music are the muscle vocals of Daniele “Bud”Ancillotti, whilst the quality upgrade comes off the hands of guitarist Dario Cappanera, saucing the songs with some cool, grooved up guitar action. Fastest pick of the set is the thundering, Priest – meets – Picture Euro Headbanger “ Ricordo Di Lei”, whilst the NWOBHM styled and Boogie based “Amore E Fuoco” harks back to the very early 80's, and the Scorpions / T.T.Quick esque “Vittima” colours the musical palette with some classic Rock balladry. This is one entertaining HardRock affair that goes well easy on the ear. Solid.
Paul van der Burght
specs: Grey LP (100 copies), LP, CD, Digital
ROCK & METAL RADIO SHOWS
ROX - Rock 'n' Metal - UK based radio station and on-line magazine / community / blog
web: https://www.facebook.com/ROXRocknMetal/ http://roxrocknmetal.yolasite.com
ROX RADIO
web: https://roxradio.yolasite.com/
ROX RADIO is a Spreaker based Rock and Metal radio show that not just uses digital but also analogue material from vinyl and cassette formats, playing a perfect blend of old and new material, demo tracks, live tracks as well as special performances, rare stiff and archive interviews. Broadcast weekly in 3 parts with cool viduals and information on-screen,
ROX MAGAZINE
web: https://roxrocknmetal.wordpress.com/
The ROX on-line magazine is rockin' 24/7 and updated regularly with loads of great reviews, news, pix and much more. The core of the magazine is that it is an on-line community / blog of fans, musicians, promoters and others involved in music. Its purpose is to share, connect and promote the best in Rock and Metal worldwide from both signed and unsigned bands and solo musicians. Rox also writes about cool gear, shows and anything Rock and Metal related that is cool. Everyone is welcome to contribute, everyone is equal here. There are no bosses, no music bizz ass-lickers and everyone is free to express their love of Rock and Metal and tell the world about the bands they love and listen to.
web: https://www.facebook.com/ROXRocknMetal/ http://roxrocknmetal.yolasite.com
ROX RADIO
web: https://roxradio.yolasite.com/
ROX RADIO is a Spreaker based Rock and Metal radio show that not just uses digital but also analogue material from vinyl and cassette formats, playing a perfect blend of old and new material, demo tracks, live tracks as well as special performances, rare stiff and archive interviews. Broadcast weekly in 3 parts with cool viduals and information on-screen,
ROX MAGAZINE
web: https://roxrocknmetal.wordpress.com/
The ROX on-line magazine is rockin' 24/7 and updated regularly with loads of great reviews, news, pix and much more. The core of the magazine is that it is an on-line community / blog of fans, musicians, promoters and others involved in music. Its purpose is to share, connect and promote the best in Rock and Metal worldwide from both signed and unsigned bands and solo musicians. Rox also writes about cool gear, shows and anything Rock and Metal related that is cool. Everyone is welcome to contribute, everyone is equal here. There are no bosses, no music bizz ass-lickers and everyone is free to express their love of Rock and Metal and tell the world about the bands they love and listen to.
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RAISED ON ROCK – Real Rock Music On A real Radio Station
web: https://www.facebook.com/10Radioclassicrock/ http://10radio.org/raised-on-rock UK based Classic Rock Radio show airing live on 10Radio 105.3 FM, every other Friday at 20.00 pm BST. Raised ON Rock flies the flag for Classic Rock past and present, playing the best of the new releases shoulder to shoulder with the best tracks from the golden era of Classic Rock. The show delivers 'all killer no filler Classic Rock' with at least 60/40 % in favour of new material; mostly melodic Rock but also traditional Metal, Symphonic Metal, Blues and Prog Rock reaching listeners all across the globe. Raised ON Rock brings back the vibe of the classic BBC Radio 1 Friday Rock Show that was presented by Tommy Vance and follows the same principle, “It's the music that matters”. Raised ON Rock is also uploaded to mixcloud which allows one to listen to the show at any time. Check it out! RAISED ON ROCK EDITION #25 Friday 15th February 2019 complete show The 25th live on air edition of my all killer/no filler classic rock radio show 'Raised ON Rock' as broadcast live in the UK on 10Radio 105.3 FM on Friday 15th Feb 2019. Two hours of unbelievable back to back classic/melodic rock & metal featuring some outstanding new and recent releases. CLICK PHOTO TO GET RE-DIRECTED TO STREAM THE SHOW |
METAL DEVASTATION Radio - Metal Radio Louder Than Anything Else
web: http://metaldevastationradio.com/
http://tunein.com/radio/metal-devastation-radio-s208986/
U.S.A based radio station and website established in 2013 and features a 24/7 stream. MDR aims to promote Underground music from both unsigned bands and bands on small labels. Show plays all genres of Rock and Metal and currently has a roster of close to 30 different DJ's from all over the world. MDR is a one-stop gathering place for Metalheads and bands, and pride themselves on being able to give fans a truly interactive experience where they can connect with other people from all around the world.
THE RYCHE RAGE ROCK SHOW - “Where Metal Never Dies!”
web: https://www.facebook.com/RychRageRockShow/
http://www.zonarocks.com
https://tunein.com/radio/KWTF-Zona-Rocks-s130304/
U.S.A based radio station launched in 2013, airing Thursdays for a 3 hour Metal fix that is 'Wild, Crazy, Loud, and a lot of fun. Listen via the Zonarocks link or the Tunein App
web: https://www.facebook.com/RychRageRockShow/
http://www.zonarocks.com
https://tunein.com/radio/KWTF-Zona-Rocks-s130304/
U.S.A based radio station launched in 2013, airing Thursdays for a 3 hour Metal fix that is 'Wild, Crazy, Loud, and a lot of fun. Listen via the Zonarocks link or the Tunein App